Francine Simonin

La derniere demure de la reine Nefertiti 4 (Last Resting Place of Nefertiti)

2004

Vertical composition on paper with a saturated wine red ground over which bristle brushed lines are cross hatched in black and royal blue. Layered over these central marks is a structure of stacked, collaged geometric strips of paper painted with intersecting lines and shapes of marine blue, red and white. This work is unframed. Please ask us about framing options. Titled "listening to Scarlati" the piece may certainly be a response to the structured sonatas for harpsicord and pianoforte of Domenico Scarlatti, an Italian composer and contemporary of Bach and Handel. Scarlati spent much of his life at the service of the Portugese and Spanish royalty...

Vertical composition on paper with a canary yellow acrylic ground over which bristle brushed lines are cross hatched in black. Layered over these central marks is a central collaged strip of paper highlighted in ultra marine blue and grey topped by a tache of white paint. This is balanced by a horizontal strip in white and grey at the foot of the composition held down by another white swipe of white acrylic. A small horizontal collaged rectangle at the upper left keeps the eye moving upwards in the picture plane. This work is unframed. Please ask us about framing options. Titled "listening to Scarlatti", or en ecoutant Scarlatti in French, the piece may certainly be a response to the sonatas of Domenico Scarlatti, an Italian composer and contemporary of Bach and Handel. Scarlatti spent much of his life at the service of the Portugese and Spanish royalty...

Watercolor and collaged elements , dominantly grey and off-white, with small notes of blue, pale green. On Japanese paper. Otto Donald Rogers was born in 1935 in Kerrobert, Saskatchewan and currently resides in Prince Edward County, Ontario. Otto taught at the University of Saskatchewan in Saskatoon, from 1959 – 1988, after receiving his Master’s in Fine Art from the University of Wisconsin. He was instrumental in sustaining the Emma Lake Workshops, which, for several generations, has provided a meeting point for some of North America’s most respected visual artists, among them Jack Shadbolt, Helen Frankenthaler, Barnet Newman...

Created in dynamic layers of glossy cobalt, this Storm Surge tondo by Shayne Dark envelops the viewer. Its turbulent and mesmerizing surface swirls and flows like fast moving water....

Translucent layers of periwinkle, blue and steel-grey compose the background of this rich and energetic painting. Dragged horizontally across the canvas are thick bands of black, wh...

The painting is based on a real confrontation provoked by chainsaw wielding Proud Boys in a Toronto park. Strategically executed bullet holes pierce the canvas creating a tension bet...

This abstract painting focuses on two forms, one a rectangle combining purple and maroon, and the other an "L" shaped surround that is a brilliant Chinese red. The artist entitles the piece "Crimson...

Homage to the iconic Chanel Brand. This original artwork on paper combines textured brush strokes and textile collage elements. Surrounded by heavy texture, the focal point is a deta...

Matthew the Fervid, 2017 Printmaking and mixed media on paper and re-board 165x121x68cm Lina Pigadioti-Tzima (b. Athens 1967) studied at Parsons School of Art & Design in Paris (BFA...

Jose Antonio Herrera Alcazar was born in 1960 and was largely influenced by the 1970s. The art sphere of the 1970s was epitomized by a longing to evolve and reinforce itself, as a reaction to the many conflicts of the previous decade. One of the most central movement of the 1970s was Conceptualism, which emerged as an offshoot of Minimalism, while the experimental, creative journey of Process art materialized by combining essential features of Conceptualism with further considerations on art itself. The earliest ideas of environmentalism bounced from Land Art, which took art into earth itself, sculpting the land and bringing art to the outdoors. For the first time since the decline of Abstract Expressionism, Expressive figure...

Title: (Baseball) Mits 25.5" W x 25.5" H x 2.25" framed; canvas measures 24" W x 24" H. Provenance: The Rails Collection, Washington, DC (with their label verso) This depicts floating baseball gloves inn an abstract pattern. This is not signed on the front and might be signed verso. We have not examined out of frame. Patrick LoCicero was born in Youngstown, Ohio, in 1959. He attended Youngstown State University, Ohio, and the Columbus College of Art and Design. He completed a B.F.A. at Ohio State University in 1982 and an M.F.A. at the San Francisco Art Institute in 1986. His paintings, installations, prints, and multimedia work have been shown in California, Pennsylvania, and Ohio. LoCicero's richly layered imagery is characterized by unusual juxtapositions of everyday objects and classical motifs, which play with the viewer's perception of materials and subjects. LoCicero’s assemblage paintings combine collage with painting. The overlap and collage elements relate directly to the images he depicts, guiding him in his choice of subjects, and come from a variety of sources including the Kama Sutra, antique children’s books...

SOPHIA MILLIGAN 'Paradise, Remembered' Original Artwork ___________________ Late August sun breaks joyously through the low morning cloud, an easterly breeze rustling through the st...