Jason Matherly

"22-6" Mixed Media Wall Sculpture painting- maroon, peach, blue

2022

21” x 21” Acrylic on muslin over mdf This modest work is one of the few instances in which I haven’t shied away from symmetry. It is a simple, meditative work, with colors inspire...

16” x 10” Acrylic on muslin over mdf This modest work is one of the few instances in which I haven’t shied away from symmetry. It is a simple, meditative work, with colors inspire...

15” x 8” Acrylic on muslin over mdf This modest work is one of the few instances in which I haven’t shied away from symmetry. It is a simple, meditative work, with colors inspired...

14” x 6” Acrylic on muslin over mdf This modest work is one of the few instances in which I haven’t shied away from symmetry. It is a simple, meditative work, with colors inspired ...

Two parts: 14” x 18” overall Acrylic on muslin over mdf This modest work is one of the few instances in which I haven’t shied away from symmetry. It is a simple, meditative work, ...

Two parts: 14.5” x 22” overall Acrylic on muslin over mdf This modest work is one of the few instances in which I haven’t shied away from symmetry. It is a simple, meditative work...

Dynamic and whimsical, Aron Hill’s mobile is a joyful contemporary kinetic sculpture. Three separate discs are covered in a curated collage of shapes and brilliant colours. The colour profile here is Hill’s characteristically vivid palette-- orange, yellow, blue, red, and green punctuated by black and white. Delicately balanced, the sculpture moves in the air redefining the space and affording the viewer a fresh ‘view’. Mobiles have existed for millennia—at first as windchimes, then re-imagined by Russian sculptors...

La Línea Roja, 2023 by Jose Ricardo Contreras González From The Composition with Tools series Acrylic and oil on canvas in wooden struc...

Acrylic and resin on 3-D stretched canvas. Sculpture, blue, green, orange. Abstract, biomorphic.

Acrylic and resin on 3-D stretched canvas. Sculpture, blue, green, orange. Abstract, biomorphic.

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and ...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.