Gala Bell

Lilith

2022

About the Work: Working in reverse, the image is constructed within a frame of taut silk. Pushing the paint in choreographed gestures, they reveal themselves on the other side, like the texture of a tapestry. Each tiny gap formed by the warp and weft of silk thread is filled with an extruded pixel of colour, resembling the organic patterns of lichens, the skin of a reptile or a galaxy. The pressing of paint unveils to us the underside of the mark, the moment of contact between material and surface that we would never ordinarily see. Light plays a pivotal role in the creation of the artwork, guided by the idea of transverse orientation, which is the behaviour of flying insects that orient themselves toward a distant source of light. Light passing through the silk serves as a guide, revealing areas where paint has not yet touched the surface; it acts as an anchor point, a signal, a place to catch the light. As the screen fills with the movement of paint, the glow from the other side is slowly obscured to the artist behind the screen. The paintings exist through their unbridled unpredictability, engaging in a dialectic that dissolves the hierarchy between painting as an illusion or imitation and painting as an archetype; a free, material process. About the Artist : Gala Bell is a London based multidisciplinary artist. The alchemy of matter is at the centre of her practice, moving between traditional painting and contemporary installation. Graduate of the Royal College of Art, she has been selected for exhibitions with The Design Museum, The Victoria and Albert Museum, The London Design Festival, The Korean Cultural Institute Berlin, Kunsthalle am Hamburger Platz Berlin and Galerie der HBKsaar in Saarsbrucken. Bell has had commissions by BBC One and Tate and Lyle...

About the Work: Working in reverse, the image is constructed within a frame of taut silk. Pushing the paint in choreographed gestures, they reveal themselves on the other side, like the texture of a tapestry. Each tiny gap formed by the warp and weft of silk thread is filled with an extruded pixel of colour, resembling the organic patterns of lichens, the skin of a reptile or a galaxy. The pressing of paint unveils to us the underside of the mark, the moment of contact between material and surface that we would never ordinarily see. Light plays a pivotal role in the creation of the artwork, guided by the idea of transverse orientation, which is the behaviour of flying insects that orient themselves toward a distant source of light. Light passing through the silk serves as a guide, revealing areas where paint has not yet touched the surface; it acts as an anchor point, a signal, a place to catch the light. As the screen fills with the movement of paint, the glow from the other side is slowly obscured to the artist behind the screen. The paintings exist through their unbridled unpredictability, engaging in a dialectic that dissolves the hierarchy between painting as an illusion or imitation and painting as an archetype; a free, material process. About the Artist : Gala Bell is a London based multidisciplinary artist. The alchemy of matter is at the centre of her practice, moving between traditional painting and contemporary installation. Graduate of the Royal College of Art, she has been selected for exhibitions with The Design Museum, The Victoria and Albert Museum, The London Design Festival, The Korean Cultural Institute Berlin, Kunsthalle am Hamburger Platz Berlin and Galerie der HBKsaar in Saarsbrucken. Bell has had commissions by BBC One and Tate and Lyle...

About the Work: Working in reverse, the image is constructed within a frame of taut silk. Pushing the paint in choreographed gestures, they reveal themselves on the other side, like the texture of a tapestry. Each tiny gap formed by the warp and weft of silk thread is filled with an extruded pixel of colour, resembling the organic patterns of lichens, the skin of a reptile or a galaxy. The pressing of paint unveils to us the underside of the mark, the moment of contact between material and surface that we would never ordinarily see. Light plays a pivotal role in the creation of the artwork, guided by the idea of transverse orientation, which is the behaviour of flying insects that orient themselves toward a distant source of light. Light passing through the silk serves as a guide, revealing areas where paint has not yet touched the surface; it acts as an anchor point, a signal, a place to catch the light. As the screen fills with the movement of paint, the glow from the other side is slowly obscured to the artist behind the screen. The paintings exist through their unbridled unpredictability, engaging in a dialectic that dissolves the hierarchy between painting as an illusion or imitation and painting as an archetype; a free, material process. About the Artist : Gala Bell is a London based multidisciplinary artist. The alchemy of matter is at the centre of her practice, moving between traditional painting and contemporary installation. Graduate of the Royal College of Art, she has been selected for exhibitions with The Design Museum, The Victoria and Albert Museum, The London Design Festival, The Korean Cultural Institute Berlin, Kunsthalle am Hamburger Platz Berlin and Galerie der HBKsaar in Saarsbrucken. Bell has had commissions by BBC One and Tate and Lyle...

Distance and immersion, and the idea that a painting can be made of separate but layered and entangled parts emphasise this series of work. Gesture, the inner space and improvisation...

About the Work: Working in reverse, the image is constructed within a frame of taut silk. Pushing the paint in choreographed gestures, they reveal themselves on the other side, like the texture of a tapestry. Each tiny gap formed by the warp and weft of silk thread is filled with an extruded pixel of colour, resembling the organic patterns of lichens, the skin of a reptile or a galaxy. The pressing of paint unveils to us the underside of the mark, the moment of contact between material and surface that we would never ordinarily see. Light plays a pivotal role in the creation of the artwork, guided by the idea of transverse orientation, which is the behaviour of flying insects that orient themselves toward a distant source of light. Light passing through the silk serves as a guide, revealing areas where paint has not yet touched the surface; it acts as an anchor point, a signal, a place to catch the light. As the screen fills with the movement of paint, the glow from the other side is slowly obscured to the artist behind the screen. The paintings exist through their unbridled unpredictability, engaging in a dialectic that dissolves the hierarchy between painting as an illusion or imitation and painting as an archetype; a free, material process. About the Artist : Gala Bell is a London based multidisciplinary artist. The alchemy of matter is at the centre of her practice, moving between traditional painting and contemporary installation. Graduate of the Royal College of Art, she has been selected for exhibitions with The Design Museum, The Victoria and Albert Museum, The London Design Festival, The Korean Cultural Institute Berlin, Kunsthalle am Hamburger Platz Berlin and Galerie der HBKsaar in Saarsbrucken. Bell has had commissions by BBC One and Tate and Lyle...

Distance and immersion, and the idea that a painting can be made of separate but layered and entangled parts emphasise this series of work. Gesture, the inner space and improvisation...

Manes has had an extensive career since studying at the Graduate School of Fine Arts, Hunter College (New York) in 1983. Domestically he has shown cross-country, in museums and galle...

Manes has had an extensive career since studying at the Graduate School of Fine Arts, Hunter College (New York) in 1983. Domestically he has shown cross-country, in museums and galle...

Vibrant 'Red Rain' by Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb, who creates autobiographical paintings that are comprised of both abstract and representational elements that consider the natural world as it intersects with utilitarian and architectural design. 'Red Rain' — 6 x 6 feet (72 x 72 inches), — is created in two parts that hang side by side. Each individual panel is 6x3 feet. 'Red Rain' is from a series of paintings that characterize sacred spaces such as Mexican chapels...

There is a passage from the book The Four Agreements in which author Don Miguel Ruiz relays a story of creation from the Toltec tradition. In this story a young man was studying to ...

Oil and Gold Leaf on Canvas The Unity series is best described by a short story found in the introduction to author Don Miguel Ruiz’s book The Four Agreements. Three thousand yea...

A man entered a village and went to see the Sufi master, the wise old man of the village. The visitor said, “I’m deciding whether I should move here or not. I’m wondering what kind...