Iain Robertson

Midsummer - Scottish Abstract Expressionist exhibited art oil painting

1998

This superb British Abstract Expressionist oil painting on board is by noted artist Bernard Kay. It was painted in London in 1955. This striking painting is a mix of shades of black ...

This stunning Scottish Abstract Expressionist oil painting is by noted Scottish artist William Gear. Painted in 1949 it is an early and significant painting which dates to the early part of his career. Entitled Abstract Landscape with Red and Green it was painted during Gear's time in Paris and involvement with COBRA. Mostly red and green shapes are incased in black on a vivid yellow background. A really pleasing composition to the eye and perfectly housed in an ebonised frame, it is an excellent example of Gear's work. Signed and Dated '49 lower right. Inscribed, titled and dated verso. Provenance: Cornish collection. Condition. Acrylic on canvas 25 inches by 20 inches and in good condition. Frame. Housed in an ebonised frame, 30 inches by 25 inches and in good condition. Few British painters have played an active role in the modern abstract movement of post-war Europe. William Gear was the most passionate and committed exception. He continued the tradition of the Edinburgh-Paris axis established by J.D. Fergusson, Samuel Peploe and others, spending vital years between 1947 and 1950 living and working in Paris. Significantly, in recent years, he received the greatest acclaim in France, Germany and the Netherlands. He was born in 1915 in Methil, Fife, into a mining family; the particular landscape of "pitheads, the sea, rocks, castles, trees, storms and poverty" marked his earliest identity with a place and probably remained the most influential to his art. Years later he recalled as a schoolboy visiting the local art gallery in Kirkcaldy and seeing 12 colourful still-lifes by Peploe. Art-history lessons during student years at Edinburgh College of Art, in particular Byzantine classes under David Talbot Rice, also influenced his concern for structure. This had as much to do with the formal language of painting as sheer delight in the medium itself. Gear never missed an opportunity to show people the merits of a well-constructed painting. On a travelling scholarship in 1937, he chose to study with Fernand Leger, described by Gear as "a keystone for me, seldom abstract, rather a degree of abstraction". The Second World War interrupted these formative years and, by 1940, Gear had joined the Royal Corps of Signals. Dispatched to the Middle East, he still had the discipline to paint - mostly works on paper of damaged landscapes - with exhibitions in Jerusalem, Tel Aviv, Cairo as well as Siena and Florence. His naturally robust and tenacious temperament was profoundly affected by visiting Bergen-Belsen, and this certainly influenced the later experiments with the black armature. As the British officer in Celle, working for the Monuments, Fine Arts and Archives Section of the Control Commission, he focused on securing the safety of the Berlin Art Collection in Schloss Celle, and organised an important series of modern art exhibitions, including the rejected work of Karl Otto Gotz...

This striking Abstract Expressionist oil painting is by noted Scottish artist Iain Robertson. Entitled Sunset verso, it was painted in 2006 after Robertson had moved to Cornwall to live and work. It is a superb example of Robertson's use of symbols in art and the bold use of orange with heavy impasto against the blue and white is fantastic. A really strong Abstract Expressionist art work by a sought after Scottish artist. Signed inscribed Sunset and dated 2006 verso. Provenance. Cornish estate. Condition. Oil on Canvas, 30 inches by 24 inches and in good condition. Frame. Housed in a white surround frame, 32 inches by 26 inches and in good condition. Iain Robertson (b. 1955) was born in Cyprus but grew up in Edinburgh before studying art, 1978-1982. In 1993 he worked as Artist In Residence at Grizedale Sculpture Park before relocating to Cornwall where he now lives and works. He has retained studio 7 at Porthmeor Studios in St Ives, since 2007. Previously Robertson worked in Montgomery Street Studio, Edinburgh, 1991-1999. He has exhibited widely with numerous solo shows in the UK and Europe. His work is held in public and private collections in Germany, Denmark, Norway, Scotland, England, USA and Hong Kong. His work was included in the ‘Art Now Cornwall’ exhibition at TATE St Ives Spring 2007 and at the City Art Centre, Edinburgh, 2007. The recipient of a number of awards including Scottish Arts Council, British Council and Arts Council, Robertson was the first Scottish recipient of the Pollock Krasner Foundation, New York, in 1988. Notable exhibitions include, Contemporary Abstract Printmaking, Artists- Rachel Clark, Ian Davenport, Christopher Le Brun, John McLean, Mali Morris...

An original large abstract oil on canvas by British Canadian artist William John Bertram Newcombe. This stunning abstract expressionist oil painting is a bold, adventurous and conf...

This stunning abstract expressionist oil on canvas is by artist Helen M Hale. Painted in the 1960's this abstract landscape has strong brushwork and blocks of colour. Labelled verso...

An original oil on canvas by noted Scottish artist William Gear which dates to 1981. Entitled early Spring it is a vibrant and fresh art work with lovely colouring. Signed, dated and titled verso. Provenance. William Gear estate. Royal Birmingham Society of Artists 1981. Condition. Oil on canvas, 48 inches by 32 inches. Excellent condition. William Gear (1915-1997). Few British painters have played an active role in the modern abstract movement of post-war Europe. William Gear was the most passionate and committed exception. He continued the tradition of the Edinburgh-Paris axis established by J.D. Fergusson, Samuel Peploe and others, spending vital years between 1947 and 1950 living and working in Paris. Significantly, in recent years, he received the greatest acclaim in France, Germany and the Netherlands. He was born in 1915 in Methil, Fife, into a mining family; the particular landscape of "pitheads, the sea, rocks, castles, trees, storms and poverty" marked his earliest identity with a place and probably remained the most influential to his art. Years later he recalled as a schoolboy visiting the local art gallery in Kirkcaldy and seeing 12 colourful still-lifes by Peploe. Art-history lessons during student years at Edinburgh College of Art, in particular Byzantine classes under David Talbot Rice, also influenced his concern for structure. This had as much to do with the formal language of painting as sheer delight in the medium itself. Gear never missed an opportunity to show people the merits of a well-constructed painting. On a travelling scholarship in 1937, he chose to study with Fernand Leger, described by Gear as "a keystone for me, seldom abstract, rather a degree of abstraction". The Second World War interrupted these formative years and, by 1940, Gear had joined the Royal Corps of Signals. Dispatched to the Middle East, he still had the discipline to paint - mostly works on paper of damaged landscapes - with exhibitions in Jerusalem, Tel Aviv, Cairo as well as Siena and Florence. His naturally robust and tenacious temperament was profoundly affected by visiting Bergen-Belsen, and this certainly influenced the later experiments with the black armature. As the British officer in Celle, working for the Monuments, Fine Arts and Archives Section of the Control Commission, he focused on securing the safety of the Berlin Art Collection in Schloss Celle, and organised an important series of modern art exhibitions, including the rejected work of Karl Otto Gotz...

Charles MacQueen RSW RGI (b. 1940) is a Scottish painter based in Fife. He uses mixed media and texture to create rich paintings like quilts of meaning and colour. MacQueen was born ...

"Leader and Followers" is a visually striking piece of art that immediately captures the viewer's attention. The artwork, which was created using a combination of oil colors, feature...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Abiodun Nafiu Azeez is an accomplished artist with a diverse background in contemporary painting, particularly Osogbo art. However, his true passion lies in abstract expression, where he seeks to promote African art, culture, and nature. Influenced by his artist father, he paints to preserve memories and connect with broader societal concerns. Abiodun's artistic style is characterized by the abstraction and simplification of human compositions. He employs vibrant oil colors, often focusing on primary colors that transition into secondary and tertiary hues. His subjects stand out against neutral backgrounds, creating a harmonious balance in his paintings. A prominent feature in his works is the use of red, blue, and yellow tones, subtly blended to emphasize form and shape. His artistic journey includes training under renowned bead painting contemporary artist Jimoh Buraimoh...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Abiodun Nafiu Azeez is an accomplished artist with a diverse background in contemporary painting, particularly Osogbo art. However, his true passion lies in abstract expression, where he seeks to promote African art, culture, and nature. Influenced by his artist father, he paints to preserve memories and connect with broader societal concerns. Abiodun's artistic style is characterized by the abstraction and simplification of human compositions. He employs vibrant oil colors, often focusing on primary colors that transition into secondary and tertiary hues. His subjects stand out against neutral backgrounds, creating a harmonious balance in his paintings. A prominent feature in his works is the use of red, blue, and yellow tones, subtly blended to emphasize form and shape. His artistic journey includes training under renowned bead painting contemporary artist Jimoh Buraimoh...

"The Pairing" is a visually captivating artwork that immediately draws the viewer into its world of balance and harmony. Created with meticulous attention to detail using oil on canvas, the piece depicts two elements, symbolized by two figures that appear almost seamlessly connected. The intricate composition and vibrant colors employed by Azeez add depth and richness to the narrative. The composition of "The Pairing" is central to its narrative, highlighting the concept of balance and unity. The two figures, starkly different in demeanor, seem to be locked in a delicate dance, symbolizing the interdependence and equilibrium that underlie our existence. One figure radiates warmth, with soft, curved lines and soothing colors, representing elements of comfort and familiarity. The other figure, in contrast, exudes vibrancy and vitality, marked by bold angles and contrasting hues that suggest energy and dynamism. The juxtaposition of these elements illustrates the complementary nature of opposites and the harmony that can arise from their pairing. At its heart, "The Pairing" conveys a powerful message about the beauty of diversity and the harmony that can emerge from embracing contrasting elements. The artwork serves as a reminder that our world is enriched by the interplay of opposing forces, and it is through the coming together of these elements that balance and unity are achieved. In an age marked by division and polarization, "The Pairing" encourages us to celebrate our differences and seek common ground. It underscores the idea that, by recognizing the value of diverse perspectives and experiences, we can create a more harmonious and balanced world. As we engage with "The Pairing," we are reminded of the profound interconnectedness of all things and the potential for beauty and balance to emerge from the interplay of opposites. Azeez's work serves as a visual testament to the enduring power of harmony and unity, leaving a lasting impression on those fortunate enough to experience it. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Abiodun Nafiu Azeez is an accomplished artist with a diverse background in contemporary painting, particularly Osogbo art. However, his true passion lies in abstract expression, where he seeks to promote African art, culture, and nature. Influenced by his artist father, he paints to preserve memories and connect with broader societal concerns. Abiodun's artistic style is characterized by the abstraction and simplification of human compositions. He employs vibrant oil colors, often focusing on primary colors that transition into secondary and tertiary hues. His subjects stand out against neutral backgrounds, creating a harmonious balance in his paintings. A prominent feature in his works is the use of red, blue, and yellow tones, subtly blended to emphasize form and shape. His artistic journey includes training under renowned bead painting contemporary artist Jimoh Buraimoh...

Abiodun Nafiu Azeez's "I'm Not Alone" is a powerful and emotionally resonant artwork that invites viewers to explore the depths of solitude, resilience, and self-discovery. Through its evocative visual imagery, the artwork encourages us to embrace moments of introspection as opportunities for growth and self-awareness. As we stand before this mesmerizing piece, we are reminded that, even in our most solitary moments, we are in the company of our own strength, thoughts, and emotions. "I'm Not Alone" serves as a beautiful reminder of the human capacity for resilience and self-discovery, making it a truly unforgettable work of contemporary art. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Abiodun Nafiu Azeez is an accomplished artist with a diverse background in contemporary painting, particularly Osogbo art. However, his true passion lies in abstract expression, where he seeks to promote African art, culture, and nature. Influenced by his artist father, he paints to preserve memories and connect with broader societal concerns. Abiodun's artistic style is characterized by the abstraction and simplification of human compositions. He employs vibrant oil colors, often focusing on primary colors that transition into secondary and tertiary hues. His subjects stand out against neutral backgrounds, creating a harmonious balance in his paintings. A prominent feature in his works is the use of red, blue, and yellow tones, subtly blended to emphasize form and shape. His artistic journey includes training under renowned bead painting contemporary artist Jimoh Buraimoh...