Kristians Tonny

French Neo-Romantic Surrealist Painting "Circus" by Kristians Tonny

c. 1926

Louis Roberts Dougherty (American, 1876-1948) Installation of the Liberty Bell at Independence Hall in 1754, c. 1915 Oil on canvas, 34 1/2 x 24 3/4 inches; Framed: 43 1/2 x 33 3/4 i...

Thomas Pollock Anshutz (American, 1851-1912) Sewing by the Hearth, c. 1884 Original frame Oil on canvas, 17 x 24 inches; Framed: 34 x 27 inches Label (handwritten in ink) on stretcher verso: “Artist Thos Anshutz” Label on backing verso: (printed) “PORTLAND MUSEUM OF ART”; [...] (typewritten) “Thomas Pollock Anshutz/American, 1851 1912/INTERIOR/oil on canvas/stretcher: 17 x 23 15/16 inches/not signed/COLLECTION OF MRS. NORMAN B...

Elizabeth Osborne (American, b. 1936) Interior with Figure Oil on paper, 10 3/4 x 13 3/4 inches; Framed: 18 1/2 x 21 1/2 inches Signed and dated at lower right: "Osborne 68" Note a...

Gustave David (British, 1824-1891) Tasting the Soup Oil on paper, mounted; 9 1/2 x 7 inches Signed at lower left: "G. David" Inscribed on verso: "GUSTAVE DAVID 1824-1891"

Charles Lewis Fussell (American, 1840–1909) Children Playing on a Boat Oil on canvas, 11 x 16 3/4 inches Framed: 19 x 25 inches (approx.) Signed at lower left: “C.L. Fussell” Charle...

Julius Thiengen Bloch (American, born Germany, 1888-1966) Portrait of a Woman Oil on canvas, 32 x 25 1/4 inches Framed: 38 x 31 inches (approx.) Signed at lower right: "Julius Bloch"...

Gustavo Úbeda (1930-1994) - Picasian scene - Oil panel Oil measurements 41x50 cm. Frameless. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao ...

Gustavo Úbeda (1930-1994) - Picasian scene - Oil panel Oil measurements 50x41 cm. Frameless. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao ...

“Traveling Together” is a colorful, abstract, surrealist painting by Armenian artist, Vatche Geuvdjelian painted in 2012. Artist’s Statement “𝘛𝘩�...

Gustavo Úbeda (1930-1994) - Orixa - Acrylic on panel Acrylic measurements 61x91 cm. Frameless. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao Paulo, 1994) comes from a f...

David Hare Summer Land, 1970 Acrylic or oil paint and collage on board Dimensions: 26 X 36 inches. Framed measuring 29 x 38 inches. Hand signed, dated and titled on tape to verso 'Summer Land 1970 Hare'. Provenance: Hamilton Gallery of Contemporary Art, New York David Hare (1917 – 1992) was an American artist, associated with the Surrealist movement. He is primarily known for his sculpture, though he also worked extensively in photography and oil painting. The VVV Surrealism Magazine was first published and edited by Hare in 1942. Born March 10, 1917 in New York City, New York to father Meredith Hare, a lawyer and mother Elizabeth Sage Goodwin, an art collector. In the 1920s the family moved first to Santa Fe, New Mexico and later to Colorado Springs, Colorado, in hope that the fresh air would help heal Meredith Hare's tuberculosis. His mother founded the Fountain Valley School, where David attended high school. After high school Hare married and moved to Roxbury, Connecticut where he worked as a color photographer. He attended Bard College in Annandale-on-Hudson from 1936 to 1937, studying biology and chemistry. In the late 1930s, with no previous artistic training, he began to experiment with color photography. Using his previous education in chemistry Hare developed an automatist technique called "heatage" in which he heated the unfixed negative from an 8 by 10-inch plate, causing the image to ripple and distort. Hare's Surrealist experiments in photography were only one of his many projects. In 1938 he met Susanna Winslow Wilson and the couple soon married. Both David and Susanna pursued their interests in Surrealism and regularly attended Surrealist gatherings in New York Larre French restaurant on 56th street and at Breton's Greenwich Village apartment. In 1940 he received a commission from the American Museum of Natural History to document the Pueblo Indians of the American Southwest, for which he eventually produced 20 prints developed using Eastman Kodak's then-new dye transfer process (a time-consuming and complicated technique). In the same year, he also opened his own commercial photography studio in New York City and exhibited his photographs in a solo show at the Julien Levy Gallery. In the next few years, through his cousin the painter Kay Sage, he came into contact with a number of Surrealist artists who had fled their native Europe because of World War II. Hare became closely involved with the émigré Surrealist movement and collaborated closely with them on projects such as the Surrealist journal VVV, which he co founded and edited from 1941 to 1944 with André Breton, Max Ernst, and Marcel Duchamp. With numerous illustrations by Breton, Leonora Carrington, Marc Chagall, Roberto Matta, Giorgio de Chirico, MarcelDuchamp, Max Ernst, Andre Masson, Joan Miro, Enrico Donati, Dorothea Tanning, and others. Published in only four issues between 1942-44, VVV was an experimental New York-based magazine devoted to the dissemination of Surrealism. Edited by David Hare, the short-lived magazine featured contributions from some of the leading avant-garde artists of the period. David and Susanna divorce in 1945 and Breton’s wife Jacqueline Lamba...

Gustavo Úbeda (1930-1994) - Picasso Cubism - Acrylic panel Acrylic measurements 81x100 cm. Frameless. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao Paulo, 1994) comes f...