Hani Santana

Black Coral

2022

The world is ruled by an elite class who control the lives of most people with big lies and media propaganda. Everything is displayed so convincingly that it's hard for us to see the...

Making mistakes is often a taboo in society. This forms a person's mentality and when problems come they tend to blame circumstances. This artwork invites us to be more open and acce...

A reflection of the artist when he finds himself in dialogue with himself regarding many things in life, even death. As we get older, there are more and more burdens and responsibili...

The colourful backdrop of nature blends in a sacred moment when the artist explores the outdoors. The beauty, majesty, wonder and allure are all turbulent yet calming.

The underwater beauty still holds millions of mysteries. But in every swift current, there is also a positive energy and spirit. Likewise, we must be wise amid the swift flow of life.

Many people like to have sweet talks with hollow connotations. What they say in front of us does not match with what they say behind us. Sometimes it is difficult to determine the si...

Acrylic on canvas. Signed, titled, and dated on verso. 86 x 74 in. 87.25 x 75.25 in. (framed) Please note: Our framing studio could not accommodate the scale of this work, so it is being sold as-acquired. The canvas is housed in an original “studio strip” frame installed by the artist. Please see condition notes below for additional details and an assessment of condition. Provenance Steve Chase Design, Palm Springs, CA Ronnie Landfield was born in the Bronx, NY on January 9, 1947 - the same day as his older brother. As a teenager, he was encouraged to pursue a career as an artist, subsequently creating his first real paintings around the age of 14. He was particularly influenced by a Life magazine article from 1961 on the Abstract Expressionists, most notably: Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Hans Hofmann, Mark Rothko, Clyfford Still, Robert Motherwell and Franz Kline. After stints at the Art Students League, the Kansas City Art Institute, the San Francisco Art Institute, and the University of California at Berkeley, Landfield’s professional career as a painter began in New York in 1965. The following year, after completing a major series of hard-edge border paintings, success as a painter began to materialize. The famous architect and collector Philip Johnson and the collector Robert Scull each acquired large paintings works, as did the Sheldon Memorial Museum in Lincoln, Nebraska. In 1967, Landfield was invited to participate in the Whitney Annual at the end of the year. His work attracted considerable attention, and he was invited to participate in important group exhibitions at the Bykert, Bianchini, and Park Place Galleries in New York. Landfield joined the David Whitney...

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