Laura Fayer

Laura Fayer "Sparkle Tide 303" - Abstract Acrylic Painting on Paper

2022

acrylic and rice paper on panel This original mixed-media abstract painting by Laura Fayer features various shades of lavender, ecru, and white. Fayer's mixed media paintings evoke...

acrylic and rice paper on panel This original mixed-media abstract painting by Laura Fayer features various shades of deep turquoise, gray, and white. Fayer's mixed media paintings...

Laura Fayer Sparkle Tide 202, 2022 acrylic and Japanese paper on paper 30 x 22.5 in. (fay158) Fayer's mixed media paintings evoke an ephemeral natural world, poised in a delicate ba...

Ky Anderson Feelers, 2019 pigment and acrylic on paper 72 x 84 in. (and272ap) This original painting on paper by Ky Anderson features bold shapes and curving lines in saturated shad...

Martina Nehrling Daydreams, 2021 acrylic on Montval paper 20 x 26 in. (neh225) This small painting on paper features thick, dimensional brushstrokes of acrylic paint on Montval paper in bright, multi-colored shades. Available at Kathryn Markel Fine Arts...

Martina Nehrling Boost, 2022 acrylic on Montval paper 26 x 20 in. (neh233) This small painting on paper features thick, dimensional brushstrokes of acrylic paint on Montval paper in...

The discipline of creating a drawing each day is a process, like a written diary, to clear the mind, to declutter thoughts, and to observe patterns. It is a method that allows the mind a freedom to wander and drift. A visual journal becomes a safe space for personal reflection–a self-awareness fueled by the opportunity for contemplation and immersion. The painted surface for the drawings was created by dividing five large paintings into 40 separate pieces. I chose five paintings from my Perspective Series (1993-94), which relied on day-to-day imagery that narrated a story about shifting time and how time anchors our day. The brush strokes of Perspectives are fluid, with muted colors – moving from deep blacks to taupe whites. Dividing these pieces was a means for me to rethink ideas and recurring images in my older work. The very thin gold leaf applied to each piece has a wonderful amber tone. This gold leaf is from Myanmar, where it is used as decoration for Buddha or for the dome of a temple or monastery. In the drawings, the gold element relates to the sense of infinity – like the sky in an enclosed courtyard. An architectural element is a critical component in my studio work that I wanted to carry over into these pieces. I envisioned a courtyard–a safe space that opens up to the sky. Unfolding circles define the beginnings of an open interior space. The process felt open-ended. It was an opportunity to get lost in thought and to give me an opportunity to reflect, muse and declutter my thinking. Then repeat. 40 days...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

This is an exclusive handmade mixed media cyanotype with hand-painted acrylic paint in pastel tones. Details: Title: Lilac Leaf on Water Medium: Mixed Media on Watercolor Paper Size: 100x70 cm Year: 2020 *Frame is for illustrative purposes only, artwork is shipped carefully rolled in a tube. WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins...

"Loose Strokes on Sky Blue" is an abstract painting by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined with subtle tones and unique shapes th...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a sal...

Protesting his innocence, 2022. Mixed media: charcoal, pastel, acrylic paint on reclaimed paper Sheehama graduated from the University of Namibia with a Bachelor of Art (Fine Art) Honours degree in 2010 and has taught Visual Arts at the John Muafangejo...