Eve Drewelowe

"Alpha, " The Beginning, 1950s Framed Abstract Textured Mixed Media Oil Painting

1957

Mid-century modern abstract painting of crystal formations by Margo Hoff (1910-2008) created with acrylic and canvas collage in purple and pink coloring. Wrapped canvas is ready to hang, outer dimensions measure 49 x 49 x 1 ¼ inches. Provenance: Estate of the Artist, Margo Hoff About the Artist: Born Oklahoma 1910 Died New York 2008 A prolific artist, Margo Hoff’s exquisite style evolved throughout her career yet was always rooted in the events, people, and places in her life. The human experience was her sole focus, expressed through her eyes alone. Born in 1910 in Tulsa, Oklahoma, Hoff began creating white-clay animals at a young age, giving them to her friends and family. At eleven she contracted typhoid fever and was bedridden for a summer. During her convalescence, she drew and made cutouts, and it was during this time that her bold, artistic imagination came alive. She began formal art training in high school and continued her education at the University of Oklahoma, Tulsa. In 1933 she moved to Chicago and attended the National Academy of Art and the School of the Art Institute of Chicago. Between 1933 and 1960—her Chicago years—Hoff’s works was deeply rooted in a figurative, regionalist style. She often used elements of magical realism, and many of her paintings have dreamlike qualities. As a child she learned about color by grinding down rocks, plants, and berries. Her color pallet during the Chicago years is indicative of her early-life color experimentation as she consistently used warm, earth tones in her work. Hoff was a born adventurer and traveled extensively. She lived, worked, taught, and painted in Europe, Mexico, Lebanon, Uganda, Brazil, and China. She also showed at the Denver Art Museum’s Annual Western Exhibitions in 1952-54, 56, and 57. In 1957 she showed along side Colorado modernist Vance Kirkland at the Denver Art Museum’s exhibition, Man's Conquest of Space. What was once a focus on the representational, her work began to change after 1957 when she saw Sputnik in its orbit around Earth. At that moment, feet firmly placed on the ground, she was able to imagine herself in space, looking down from the cosmos, and what she saw was an abstracted world. She then had the opportunity to peer into an electron microscope where once again she was looking down into what seemed to be a realm of pure abstraction. These two events profoundly changed her perspective and she began to move from figural painting to abstract, geometric collage. In 1960, Hoff moved to New York City and she began creating collages. Placing the canvas on the ground, and working from all sides, she used strips of painted paper and tissue—and later painted pieces of canvas—glued onto the canvas surface, building layer upon layer, shape against shape, “action of color next to stillness of color.” She believed these simplified, abstracted forms held the spirit of the subject in the same way poetry reduces words to their essence. These pieces range from aerial cityscapes, to dancers in motions, to flora...

Fabric Shop is a vintage painting by Margo Hoff (1910-2008). Painted in hues of pink, coral, orange, green, blue, black, green and yellow with canvas collage on canvas. Presented in a vintage/original frame, outer dimensions measure 16 ¼ x 16 ¼ x 1 ½ inches. Image size is 15 x 15 inches. Provenance: Estate of the Artist, Margo Hoff A prolific artist, Margo Hoff’s exquisite style evolved throughout her career yet was always rooted in the events, people, and places in her life. The human experience was her sole focus, expressed through her eyes alone. Born in 1910 in Tulsa, Oklahoma, Hoff began creating white-clay animals at a young age, giving them to her friends and family. At eleven she contracted typhoid fever and was bedridden for a summer. During her convalescence, she drew and made cutouts, and it was during this time that her bold, artistic imagination came alive. She began formal art training in high school and continued her education at the University of Oklahoma, Tulsa. In 1933 she moved to Chicago and attended the National Academy of Art and the School of the Art Institute of Chicago. Between 1933 and 1960—her Chicago years—Hoff’s works was deeply rooted in a figurative, regionalist style. She often used elements of magical realism, and many of her paintings have dreamlike qualities. As a child she learned about color by grinding down rocks, plants, and berries. Her color pallet during the Chicago years is indicative of her early-life color experimentation as she consistently used warm, earth tones in her work. Hoff was a born adventurer and traveled extensively. She lived, worked, taught, and painted in Europe, Mexico, Lebanon, Uganda, Brazil, and China. She also showed at the Denver Art Museum’s Annual Western Exhibitions in 1952-54, 56, and 57. In 1957 she showed along side Colorado modernist Vance Kirkland at the Denver Art Museum’s exhibition, Man's Conquest of Space. What was once a focus on the representational, her work began to change after 1957 when she saw Sputnik in its orbit around Earth. At that moment, feet firmly placed on the ground, she was able to imagine herself in space, looking down from the cosmos, and what she saw was an abstracted world. She then had the opportunity to peer into an electron microscope where once again she was looking down into what seemed to be a realm of pure abstraction. These two events profoundly changed her perspective and she began to move from figural painting to abstract, geometric collage. In 1960, Hoff moved to New York City and she began creating collages. Placing the canvas on the ground, and working from all sides, she used strips of painted paper and tissue—and later painted pieces of canvas—glued onto the canvas surface, building layer upon layer, shape against shape, “action of color next to stillness of color.” She believed these simplified, abstracted forms held the spirit of the subject in the same way poetry reduces words to their essence. These pieces range from aerial cityscapes, to dancers in motions, to flora...

Abstract acrylic and fabric collage on canvas in purple, red, green, brown and black, signed by Margo Hoff (1910-2008) painted 1974. Unframed, wrapped canvas measuring 54 x 60 x 3⁄4 ...

'Break Dancers' is an original vintage 1980s painting by Chicago artist, Margo Hoff (1910-2008). From the artist's "Action Series" the painting depicts ...

"Florentine Night" is an oil on canvas painting by Edward (Eduardo) Arcenio Chavez (1917-1995) circa 1951 signed and titled on back of canvas. Signed and titled by the artist verso. Abstract painting in bright blue, purple, green, yellow, and orange. Presented in the original artist frame measuring 28 x 33 inches, image size is 24 x 30 inches. Expedited and International shipping is available - please contact us for a quote. About the Artist: Born 1917 Died 1995 Born in Wagonmound, New Mexico, Eduardo Chavez...

Untitled (Fruit, Leaves, Spotted Cloth) oil on canvas painting signed by Bernard Arnest (1917-1986) from 1959. Abstracted still life featuring fruit and leaves on a purple/grey background. Presented in a custom frame measuring 43 x 36 ¾ inches, image size measures 40 x 34 inches. Expedited and International shipping is available - please contact us for a quote. About the Artist: A Denver native, Arnest studied with Helen Perry at East High School who is accredited to having identified many of Colorado’s talented artists. At Perry’s recommendation Arnest benefited from supplemental instruction at the newly founded Kirkland School of Art and at the School of Fine Art and Design operated by Colorado artist Frank Mechau. Following graduation from East, Arnest enrolled at the Broadmoor Art Academy in Colorado Springs, where he studied with Boardman Robinson and Henry Varnum Poor. In 1940 Arnest was awarded the Guggenheim Fellowship in painting which he spent in San Francisco. That same year San Francisco Museum of Art had a one-man show for Arnest, the first of many in his professional career. Other exhibitions included the Whitney Museum, Corcoran Gallery of Art, National Academy of Design, Carnegie Museum of Art and the Minneapolis Institute of Art. After the war he worked for two years in New York City and began a thirty-nine-year affiliation with Kraushaar Galleries who also showed the likes of George Luks, John Sloan, Maurice...

Petra Rös-Nickel’s original paintings merge playful forms, bright colors, and architectural compositions in oil and mixed media on canvas. Her contemporary artworks contain rich textures and patterns, referencing popular European textile designs of the fifties and sixties. Rös-Nickel’s work translates the geometric and organic elements of an era that hoisted the flags of modernism and which, due to a trend to return to a rather retro style, has become topical once more. This 63-inch high by 10-inch wide contemporary oil painting is wired and ready to hang. This artwork is double wired and may be installed vertically or horizontally. The sides of this artwork are painted gold and it does not require framing. Free local Los Angeles area delivery. Affordable U.S. and global shipping available. A certificate of authenticity issued by the art gallery is included. Petra was born 1963 in Wathlingen near Celle, Germany, and breaks completely new ground with her abstract forms of painting and expression. After studying fashion design at the professional school for clothing in Bremen, 1980, Petra Rös-Nickel changed her field of study to architecture in Eckernförde, 1982. She now lives in Hamburg, Germany. Preferring the creative aspects of the studies to the technical ones, the artist developed the basics of her painting, never denying the roots of applied design and soon ending in a refreshing, distinctive style. Petra Rös-Nickel experiments with form, along with the use of a technique that draws attention to the processes used in creating a painting. Essential is the color space presented in multiple layers that offers the beholder access to more profound color planes. These details, scratchings, and rubbings lead to various elements of tension, such as “patchwork” or harmonious-contemplative forms (“windows”) and “oscillating lines”. Rös-Nickel's modernist paintings develop an energetic impact on the space they‘re displayed in, conveying her joy of life and self-confidence. Her abstract geometric textured artworks have been exhibited and collected worldwide, including Germany, Belgium, USA, Canada, Singapore, and Hong Kong. Notable collectors include Chris Rock...

Nan Van Ryzin's 48" x 60" masterpiece is a mesmerizing exploration of texture, depth, and contrast. Aptly named "Entwined," the piece delves into the interconnectedness of mediums an...

Maria Poroy's "Love in Hard Times" is a 20" x 20" mixed media canvas that poignantly captures the resilience of the human spirit. The composition centers a...

This 30" x 30" contemporary mixed media abstract titled "Exuberance" by Steven Rehfeld is a visceral exploration of urban complexity. It employs a gritty palette of industrial grays ...

Sailing the Narrows Oil, Bitumen, Sand, Mica, Collage On Canvas 60" X 72" I am a visual artist whose work investigates small and large -scale abstraction ...

Rollin and Tumblin Oil, Bitumen, Sand, Mica, Collage On Canvas 60" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of p...