Items Similar to Library, abstract gouache painting on paper, pastel purple and orange, 10" x 9"
Want more images or videos?
Request additional images or videos from the seller
Liz Rundorff SmithLibrary, abstract gouache painting on paper, pastel purple and orange, 10" x 9"2020
2020
About the Item
10 x 9 inches unframed
20 x 18 inches framed
Liz Rundorff Smith renders visual forms that fluctuate between the stability of present-ness and the loss of clarity that is tied to memory. Memory of space is translated through elements of color and line that are constantly in flux, creating forms that come together and fall apart at the same time. Color is tied to a sentimental memory of the past and works to evoke a sense of nostalgia. The artist’s paintings bring personal experience to the familiar forms of minimalism, while undermining the notion of aesthetic autonomy.
Rundorff Smith questions the unique object by intentionally mimicking the same forms repeatedly, attempting to reproduce the original while allowing imperfection and a lack of precision to create work that exploits the failures of repetition. The reductive form is a means for conveying both the emotional and physical experience of space.
Image size is 10" x 9", framed size is 20" x 18"
- Creator:Liz Rundorff Smith (American)
- Creation Year:2020
- Dimensions:Height: 10 in (25.4 cm)Width: 9 in (22.86 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1687118222
Liz Rundorff Smith
Liz Rundorff Smith currently lives and works in Greenville, SC. She received a BA in Studio Art with a concentration in sculpture from the College of Wooster in Wooster, OH and an MFA in Painting from Edinboro University of Pennsylvania. Rundorff Smith studied abroad at The Marchutz School of Painting in Aix en Provence, France and the British Institute of Florence in Florence, Italy and was awarded a fellowship and residency at the Virginia Center for Creative Arts. Her work can be found in private and corporate collections including the Marilyn Monroe Bungalow at the Beverly Hills Hotel and Sun City Showa Kien Koen, Tachikawa, Japan. Rundorff Smith is a member of the Painting Center Art File in New York. Her work has been featured in Southern Living and Create Magazine Issue 20. Recent exhibitions include the two-person show Counterbalance at Susan Eley Fine Art New York, NY, The Shape of Things at 701 Center for Contemporary Art in Columbia, SC and the 2021 Every Woman Biennial in London, UK.
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2006
1stDibs seller since 2013
147 sales on 1stDibs
Typical response time: 5 hours
Associations
Association of Women Art Dealers
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- View from a Great Height, abstract geometric painting, dotsLocated in New York, NYGouache and graphite on handmade paper. 24 x 18 inches unframed, 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate SnowCategory
2010s Abstract Geometric Abstract Paintings
MaterialsPaper, Gouache, Handmade Paper, Graphite
- Disintegrating (with a Measure of Grace), abstract geometric painting, dotsLocated in New York, NYGouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate SnowCategory
2010s Abstract Geometric Abstract Paintings
MaterialsPaper, Gouache, Handmade Paper, Graphite
- Brick Wall (in Need of Repair), abstract geometric painting, gridLocated in New York, NYGouache and graphite on handmade paper. 12 x 24 inches unframed, 16.25 x 28.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate SnowCategory
2010s Abstract Geometric Abstract Paintings
MaterialsPaper, Gouache, Handmade Paper, Graphite
- Finding a Way...Like Water, abstract geometric painting, dotsLocated in New York, NYGouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate SnowCategory
2010s Abstract Geometric Abstract Paintings
MaterialsPaper, Gouache, Handmade Paper, Graphite
- Mixed Squares, abstract geometric painting, gridLocated in New York, NYGouache and graphite on handmade paper. 14 x 11 inches unframed, 18.25 x 15.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate SnowCategory
2010s Abstract Geometric Abstract Paintings
MaterialsPaper, Gouache, Handmade Paper, Graphite
- Green Bricks, abstract geometric painting, gridLocated in New York, NYGouache and graphite on handmade paper. 18 x 12 inches unframed, 23.25 x 17.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate SnowCategory
2010s Abstract Geometric Abstract Paintings
MaterialsPaper, Gouache, Handmade Paper, Graphite
You May Also Like
- Untitled -- 1961By John LeveeLocated in Washington, DCSigned and dated lower leftCategory
1960s Abstract Expressionist Abstract Paintings
MaterialsPaper, Watercolor, Gouache
- Haunted passage Yankel Contemporary drawing red abstract art geometrical formBy Jacques YankelLocated in Paris, FRGouache on paper Unique work Hand-signed lower right by the artistCategory
1990s Abstract Abstract Paintings
MaterialsPaper, Gouache
- Abstract black and white 1, gouache on paper glued on canvas, 70x100 cm.By Pascal SimonpietriLocated in Nice, FRSimonpietri's abstract work on paper glued to canvas. Pascal SIMONPIETRI is a painter from Corse Island, France. He is a figure very discreet of the Figurativisme Libre Mouvent durin...Category
1990s Abstract Abstract Paintings
MaterialsPaper, Gouache
- Black & Gold Glyphs III by Cheryl R. Riley, metallic abstract geometric symbolsBy Cheryl R. RileyLocated in Jersey City, NJBlack & Gold Glyphs III by Cheryl R. Riley Metallic abstract geometric symbols Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporary Feminist / ...Category
2010s Abstract Geometric Abstract Drawings and Watercolors
MaterialsGold Leaf
- 02H20: blue & white abstract expressionism painting/drawing on paper, framedBy Paula CahillLocated in Bryn Mawr, PAFree shipping with code ART2021SHIP through December! This is an abstract framed work on paper with blue and white gestural, expressive lines. The work itself measures 10" x 13" and ...Category
2010s Abstract Abstract Paintings
MaterialsGouache, Archival Paper
- 0103: contemporary abstract gestural painting w/ yellow, pink & blue linesBy Paula CahillLocated in Bryn Mawr, PAFree shipping with code ART2021SHIP through December! Paula Cahill's linear abstract compositions are often comprised of a single, luminous line that meanders, changes color, and sea...Category
2010s Abstract Abstract Paintings
MaterialsAcrylic, Gouache, Archival Paper
Recently Viewed
View AllMore Ways To Browse
9 By 10
Liz Rundorff Smith
Amsterdam School Style
Black And White Brush Strokes
Vintage Frames Miami
Abstract Ballet
Louise Gray
Translucent Panels
Abstract Painting 1960 1980
Angel Heart
Pink Lilac
Swiss Atelier
Tropical Plants
Graphic Vintage Paintings
Kinetic Framed Art
Pop Art Space Age
Native American Indian Paintings
York Wilson