Jesse Redwin Bardin

Web & Accents on Tan (Mid-century abstract expressionist composition)

c.1960's

Larry Price (1940-1989). Plaza del Toros, ca. 1961. 33 x 37.5 inches. Provenance: Estate of Larry Price. COA available from Estate by request. Larry Price, A...

Larry Price (1940-1989). Untitled, ca. 1959. 23.5 x 29.5 inches. Provenance: Estate of Larry Price. COA available from Estate by request. Surface exhibits paint shrinkage consistent with age. Paint surface is stable with no flaking or loss. No conservation. Larry Price, American 1940-1989 Craryville, NY Exhibitions 1985 -1989 Group exhibitions at the Albany Institute of History and Art, Harmonius Beaker Center, Albany, NY. 1987 Albany Institute of History and Art, solo exhibition. Harmonius Beaker Center, Albany, NY. 1984 ‘The First Underground Show,’ Group exhibition curated by painter Thornton Willis, 456 Broome Street, New York City, NY. 1970 Bronx Community College, Solo exhibition, Bronx, New York, City, NY 1968 National Commercial Bank, Solo exhibition, Albany, NY. 1964 -1965 Various group exhibitions, New York City, NY. 1957-1959 Studied painting with brother Melville Price at Fleischer Art Memorial, Philadelphia, PA; Painting classes at The Art Student’s League with Bernard Klonis, New York City, NY 1969 - 1989 Self employed as conservator of gilded objects...

Larry Price (1940-1989). Pegasus, ca. 1961. 49 x 23 inches; 50 x 24 inches framed. Provenance: Estate of Larry Price. COA available from Estate by request. Surface exhibits long cracking and paint shrinkage consistent with age. Paint surface is stable with no flaking or loss. No conservation. Larry Price, American 1940-1989 Craryville, NY Exhibitions 1985 -1989 Group exhibitions at the Albany Institute of History and Art, Harmonius Beaker Center, Albany, NY. 1987 Albany Institute of History and Art, solo exhibition. Harmonius Beaker Center, Albany, NY. 1984 ‘The First Underground Show,’ Group exhibition curated by painter Thornton Willis, 456 Broome Street, New York City, NY. 1970 Bronx Community College, Solo exhibition, Bronx, New York, City, NY 1968 National Commercial Bank, Solo exhibition, Albany, NY. 1964 -1965 Various group exhibitions, New York City, NY. 1957-1959 Studied painting with brother Melville Price at Fleischer Art Memorial, Philadelphia, PA; Painting classes at The Art Student’s League with Bernard Klonis, New York City, NY 1969 - 1989 Self employed as conservator of gilded objects...

Louise Delorme (b. 1928). Vase of Flowers, 1969. 26 x 36 inches; 27 x 37 inches framed. Signed lower left. Titled and dated on verso. Excellent condition.

Constance Clark Lewis (1911-2004). Untitled, ca. 1950s. Gouache on paper, sheet measures 12 x 18 inches. Signed on verso at center. Crease in sheet upper right. Otherwise excellent condition. Unframed. This Louisville, Kentucky painter, graphic artist and educator was born in East Hampton, Long Island, New York, into a Louisville family who had summered there since the early 1900s. She spent 30 years of her life in Amagansett, New York. Her early art studies in Rome, Italy, led her to the Art Students League in New York City and then to the University of Louisville, where she studied with Ulfert Wilke. Other artists she studied with included Carlos Merida, Worden Day...

Murray Hantman (1904-1999). Composition, 1951. Watercolor on paper, 14 x 21 inches. Unframed. Signed lower left. Signed, dated and titled en verso. Provenance: estate of Murray Hantman. Biography: Shaped by his life experiences and a commitment to the practice of making art, the work of Murray Hantman represents a career of personal exploration and aesthetic refinement that took him from New York, to Los Angeles, back to New York and eventually to the serene, yet dramatic, coast of Maine where he worked as part of the artists’ colony on Monhegan Island. Born in Pennsylvania in 1904, Hantman’s family moved many times to follow his father’s business opportunities, eventually settling in New York. A childhood of economic instability and dislocation formed Hantman’s early years, making him independent and self-reliant from a very early age. Hantman’s father owned movie theatres and photography studios and, recognizing his son’s artistic ability, employed him to print and hand-color photographs as a child. When he was eleven and living in Michigan, a public school teacher arranged for Hantman to receive a scholarship to the Detroit Museum of Art School where after a year he was awarded another scholarship to study at the Detroit School of Design. He studied in Detroit for a year until his family abruptly moved to Alabama, interrupting his artistic and academic studies until the family moved to New York at the end of the first World War. As a young man, Hantman supported himself by working many different jobs in New York and New Jersey. Steady work with his brother at the Hartford and New Haven Railroad...

63 Drinks. figures. colors. cat original acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production...

Untitled 01 [Remains of the Remains 01], 2018 oil on canvas 78 47/64 H x 59 1/16 W in 200 H x 150 W cm The large-sized paintings, signed by Zsolt Berszán...

Diving for Pearls, 1986 Oil on canvas 88 x 76 in. (223.5 x 193 cm) Signed, dated, and titled, verso

James Joyce's Smile, 1984 Oil on canvas 66 x 87 in. (167.6 x 221 cm) Signed, dated, and titled, verso

This large 119" x 72" mixed media painting by the artist, XVALA, is from his series 'Pandemic Collection: 8' and depicts bright colorful cartoon chara...

Grey & Tan Abstract Expressionist Textural Mid-Century Abstract by Peter Witwer Heavily textured, expressive composition by Peter Witwer (American, 1928-1968). Over the top of a heavy base layer of plaster, Witwer has added various layers of oil paint, creating a massive amount of depth and texture. Sections of red peek out from underneath various shades of tan, grey, and black. Spots of blue and purple are used sparingly, hidden in the composition. Presented in a wood frame. Canvas size: 20"H x 40"W Frame size: 26.63"H x 46.63"W Unsigned, but was acquired with a collection of the artist's work. Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Born George Peter...