Encaustic Abstract Paintings

Abstract encaustic painting with dyed teal, indigo, beige, and white dyed fabrics "Blue Ochre & White Lies" made by Hudson Valley artist, Alaina Enslen, in 2022 Encaustic & dyed fabrics mounted on panel 16 x 20 inches, 17 x 21 inches framed Excellent condition, ready to hang Lightweight Signed, verso This abstract minimalist painting is made with repurposed pieces of found fabrics in complementary tones of teal, indigo, and beige on an encaustic white background. The fabrics, which are adhered to a light wood Birch panel and layered with a subtle layer of encaustic, are arranged in a whimsical motif that accentuates the spontaneous dyed patterns. The layers of fabric and encaustic create a textured, impasto surface. About the artist: Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The Cornwall-On-Hudson based artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Abstract geometric encaustic painting in patterned ochre on white "Centuries Spliced Open" made by Hudson Valley artist, Alaina Enslen, in 2022 Encaustic & monotype mounted on panel 30 x 41 x 2 inches, sides reveal raw wood sides Excellent condition, ready to hang Lightweight Signed, verso This abstract minimalist painting is made with pattered ochre monotypes on an encaustic white background. The paper, which is adhered to a light wood Birch panel and layered with a subtle layer of encaustic, is arranged in a geometric motif that accentuates the play of negative space. The layered paper and encaustic create a textured, impasto surface. About the artist: Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The Cornwall-On-Hudson based artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth...

"Chaos Theory #23" is an encaustic-on-panel piece by Charles Ivey from his "Chaos Theories" series. Ivey uses the encaustic process of combining hot beesw...

Reclamation Encaustic wax on board. Framed in Welsh oak Excellent condition

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

"Looking at one of Barry Goldberg‘s paintings is like seeing all of contemporary art mushed into a singular composition; color fields and complementary ...

This is the beautiful island Santa Rosa, one of the Channel Islands Sanctuary islands just off the California mainland. This vast stretch is adorned with a variety of fiery wildflowers stretching far and wide, like a musical composition of various themes and in different voices. Santa Rosa is home to an incredible array of birds and marine life. It is a narrow but spreading landscape ribboned with trails, each one seemingly in the manner of a flight or chase, repeating the same melody in a slight variation. The cliffs drop hundreds of feet to the crashing swells of ocean below, home to historic shipwrecks peacefully intact. Torres’ paintings appear on the sets of popular television shows: Big Little Big Lies, Criminal Minds, Chicago Med, Grey’s Anatomy...

"X-Ormation Series I" is an encaustic-on-panel piece by Charles Ivey from his "X-Ormation" series. Ivey uses the encaustic process of combining hot beeswa...

GENTLE CURRENTS 24x24, framed size 25 1/4” x 25 1/4”. Encaustic on cradled board. Description: It’s a dreamlike place, the wind is gently playing with the reeds, a place to find comfort and peace. Here your soul is soothed by it’s tranquility and you are at ease. Sylvia Torres, was born in California one will find the ocean, sky and mountains reflected in her work. She also spent several years in Texas, where she attended the University of Houston, studied commercial art and became the Art Director at several advertising agencies. Eventually the lure of California drew her back to California. Ms. Torres has been an instructor of art workshops at Idyllwild Arts, Carnegie Art Museum, Studio Channel Islands Art Center,, Collage Artists Of America, the Ventura County Art Museum, University of California/Riverside, She has exhibited in solo and group shows including: Palm Springs Art Museum, Santa Paula Art Museum, Ventura Music Festival Invitational, Channel Islands Sanctuary, San Luis Obispo Art Museum, Santa Paula Art Museum, Marion Meyer Contemporary Art, Laguna Beach, CA, East/West One, Invitational, inThousand Oaks, CA, Ventura Government Center Invitational, Ventura, CA. Sylvia was interviewed live and her history video recorded by Donna Granata, founder of Focus On The Masters. Sylvia’s video history is permanently documented in their archives. Torres’ work has been acquired by private and corporate collectors: Focus On The Masters, Carnegie Art Museum permanent collection, Handel Evans past President of CSU Channel Islands, University, Infinity Bank, Ventura, CA, and others. Torres’ paintings appear on the sets of popular television shows: Big Little Big Lies, Criminal Minds, Chicago Med, Grey’s Anatomy...

The Ensō, a Japanese word meaning “circle” and a concept associated with Zen. It is at once the most fundamentally simple yet the most complex shape, symbolizing enlightenment, strength, elegance and the universe. It is an expression of living in, and being in the moment, mentally and spiritually whole. Often irregular in execution, always with a broken space within it. In the hands of Zen masters, the varieties of personal expression are endless. Sylvia Torres, was born in California, one will find the ocean, sky and mountains reflected in her work. She also spent several years in Texas, where she attended the University of Houston, studied commercial art and became the Art Director at several advertising agencies. Eventually, the lure of California drew her back to California. Ms. Torres has been an instructor of art workshops at Idyllwild Arts, Carnegie Art Museum, Studio Channel Islands Art Center,, Collage Artists Of America, the Ventura County Art Museum, University of California/Riverside, She has exhibited in solo and group shows including: Palm Springs Art Museum, Santa Paula Art Museum, Ventura Music Festival Invitational, Channel Islands Sanctuary, San Luis Obispo Art Museum, Santa Paula Art Museum, Marion Meyer Contemporary Art, Laguna Beach, CA, East/West One, Invitational, in Thousand Oaks, CA, Ventura Government Center Invitational, Ventura, CA. Sylvia was interviewed live, and her history video recorded by Donna Granata, founder of Focus On The Masters. Sylvia’s video history is permanently documented in their archives. Torres’ work has been acquired by private and corporate collectors: Focus On The Masters, Carnegie Art Museum permanent collection, Handel Evans past President of CSU Channel Islands, University, Infinity Bank, Ventura, CA, and others. Torres’ paintings appear on the sets of popular television shows: Big Little Big Lies, Criminal Minds, Chicago Med, Grey’s Anatomy...

Why I wake early (Abstract painting) Encaustic, oil and collage on panel - Unframed. Adams works on panel and paper, using a mixture of paint, encaustic and graphite as well as ele...

Born in 1934, the work of Suzanne Bloomfield represents the life force which binds us all -- a universal symbol for the soul's transformation. Bloomfield believes that painting is t...

This painting was inspired by the 1923 book The Prophet by Kahlil Gibran. Story goes that an elderly prophet of God, Almustafa, was leaving their island to return to the isle of hi...

Guna TT (Abstract painting) Encaustic on Shikoku paper - Unframed. The title, Guna, is a Sanskrit word meaning ‘string, thread or strand’ and was inspired by Adams yoga practice. ...

Martin Rosenthal "House with Yellow Windows" c. 1960s Encaustic & Oil paint on paper 20"x13" unframed Signed and dated in ink lower left Martin Rosent...

Patricia Zippin White Box Blue Lines 1980s Mixed Media 30.75"x 22.5", unframed *Custom framing available for additional charge. Please expect framing time between 3-5 weeks.

Lumenis 44 (Abstract painting) Encaustic, collage and oil on panel - Unframed Adams works on panel and paper, using a mixture of paint, encaustic and graphite as well as elements o...

Francis, Shingo (Japanese/American, born 1969), W3 , 1999 Encaustic and watercolor painting on Arches paper, 23.5 x 22.5 inches, Hand signed and dated verso Provenance: Garner Tullis Workshop Shingo Francis is a painter, drawer and photographer who employs a minimal and abstract approach in his work, exploring color, time and space. This was done at Garner Tullis workshop. Francis was born in Santa Monica, California in 1969. At the age of three he moved to Japan with his Japanese mother, and went to an international school in Tokyo until the age of thirteen. He subsequently moved back to California to live with his father, the Abstract Expressionist artist Sam Francis during the academic year, spending the summer and winter breaks in Tokyo. Francis received degree Bachelor of Arts degree in 1992 from Pitzer College in Claremont, California. In 2001, he moved his studio from Los Angeles...

Sattva 40 (Abstract painting) Encaustic on Okawara paper - Unframed. Adams works on panel and paper, using a mixture of paint, encaustic and graphite as well as elements of monotyp...

Francis, Shingo (Japanese/American, born 1969), W3 , 1999 Encaustic and watercolor painting on Arches paper, 23.5 x 22.5 inches, Hand signed and dated verso Provenance: Garner Tullis Workshop Shingo Francis is a painter, drawer and photographer who employs a minimal and abstract approach in his work, exploring color, time and space. This was done at Garner Tullis workshop. Francis was born in Santa Monica, California in 1969. At the age of three he moved to Japan with his Japanese mother, and went to an international school in Tokyo until the age of thirteen. He subsequently moved back to California to live with his father, the Abstract Expressionist artist Sam Francis during the academic year, spending the summer and winter breaks in Tokyo. Francis received degree Bachelor of Arts degree in 1992 from Pitzer College in Claremont, California. In 2001, he moved his studio from Los Angeles...

Lumenis 43 (Abstract Painting) Encaustic, collage and oil on panel - Unframed Adams works on panel and paper, using a mixture of paint, encaustic and graphite as well as elements o...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Different Nomenclatures 2019 Encaustic wax & oil colour on deep-fame board 600 x 600 mm

Guna II (Abstract Painting) Encaustic on Okawara paper - Unframed The title, Guna (2016), is a Sanskrit word meaning ‘string, thread or strand’ and was inspired by Adams yoga practice. “It’s a key concept in various schools of Hindu philosophy which states there are 3 gunas: goodness, passion and darkness, all present in everyone and everything, but in different proportions. The interplay of the 3 gunas define the character of someone or something, of nature and determines the progress of life”. (Wikipedia) The pieces in this series are printed with pigmented encaustic on Japanese paper; they are mounted on panel and coated with medium or stand alone like this work on Okawara paper. These artworks were a reaction to the more serialized and geometric work Adams was doing, a need to break from that and work in a freeing and more physical way. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

Guna TT (Abstract painting) Encaustic on Shikoku paper - Unframed. The title, Guna, is a Sanskrit word meaning ‘string, thread or strand’ and was inspired by Adams yoga practice. ...

Lumenis 43 (Abstract Painting) Encaustic, collage and oil on panel - Unframed Adams works on panel and paper, using a mixture of paint, encaustic and graphite as well as elements o...

Francis, Shingo (Japanese/American, born 1969), W3 , 1999 Encaustic and watercolor painting on Arches paper, 23.5 x 22.5 inches, Hand signed and dated verso Provenance: Garner T...

Sky Box, 2019 Encaustic wax, rust & oil colour on deep-fame board 600 x 600 mm

Sattva 39 (Abstract painting) Encaustic on Okawara paper - Unframed. Adams works on panel and paper, using a mixture of paint, encaustic and graphite as well as elements of monotyp...

Hidden, by Nancy Vorm, encaustic on panel, 8 x 8 inches, $400 Encaustic paintings are created by combining dyes or other materials with a melted wax medium (usually beeswax and dam...

Borderland I 2020 Encaustic wax on board 500 x 500 mm Signed Image 50cm x 50cm 2020

Lumenis 44 (Abstract painting) Encaustic, collage and oil on panel - Unframed Adams works on panel and paper, using a mixture of paint, encaustic and graphite as well as elements o...

Pressman works in various media. The oil paintings require a different approach as they dry more slowly than the encaustic work. As such, the oils sit with the artist often for month...

Why I wake early (Abstract painting) Encaustic, oil and collage on panel - Unframed. Adams works on panel and paper, using a mixture of paint, encaustic and graphite as well as ele...

Sattva 39 (Abstract painting) Encaustic on Okawara paper - Unframed. Adams works on panel and paper, using a mixture of paint, encaustic and graphite as well as elements of monotyp...

Encaustic on Okawara paper - Unframed. Adams works on panel and paper, using a mixture of paint, encaustic and graphite as well as elements of monotype and collage. Her background ...

Encaustic, oil and collage on panel - Unframed. Adams works on panel and paper, using a mixture of paint, encaustic and graphite as well as elements of monotype and collage. Her ba...

Encaustic on Shikoku paper - Unframed. The title, Guna, is a Sanskrit word meaning ‘string, thread or strand’ and was inspired by Adams yoga practice. “It’s a key concept in variou...

Neutral toned abstract painting of green plant leaves on a light beige cream colored encaustic background "Snowflowers 8," by Hudson Valley artist, Allyson Levy, made in 2020 spurge ...

Borderland III 2020 Encaustic wax on board Image 500 x 500 mm Signed in a Welsh Oak frame Image 50cm x 50cm 2020

Abstract encaustic painting by Welsh artist Andrew Francis

Signed upper right, 'Laisner' for George Laisner (American, 1914-1984), titled, verso, 'Fireflies', and painted circa 1955. Born in Czechoslovakia, Laisner first studied at the Uni...

Abstract painting with assorted neutral toned golden tree bark and purple violet encaustic "Barking Betula", by Hudson Valley artist, Allyson Levy, mad...

Little Blue, 2020 Encaustic & collage on thin edged board 12" X 12" This abstract geometric composition on wooden board features a playful geometric motif that is inspired by the artist's interest in architecture and blueprint drawings. The geometric forms are made in a more painterly, gestural manner rather than with a hard edge. Paint is not heavily built up upon the surface but it certainly exhibits a tactile quality which is characteristic of the artist's aesthetic. English's work celebrates the quirky, unexpected qualities of shapes and colors. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Kay Hartung's “Dispersion 1” painting on birch panel is her vision of microscopic activity in the body. The flow and movement of forms is created by using a torch and moving powdered...

Abstract painting with green encaustic and light yellow flower petals on wood panel "Wallpaper 2" made by Allyson Levy in 2020 encaustic and flower petals on wood panel, 24 x 24 x 2 ...

I document the essence of the landscape everyday. I am interested in those untouched views of our landscape - the best parts of why we all come to New Mexico: the light, the color...

I document the essence of the landscape everyday. I am interested in those untouched views of our landscape - the best parts of why we all come to New Mexico: the light, the color...

Abstract painting with orange and sienna colored plant material arranged on green encaustic "Ascertain", made by Hudson Valley based artist, Allyson Levy, in 2011 maple keys, pigme...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew up ...

Borderland II 2020 Encaustic wax on board Image 764 x 578 mm. Signed, In a Welsh Oak frame 2020

Solstice 2020 Encaustic wax on board Image 652 x 585 mm Signed in a Welsh Oak frame Image 50cm x 50cm 2020

Entropy, 2019 Encaustic wax, oil colour and solder on deep-fame board 600 x 600 mm

Abstract encaustic painting with brown branches with dark red berries against a light beige background "Winter Berry Diptych" made by Hudson Valley based artist, Allyson Levy, in 201...

Abstract painting made with light green encaustic and brown hemp leaves and branches resembling a tree Happanese, made by Allyson Levy in 2020 48 x 34 inches hemp leaves, branches, a...

I document the essence of the landscape everyday. I am interested in those untouched views of our landscape - the best parts of why we all come to New Mexico: the light, the color...

A unique, beautifully composed, large-scale geometric abstraction encaustic, with fresh colors, on fibrous buff, wove paper; the image extending ...