Erin Rachel Hudak

Wild New World

2020

A celebration of spring returning to NYC, this painting sets the scene with washes of a red brick building, and thickly painted luscious green tree in the background. The older tree ...

This painting on panel is a playful repetition of colors and forms.

Underwater, 2020, 12x9 inches, acrylic on wood panel Reminiscent of an underwater journey, this painting is an exploration of a garden that flows in and out with the tides. The neon yellow fades beautifully into stains of green, then light blue with tuberous biomorphic shapes in the foreground. Born in Stow, Ohio in 1978, Erin Rachel Hudak creates collages, paintings and installations that discuss ideas of freedom, power, perception and transformation. Hudak’s artwork is often inspired by her personal relationship with nature juxtaposed with various histories of "mans" relationship with ‘The Land’. Living in New York City has furthered her interest in the multiple intersections of the natural world within and around the city. Hudak has been awarded with grants for her public sculpture projects: See Thru, Brooklyn NY 2014 , What We See, Brooklyn, NY, 2012; Love You Forever, Sun Valley Idaho...

This painting depicts a beautiful, cool yellow, huge full moon rising over a body of water, possibly the ocean, or a very large lake. The reflections playfully ripple in the water wi...

abstract NINETEEN Acrylic and collage on canvas 2018 36x48 Abstract NINETEEN NINETEEN is one of the largest paintings of this ever growing body of work by Aaron A. Young. Referencing the work of Sam Francis, Frankenthaller and deKooning, the abstract color fields and interrupted lines are meant to draw the viewer into the piece to find an ever evolving composition. Using a continuously changing palate of colors and a multitude of layers of paint and collage, the work conveys texture and weight derived from obliterating some details of the past while accentuating others. With this, the process of the piece is preserved, creating almost an archeological experience for the viewer; discovering details the deeper you look. Hard edges meet soft, spontaneous and organic drips of paint overlap with meticulously created linework. The typography of old newspaper is hidden, yet also framed, by brushstrokes making windows into the inner layers of the work. There is always something to discover. Aaron A. Young is a Queens, NY based abstract artist. Starting his ambition for painting with a Bob Ross Painting...

"3 Untitled Sharks" 24 x 36" Oil on canvas 2019 This painting from Michael Myers' "Sharks" series is done in his most recognizable style. The series is inspired by a fear and fascin...

Burning Ember is painted on a wood panel, in acrylic. The size is 40" x 40". The painting hangs on a French cleat. Troy Smith is a Canadian artist, designer, sculptor and painter w...

Endless Night was painted by Troy Smith in acrylic on a Birch panel. The long arching palette strokes reach from one edge of the painting to the other. Blending only two colours, bla...

An iconic oil on panel by world-renowned Giancarlo Impiglia, whose work is only going up in value. Born in Rome, Impiglia moved to New York in the 70s, where he established a signa...

AUSPICE 2020 Paris, France An auspice is a ‘prophetic sign’ which the artist was inspired by. This textured, abstract piece features a lying skull, looking up to the sky...

THE OCCUPANT 2020 Paris, France A smaller work done in parallel to a complimentary piece ‘WOMBS, TOMBS, TOOLS,’ which portrays hand-painted serif typeset words ‘THE OCCUPANT.’ A ribbon of black along the base of the work hosts a line which reads: “The offices in the desert vending out futures -- if you had gotten a good one you too would want them all to know -- where our bodies have been.” The work is a commentary on the spaces we inhabit, and how they are all temporary. Paint is acrylic with the exception of the red elements, which are formed with oil paint. The painting is executed on two connected, reclaimed wood panels...

Mixed media (oil, pastel and pencil) on a wooden panel. An intense, colorful, but at the same time essential, balanced and elegant, modern composition, in this gestural mixed media abstraction of a human figure, by Italian contemporary artist Federica Aiello Pini...