Items Similar to Abstract (with Two White Vases)
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Ed BaynardAbstract (with Two White Vases)2005
2005
About the Item
Ed Baynard
Abstract (with Two White Vases), 2005
Signed, titled, and dated along the verso
Acrylic on canvas
48 x 40 inches
- Creator:Ed Baynard (1940, American)
- Creation Year:2005
- Dimensions:Height: 48 in (121.92 cm)Width: 40 in (101.6 cm)
- More Editions & Sizes:Unique workPrice: $12,000
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1841214453032
Ed Baynard
Ed Baynard was born on December 14, 1940, in Washington, D.C. He grew up in an environment that fostered his love for art, eventually leading him to become a prominent figure in the American art scene. Baynard was largely self-taught, drawing inspiration from various art movements and styles throughout his career. Ed Baynard's career is marked by his elegant approach to traditional subjects and his ability to infuse them with modern sensibility. His work in poster art has allowed him to reach a wider audience, making his art accessible and appreciated by many. Through his paintings, prints, and posters, Baynard has left a lasting impact on the art world, celebrated for his clarity, precision, and timeless beauty.
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2021
1stDibs seller since 2022
63 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- "The Boat" Abstract Patterns, Composition of Abstract ShapesBy Ed BaynardLocated in New York, NYEd Baynard The Boat, 2005 Signed, titled, and dated on the overlap Watercolor on canvas 24 x 36 inchesCategory
Early 2000s Abstract Abstract Paintings
MaterialsCanvas, Acrylic
- "Candelabra, " Edward Millman, Colorful Abstract Expressionist Still LifeLocated in New York, NYEdward Millman (1907 - 1964) Candelabra, 1962 Signed lower right; titled and dated on the reverse Oil on canvas 41 3/4 x 31 1/2 inches Provenance: The ...Category
1960s Abstract Abstract Paintings
MaterialsCanvas, Oil
- "Nature morte" Bela de Kristo, Mid-century Cubist Still Life Abstract CelloBy Bela De KristoLocated in New York, NYBela de Kristo Nature morte, circa 1956 Signed lower right Oil on board 19 5/8 x 11 3/4 inches Provenance: Alexander Kahan Fine Arts, New York Private ...Category
1950s Cubist Still-life Paintings
MaterialsOil, Board
- "Black Whole, " Jay Rosenblum, Color Field Abstract with StripesBy Jay RosenblumLocated in New York, NYJay Rosenblum Black Whole Signed and titled on the reverse Acrylic on canvas 18 x 32 inches Jay Rosenblum experimented with different versions of the "Visual Stripe motif" for more ...Category
1970s Abstract Abstract Paintings
MaterialsCanvas, Acrylic
- "Jean Jean" Larry Zox, Color Field, Geometric Abstraction, Hard-Edge, YellowBy Larry ZoxLocated in New York, NYLarry Zox Jean Jean, 1964 Signed, dated, and titled on the stretcher Liquitex on canvas 58 x 62 inches Provenance: Solomon & Co., New York Private Collection, NJ Estate of the above, 2023 Committed to abstraction throughout his career, Larry Zox played a central role in the Color Field discourse of the 1960s and 1970s. His work of the time, consisting of brilliantly colored geometric shapes in dynamic juxtapositions, demonstrated that hard-edge painting was neither cold nor formalistic. He reused certain motifs, but he did so less to explore their aspects than to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his essay for Zox’s solo exhibition at the Whitney Museum of American Art in 1973. By the 1970s, Zox was using a freer, more emotive method, while maintaining the autonomy of color, which increasingly became more important to him than structure in his late years. Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler for the Gallery of Modern Art, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, Zox was represented in the inaugural exhibition of the Hirshhorn Museum, which owns fourteen of his works. Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University. While studying at the Des Moines Art Center, he was mentored by George Grosz, who despite his own figurative approach encouraged Zox’s forays into abstraction. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with the visiting fighters. He later established a studio in East Hampton, where he painted and fished including using a helicopter to spot fish. In the 1950s and early 1960s, Zox’s works were collages consisting of painted pieces of paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of intense hues that created ambiguous surfaces. Next, he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. From 1962 to 1965, he produced his Rotation Series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times noted in 1964: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.” In 1965, he began the Scissors Jack...Category
1960s Abstract Geometric Abstract Paintings
MaterialsCanvas, Acrylic
- "One" Gene Hedge, Abstract Color Field, Red Midcentury Bauhaus PaintingLocated in New York, NYGene Hedge One, 1968 Signed and dated on the reverse Acrylic on canvas 53 3/8 x 32 inches (P118) Gene Hedge was born (1928) and raised in rural Indiana. After military service, he b...Category
1960s Abstract Abstract Paintings
MaterialsCanvas, Acrylic
You May Also Like
- Coincidence, Geometric Abstract SeriesBy Robert PetrickLocated in Los Angeles, CARobert W. Petrick Coincidence Geometric Abstraction East Village NYC, 2022 acrylic on canvas New York, 2nd street studio Colorful geometric abstract ...Category
21st Century and Contemporary Abstract Geometric Abstract Paintings
MaterialsCanvas, Acrylic
- Rushhour, Chromatic Collision Series, Abstract Geometric Line PaintingBy Robert PetrickLocated in Los Angeles, CARobert Petrick's "Rushhour" is a fusion of meticulous geometry and bold abstract expression. From the artist's Chromatic Collisions series, this piece...Category
21st Century and Contemporary Abstract Geometric Abstract Paintings
MaterialsCanvas, Acrylic
- My Way or the High Way, Chromatic Collision Series, Abstract Geometric PaintingBy Robert PetrickLocated in Los Angeles, CARobert Petrick's "My Way or the High Way" is a fusion of meticulous geometry and bold abstract expression. The second from the artist's Chromatic Collisions series, this piece is bot...Category
21st Century and Contemporary Abstract Geometric Abstract Paintings
MaterialsCanvas, Acrylic
- Taking Off, Chromatic Collision Series, Abstract Geometric Line PaintingBy Robert PetrickLocated in Los Angeles, CARobert Petrick's "Taking Off" is a fusion of meticulous geometry and bold abstract expression. From the artist's Chromatic Collisions series, this piece is both timeless and contempo...Category
21st Century and Contemporary Abstract Geometric Abstract Paintings
MaterialsCanvas, Acrylic
- Abstracted Floral Still LifeBy Ilana IngberLocated in Soquel, CAAbstract Expressionist Still Life with White Flowers Vibrant still life by Ilana Ingber (American, b. 1984). This piece has bright pink, yellow, and orange floral shapes that pop ou...Category
2010s Abstract Impressionist Abstract Paintings
MaterialsCanvas, Acrylic, Stretcher Bars
- Abstract Expressionist Still Life with White FlowersBy Ilana IngberLocated in Soquel, CAAbstract Expressionist Still Life with White Flowers Vibrant still life by Ilana Ingber (American, b. 1984). This piece has white and soft pink flowers that pop out from a bold blue...Category
2010s Abstract Impressionist Abstract Paintings
MaterialsCanvas, Acrylic, Stretcher Bars
Recently Viewed
View AllMore Ways To Browse
Large Buffalo
Artistic Tie
Mies Bed
Used Windows Los Angeles
1960s Art Purple
60s Painting Large
Archeological Art
Arizona Desert
Birds Heart
Candy Oil Painting
Cincinnati Ohio
Large Vertical Abstract Painting
Pebble Art
Blue Cubist
Cuba Oil Painting
Cuban Oil Painting
Large Painting Solid
Paper Used For Spray Paint Art