Items Similar to LENTICULAR VANISH - textural optical illusion painting using caulk and enamel
Want more images or videos?
Request additional images or videos from the seller
1 of 14
Eleanor AldrichLENTICULAR VANISH - textural optical illusion painting using caulk and enamel2020
2020
About the Item
Excerpt from a review by art critic Joe Nolan:
"In these works, Aldrich paints on surfaces that have been covered in uniform vertical strips of caulk. The textures don’t play into the subjects of these paintings so much as create a consistent 3D pattern across the whole surface of a wood panel covered with canvas.
Two of the most interesting works in this style give us graphic renderings of domestic interiors laid out in blocks of color and elemental shapes. 'Kitchen Sink' and 'Ironing' depict counters, faucets and ironing boards through a distorted perspective that’s unnervingly deep and narrow, vertiginous and claustrophobic. The caulk brings lots of texture to these works, and Aldrich’s paint appears to be applied in chromatic washes of yellow, pink and blue that seem serene given their off-kilter surroundings. In fact, Aldrich uses the repeating vertical textures to create vividly colored lenticular illusions in these works, which only reveal themselves as viewers move past the paintings.
In addition to their formal qualities and their narrative content, Aldrich’s works also comment on traditional gender roles in Western society. Her narrative portraits are mostly inspired by the covers of Nancy Drew novels. Drew, the “girl detective” who first appeared in print as a female counterpart to the Hardy Boys’ detective stories, was independent, strong-willed and adventurous — a genuine action hero for young girls. Aldrich’s portraits capture similarly feisty sleuths in silicone, caulking and enamel paint, which Aldrich applies using grouting tools. In short, the artist uses the kind of traditionally masculine materials and tools you’d find at a hardware store to paint a young feminist hero.
The relationship between materials and subjects is repeated in Aldrich’s lenticular domestic scenes, where the trappings and settings of “women’s work” are rendered with “masculine” materials. This thoughtful contrast between subjects and the stuff they’re made of brings a conceptual depth to these works that might be overlooked given their arresting surfaces. Aldrich’s paintings are super stylized, but also smart in substance. And in the five years I’ve been watching her practice evolve, it’s only become more singular."
- Creator:Eleanor Aldrich (American)
- Creation Year:2020
- Dimensions:Height: 24 in (60.96 cm)Width: 18 in (45.72 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Signal Mountain, TN
- Reference Number:1stDibs: LU98517099292
Eleanor Aldrich
Eleanor Aldrich was born in Springerville, Arizona. A participant at the Skowhegan School of Painting and Sculpture in Maine, she also holds an MFA in Painting & Drawing from the University of Tennessee, Knoxville, where she currently lives. She earned her BFA in Painting & Drawing through the Academie Minerva (Groningen, the Netherlands) and Northern Arizona University, Flagstaff. She was a participant in the Drawing Center’s first Open Sessions, and works in a long-distance collaboration ALDRICH & WEISSBERGER with the artist Barbara Weissberger. Eleanor has had solo shows in Boston, Nashville, Knoxville, Flagstaff, AZ, and at the University of Alabama. Her work has been shown at Saltworks Gallery and White Space (Atlanta, GA), the Drawing Center (New York, NY), Grin (Providence, RI) and Ortega y Gasset (New York, NY). Her work was chosen for 1708 Gallery’s ‘FEED 2013’ (Richmond, VA). She has been awarded an Endowment for the Arts through the Whiteman Foundation, and the Herman E. Spivey Fellowship. Her work has been included in New American Paintings, and reviewed in Art in America and on Artforum. Statement: My work is about the places where the concerns of modernist painting meet my own experiences and the physical reality of the body. Sometimes the encounter is in the application – paint is combed, piped, squished, and sprayed, and paper transfers are rubbed off; playing with ideas of femininity and the purity of paint. The material squeeze invites the empathy of the body and is at times funny, beautiful, revolting, and satisfying. The grid appears as a support- a resist that molds the material as it presses through. In this way the material is metaphoric of conformity and issues of control over one’s body.
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2014
1stDibs seller since 2018
75 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Signal Mountain, TN
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- IRONING - texturized lenticular painting, optical illusion, geometric abstractBy Eleanor AldrichLocated in Signal Mountain, TN"In these works, Aldrich paints on surfaces that have been covered in uniform vertical strips of caulk. The textures don’t play into the subjects of these paintings so much as create a consistent 3D pattern across the whole surface of a wood panel covered with canvas. Two of the most interesting works in this style give us graphic renderings of domestic interiors laid out in blocks of color and elemental shapes. 'Kitchen Sink' and 'Ironing' depict counters, faucets and ironing boards through a distorted perspective that’s unnervingly deep and narrow, vertiginous and claustrophobic. The caulk brings lots of texture to these works, and Aldrich’s paint appears to be applied in chromatic washes of yellow, pink and blue that seem serene given their off-kilter surroundings. In fact, Aldrich uses the repeating vertical textures to create vividly colored lenticular illusions in these works, which only reveal themselves as viewers move past the paintings. In addition to their formal qualities and their narrative content, Aldrich’s works also comment on traditional gender roles in Western society. Her narrative portraits are mostly inspired by the covers of Nancy Drew novels. Drew, the “girl detective” who first appeared in print as a female counterpart to the Hardy Boys...Category
2010s Abstract Abstract Paintings
MaterialsEnamel
- VIEW - Oil, acrylic, and spray paint on paper and polyester mesh - gold, ivoryBy Heather HartmanLocated in Signal Mountain, TNVIEW is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the...Category
2010s Abstract Abstract Paintings
MaterialsGold Leaf
- VERSO EQUIVALENCE 1 - acrylic, staples, pine wood, cut linen -Abstract geometricBy Linda King FergusonLocated in Signal Mountain, TNThis painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...Category
2010s Abstract Geometric Abstract Paintings
MaterialsMetal
- PRR - 100Located in Signal Mountain, TNThis framed mixed media painting by Eric Mack combines his grid work created through collaged pieces of paper, nylon mesh, ink, gesso, and acrylic. Imagery i...Category
2010s Abstract Abstract Paintings
MaterialsGesso, Wood, Paper, Acrylic, Pigment, Gouache
- ECHO II - Grey, Purple, Yellow Contemporary Abstract Mixed Media PaintingBy Heather HartmanLocated in Signal Mountain, TNThis painting is part of a series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the ...Category
2010s Abstract Abstract Paintings
MaterialsPolyester, Paper, Oil, Acrylic, Gouache
- THE LONG SUMMER - Contemporary Abstract Mixed Media Painting, Green, LightBy Heather HartmanLocated in Signal Mountain, TNTHE LONG SUMMER captures the patterned light peering through the blinds on a late Summer's afternoon. This painting is is part of an on-going series th...Category
2010s Abstract Abstract Paintings
MaterialsPolyester, Paper, Oil, Acrylic, Gouache, Mesh
You May Also Like
- Lightening (Square Abstract Encaustic & Enamel Painting on Wood in Mint Green)By James O'SheaLocated in Hudson, NYModern, abstract wood construction painting in mint green, teal, navy and sienna. Encaustic on wood panel 12 x 12 inches James O'Shea has been praised for years for his work as a co...Category
2010s Abstract Abstract Paintings
MaterialsEnamel
- Abstract Expressionist Enamel on Metal Color Field Painting Paul Jenkins StyleBy Dom MingollaLocated in Surfside, FLWall hanging, Framed 16 X 20. Enamel measures 16 X 12 Dominic Mingolla (1922 – 1999) Mingolla created paintings in many different materials and genres. Best known for his large abstract expressionist watercolor paintings similar in style to Paul Jenkins and for his Enamel work. His work bears affinities both to Lyrical Abstraction and to Tachisme artists such as Nicolas de Staël, Serge Poliakoff, Andre Lanskoy, Hans Hartung, Jean-Paul Riopelle, Gustave Singier, Alfred Manessier, Roger Bissiere, "Lyrical Abstraction arose in the 1960s and 70s, following the challenge of Minimalism and Conceptual art. Many artists began moving away from geometric, hard-edge, and minimal styles, toward more lyrical, sensuous, romantic abstractions worked in a loose gestural style. These "lyrical abstractionists" sought to expand the boundaries of abstract painting, and to revive and reinvigorate a painterly 'tradition' in American art. At the same time, these artists sought to reinstate the primacy of line and color as formal elements in works composed according to aesthetic principles – rather than as the visual representation of sociopolitical realities or philosophical theories." "Characterized by intuitive and loose paint handling, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other painterly techniques, the abstract works included in this exhibition sing with rich fluid color and quiet energy. Artists associated with Lyrical Abstraction include: Natvar Bhavsar, Lamar Briggs, Friedel Dzubas, Sam Francis, Ronnie Landfield, Pat Lipsky...Category
20th Century Abstract Mixed Media
MaterialsCopper, Enamel
- Sunny Inner dayLocated in Miami, FLCrystal Acrylic, Color Pigments and Aluminium Hand signed and dated by the artist at the back, France 2021Category
2010s Abstract Mixed Media
MaterialsMetal
- Calming Nature Abstract Mix Media Painting, "Pathway" 2023Located in San Diego, CAThis is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 30" x 24" x 2" (HxWxD). It is painted plexiglass overlay, mulberry ...Category
2010s Abstract Abstract Paintings
MaterialsSilver
- Celestial DNALocated in Miami, FLCrystal Acrylic, Color Pigments and Aluminium Hand signed and dated by the artist at the backCategory
2010s Abstract Mixed Media
MaterialsMetal
- Wave Pearl GoldBy KX2: Ruth Avra and Dana KleinmanLocated in PARIS, FRPearlescent wave series, in aluminum with mixed media and pearlescent enamel on wood. Wall sculpture is sold with it's certificate of authenticity. Can be purchased individually or a...Category
2010s Abstract Mixed Media
MaterialsMetal