Panel Abstract Paintings

Contemporary abstract landscape oil painting titled "Water #424" by Louise LeBourgeois. Size: 12 x 12 inches. Oil on panel. Muted orange, earth tones. LeBourgeois’s paintings are in...

"Door #22 (Paint)" (2018) by Francesca Reyes Original oil painting on wood panel; measures 8" H x 6" W x 1" D Rich blue palette with white doorway; accents of cranberry, pink, beige and green From the artist's door series...

Jody Rasch’s work is drawn from various science practices, including astronomy, biology, and sub-atomic physics. In his subject matter and technique, Rasch builds on historical conce...

"Tiny II" by Danielle Marie Masters Acrylic and cut paper on panel, 8" H x 8" W x .75" D, square shape panel with rounded corners Bright color palette: red, neon red, neon pink, whi...

Using his characteristic rich earthy palette, Otto Rogers has captured the subtle variations in light as it changes along a seashore. This piece has soft grays, rich brown, and black colours highlighted by a flash of royal blue and burnt orange. As one of Canada’s preeminent modernist artists, Rogers found inspiration in both his deep faith as a Baha’i and the beauty of nature so often reflected in his stunning work. This is acrylic and graphite on paper. “The purpose of art is to lift the human spirit.” Otto Rogers He acquired his MA in Fine Art from the University of Wisconsin and later taught at the University of Saskatchewan for almost 30 years. He also participated in the Emma Lake Workshops in BC which attracted some of North America’s finest artists. Rogers’ work is held in more than 30 public collections including: the Art Gallery of Ontario, the National Gallery of Canada, and the Museum of Fine Arts in Boston...

English artist, contemporary acrylic painting on canvas, unframed With two lacquered antique panels stuck on canvas Each canvas: 47 x 22 inches Each panel: 20 x 8 inches provenance:...

Portal 23 #4 (2023) Acrylic, wax, and aluminum leaf on paper. 8" x 8" unframed 15" x 15" framed Hester’s practice is a meditation on both her personal and our collective pasts. Throughout her works, Hester consistently acknowledges the seemingly opposing forces that build our daily lives—creating an atmosphere abounding with both elegy and rejuvenation. The artist’s technique of painting on each substrate—paper, plexiglass and aluminum—goes far beyond conventional brushwork. Through a painstaking and physical process, she applies and removes acrylic paint with the use of sanders, hammers, routers and drills, in a continual process of building, breaking and rebuilding. Surprisingly, even the works on paper are sanded. Surfaces are mottled and textured, scraped and punctured. Layer upon layer of striated, thick colors dance astride more delicate patterned areas, created with collaged bits of metal leaf and complex cross-hatching marks. Yet, strikingly, the eye finds places of rest as colors and patterns conjoin harmoniously, and chaos and control share spaces. Painting / Silver/ Texture / Work on paper / Abstract / About the Artist: Francie Hester works principally on sculpted aluminum, steel and plexiglass, in a process-based practice that builds pixelated and vibrant pigments in deep layers with patterns of drips, grids and fragmented shapes that are then deconstructed through sanding, scraping, drilling and cutting to reveal the finished, textured surfaces. Her work has been exhibited internationally in Jordan, Ulaanbaatar, Ireland, and Costa Rica, and in solo exhibitions with Susan Eley...

Portal 23 #3 (2023) Acrylic, wax, and aluminum leaf on paper 8" x 8" unframed 15" x 15" framed Hester’s practice is a meditation on both her personal and our collective pasts. Throughout her works, Hester consistently acknowledges the seemingly opposing forces that build our daily lives—creating an atmosphere abounding with both elegy and rejuvenation. The artist’s technique of painting on each substrate—paper, plexiglass and aluminum—goes far beyond conventional brushwork. Through a painstaking and physical process, she applies and removes acrylic paint with the use of sanders, hammers, routers and drills, in a continual process of building, breaking and rebuilding. Surprisingly, even the works on paper are sanded. Surfaces are mottled and textured, scraped and punctured. Layer upon layer of striated, thick colors dance astride more delicate patterned areas, created with collaged bits of metal leaf and complex cross-hatching marks. Yet, strikingly, the eye finds places of rest as colors and patterns conjoin harmoniously, and chaos and control share spaces. Painting / Work on paper / Texture / Silver / Blue / About the Artist: Francie Hester works principally on sculpted aluminum, steel and plexiglass, in a process-based practice that builds pixelated and vibrant pigments in deep layers with patterns of drips, grids and fragmented shapes that are then deconstructed through sanding, scraping, drilling and cutting to reveal the finished, textured surfaces. Her work has been exhibited internationally in Jordan, Ulaanbaatar, Ireland, and Costa Rica, and in solo exhibitions with Susan Eley...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Patricia Fabricant’s radials take an organic, sometimes animalistic form, populating her canvases with seed, scale, and wave-like shapes. Interested in the tension between decoration...

Confluence 22 C (2022) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

Patricia Fabricant’s radials take an organic, sometimes animalistic form, populating her canvases with seed, scale, and wave-like shapes. Interested in the tension between decoration...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Loch Caroy by Elaine Fox [2020] original Acrylic on Cradled Panel Image size: H:35 cm x W:35 cm Complete Size of Unframed Work: H:35 cm x W:35 cm x D:2cm Sold Unframed Please note t...

Patricia Fabricant’s radials take an organic, sometimes animalistic form, populating her canvases with seed, scale, and wave-like shapes. Interested in the tension between decoration...

Swiss-born artist Marco Schmidli creates large-scale minimalist paintings reminiscent of color field studies with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An important aspect of my artwork is the removal of my own artistic hand. Instead of controlling and demanding the paint move and act a certain way, I let the paint naturally manifest and express its pure form/ true colors/ most natural movement.” Schmidli's work is known for its sensitive surfaces and subtle textures. He has developed specialized techniques for applying and layering color, giving depth to his large-scale paintings. This 11-inch high by 9-inch wide and 1.75-inch deep original artwork is an abstract composition in acrylic on wood. It is framed in a natural wood frame. Size and price include frame. It is signed and dated on the back. Convenient local Los Angeles area shipping. Affordable Continental U.S. and worldwide shipping also available. A certificate of authenticity issued by the art gallery is included. Schmidli studied photography and fine art in Switzerland and Rome. He worked as a photographer and painter in Zurich and then in 1989 he moved to California. Schmidli has been creating large-scale artworks since. He has developed specialized techniques for applying and layering color. His artworks have been featured in the film and entertainment industry, such as fashion photography, celebrity portraits, music videos, films, editorials, and at red carpet events. Schmidli has set a new standard for large-scale contemporary abstract works in Los Angeles. His original paintings have appeared in highly respected magazine publications, such as Vogue, Flaunt, and Harper’s Bazaar. His work has also been featured in fashion spreads of iconic international brands such as Nike and Balenciaga. REPRESENTATION Artplex Gallery, Los Angeles, USA CLIENT LIST ADVERTISING Acura, Aveda, Bath & Body Works, Bloomingdales, Cost Plus, Covergirl, Heather Levine, JC Penny, Loehmann's, Lord and Taylor, Macy's, Mazda, MGM Resorts International, Neiman Marcus, Noah's Bagels, Nordstrom, O.P.I., Oakley, Porsche, QVC, Saks Fifth Avenue, Silverman Group, Sketchers, Smashbox Beauty, Sprint, Stila. EDITORIAL Architectural Digest, Cosmo Girl, Cosmopolitan, Details, Elle Décor, Elle, Empire Magazine, Entertainment Weekly, ESPN, Esquire, Essence, Forbes Life, Giant, Glamour, Golf Digest, Good Housekeeping, GQ, Hearst Magazine, House Beautiful, Instyle, Ladies Home Journal, Latina Magazine, Los Angeles Magazine, Los Angeles Times, Lucky, Martha Stewart Living, Maxim, Men’s Vogue, New York Magazine, New York Times Magazine, Oprah Magazine, Parade, Parents, People, Playboy, Rolling Stone, Seventeen, Shape, Spin, Sports Illustrated, Teen People, The Hollywood Reporter, The Wall Street Journal, Town & Country, US Magazine, Vanity Fair, Vogue, Wonderland, Women’s Wear Daily FASHION Ann Taylor, Anthropologie, Banana Republic, BCBG, BEBE, Bluefly, Brooks Brothers, Calvin Klein, Chanel, Chrome Hearts, David Yurman, Delia’s, Eileen Fisher, INC, FIDM, Fredricks of Hollywood...

Susan Kiefer Confronting the Void Oil on Wood Panel Year: 2023 Size: 12x12x1.35in Signed by hand COA provided Ref.: 924802-1488 Tags: texture, hard-edged abstract, angular shapes, t...

acrylic on canvas, over concave wood panel Andy Moses is interested in pushing the physical properties of paint. Through chemical reactions, viscosity interference, and gravity dispersion, Moses creates elaborate compositions that mimic nature and its forces. DESERT LIGHT is a body of work that responds to the sense of infinite space that drifts in on California's ocean breezes and across the Southwest's vast, desert expanses. Light and space naturally elongate in these geographies and Moses channels this time warp through both material and process. Born in Los Angeles in 1962, Moses attended California Institute of the Arts...

Abstract painting in shades of light aqua evoking the swirling sea at tide’s turn. With a surface full of interesting texture and contrast. Seaweed and detritus on the beach is being...

This work is from the Wonderment of Otherness series of paintings by New York City-based artist Christopher Stout, whose pronouns are he/him or inclusive they/them. Each work within the Wonderment of Otherness series is a sculptural monochrome painting and is part of the contemporary genre of art referred to as queer abstraction. A statement of practice regarding all of Christopher Stout’s work is that it intends to surround us with the notion of radical joy and a vision of queerness as found in our imaginations. But what do the term queer abstraction mean and represent? In the artist’s own words: “I would suggest that queer abstraction might be most easily defined as activist art about the queer experience that does not employ representation of the human figure. Queer abstraction, along with Black abstraction, feminist abstraction, and even Arte povera are examples of 4 distinct types of sociopolitical protest work birthed in the late 1960s and early 1970s, which primarily eschew the use of figuration. In providing additional context, art critic and curator Eric Sutphin theorizes that contemporary artists practicing queer abstraction, 'are in close dialogue with their forbears, and bring to the milieu of queer abstraction a new set of social, economic, and political concerns…including a series of questions: What is the relationship between queerness and formalism? Without explicit political references, how can abstract work transmit the urgency of its content?'” In returning the conversation to the Wonderment of Otherness paintings, each painting in this body of work has been designated as a 'quilt painting' because the central visual element and topography of the works are textile pieces of Belgian linen and cotton sewn together with wire in a manner akin to quilting. It should be noted that quilting here is not a reference to the AIDS quilt, but rather an extension of the tradition of quilting as a form of political art by marginalized people. These quilts are stretched on stacks of wooden panels, so that the works retain elements to suggest being textile pieces, and also elements of being sculptures, and also elements of being paintings. This is a reference to the nonbinary. An equally important concentration within these works is to express a linear relationship between queer abstraction and queer theory. Alongside each painting has been designated a notable academic text, biography, or resource book documenting a spectrum of queer ideas and experiences. Stout noted that, “Some of these books are longtime friends, and some of the more contemporary works were read as part of my research for these paintings.” Whilst these paintings are not designed to illustrate the work of these queer academics, they do hope to activate a through line, manifesting the shared goals within queer abstraction. This painting is titled, Wonderment of Otherness Quilt Painting 001, A Monument to the Work and Queer Personhood of José Esteban Muñoz (which is slightly longer than the 80 characters permitted in the online catalog) and is a monument to the work and Queer personhood of José Esteban Muñoz. Stout painted this piece after re-reading Muñoz’s text, “Cruising Utopia, The Then and There of Queer Futility.” A much-loved quote from this book: “Queerness is not yet here. Queerness is an ideality. Put another way, we are not yet queer. We may never touch queerness, but we can feel it as the warm illumination of a horizon imbued with potentiality. We have never been queer, yet queerness exists for us as an ideality that can be distilled from the past and used to imagine a future. The future is queerness’s domain. Queerness is a structuring and educated mode of desiring that allows us to see and feel beyond the quagmire of the present. The here and now is a prison house. We must strive, in the face of the here and now’s totalizing rendering of reality, to think and feel a then and there. Some will say that all we have are the pleasures of this moment, but we must never settle for that minimal transport; we must dream and enact new and better pleasures, other ways of being in the world, and ultimately new worlds, queerness is a longing that propels us onward, beyond romances for the negative and toiling in the present, queerness is that thing that lets us feel that this world is not enough, that indeed something is missing. Often we can glimpse the worlds proposed and promised by queerness in the realm of the aesthetic. The aesthetic, especially the queer aesthetic, frequently contains blueprints and schemata of a forward-dawning futurity. Both the ornamental and the quotidian can contain a map of the utopia that is Queerness.” ― José Esteban Muñoz ... Process: Stacked wooden panels, on which is stretched a quilt that I fashioned from Belgian linen and cotton fabric sewn together with wire. The finished work is a monochrome painted...

In one of the most vibrant oil paintings from her “Reflection” series, Carole Garland luxuriates in the splashes of colors, heightening nature’s splendor. Mirrored in the stream, the turning leaves are replicated and abstracted in the shimmering waters below. Workshops with Fine Art oil...

Layers of stripes inspired by bookshelves. The colours and patterns repeat throughout the composition. Rosie Shorrock, painter, is available for sale online and in our art gallery at...

Andrzej Michael Karwacki’s acrylic paint and resin on birch panel work called: ‘EQ redefined series 1700-EU101-3’ is wonderfully colourful and a creative abstract piece of artwork. D...

This is a favourite piece from a series exploring ideas around layers, history and portals to the past. The series was painted in multiple layers with each layer revealing something of the layer below. The past still affecting the present and the future. Discover more original artwork by Alison Gilbert with Wychwood Art online and in Oxfordshire gallery. Alison is a British contemporary abstract artist...

Abstract minimalist color block painting on panel "Untitled 3", painted by Ralph Stout in 2019 16 x 16 x 2 inches, acrylic on panel Sides are painted black, additional framing is optional Ready to hang as is This abstract minimalist, mid-century modern style painting on canvas was made by East Hampton based artist, Ralph Stout, in 2019. The composition features an interlocking pattern of dark teal, blue and black. The painting is on panel with black painted sides. The artist's signature is located on the back. Ralph Stout refers to his approach to abstract painting as “incremental adventurism”. This sums up Stout’s calculated combos of vivid pigments and defined forms layered on top of fluid underdrawings. The artist first creates space using simple linework with graphite pencil; intertwining curvy lines or straight intersecting angles are drawn in varying densities. He then fills the spaces with blocks of pure, vivid color without any real detail other than the outlines of each form that begins to appear. Each mass is connected in stark juxtaposition using intense contrast of color and line. It is the delicate tension between the background and foreground that reveals a solid graphic that is full of vibration. About the artist: Since devoting himself full time to visual art after a long career in computer...

“Hush” is part of my Tapestry series of semi abstract paintings that explore the simplification of shape, space, colour and texture in places I have visited. Some of these are specific to landscapes around my studio in Surrey, the South Downs and Devon but mostly they are a visual amalgamation of experiences, like a patchwork of memories and feelings from one or many places. Tapestry-like landscapes with bold mono-tone blocks which reflect the shadowy-shape of evergreen trees against more open hills and meadows. I see more when I’m not focused on the detail, painting intuitively with a mix of acrylics, inks, chalk and oil pastels to capture an emotive response to a place rather than the reality of a specific landscape. Brush strokes and marks are layered and carved with fluid lines that create imagined dream-like patterns. “Hush” is painted on a wood panel with muted shades of slate, moss, pebble and shell, contrasted with a bold graphic swathe of charcoal. Tamara Williams...

Swiss-born artist Marco Schmidli creates large-scale minimalist paintings reminiscent of color field studies with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An important aspect of my artwork is the removal of my own artistic hand. Instead of controlling and demanding the paint move and act a certain way, I let the paint naturally manifest and express its pure form/ true colors/ most natural movement.” Schmidli's work is known for its sensitive surfaces and subtle textures. He has developed specialized techniques for applying and layering color, giving depth to his large-scale paintings. This 11-inch high by 9-inch wide and 1-inch deep original artwork is an abstract composition in acrylic on wood. It is framed in a natural wood frame. Size and price include frame. It is signed on the back. Convenient local Los Angeles area shipping. Affordable Continental U.S. and worldwide shipping also available. A certificate of authenticity issued by the art gallery is included. Schmidli studied photography and fine art in Switzerland and Rome. He worked as a photographer and painter in Zurich and then in 1989 he moved to California. Schmidli has been creating large-scale artworks since. He has developed specialized techniques for applying and layering color. His artworks have been featured in the film and entertainment industry, such as fashion photography, celebrity portraits, music videos, films, editorials, and at red carpet events. Schmidli has set a new standard for large-scale contemporary abstract works in Los Angeles. His original paintings have appeared in highly respected magazine publications, such as Vogue, Flaunt, and Harper’s Bazaar. His work has also been featured in fashion spreads of iconic international brands such as Nike and Balenciaga. REPRESENTATION Artplex Gallery, Los Angeles, USA CLIENT LIST ADVERTISING Acura, Aveda, Bath & Body Works, Bloomingdales, Cost Plus, Covergirl, Heather Levine, JC Penny, Loehmann's, Lord and Taylor, Macy's, Mazda, MGM Resorts International, Neiman Marcus, Noah's Bagels, Nordstrom, O.P.I., Oakley, Porsche, QVC, Saks Fifth Avenue, Silverman Group, Sketchers, Smashbox Beauty, Sprint, Stila. EDITORIAL Architectural Digest, Cosmo Girl, Cosmopolitan, Details, Elle Décor, Elle, Empire Magazine, Entertainment Weekly, ESPN, Esquire, Essence, Forbes Life, Giant, Glamour, Golf Digest, Good Housekeeping, GQ, Hearst Magazine, House Beautiful, Instyle, Ladies Home Journal, Latina Magazine, Los Angeles Magazine, Los Angeles Times, Lucky, Martha Stewart Living, Maxim, Men’s Vogue, New York Magazine, New York Times Magazine, Oprah Magazine, Parade, Parents, People, Playboy, Rolling Stone, Seventeen, Shape, Spin, Sports Illustrated, Teen People, The Hollywood Reporter, The Wall Street Journal, Town & Country, US Magazine, Vanity Fair, Vogue, Wonderland, Women’s Wear Daily FASHION Ann Taylor, Anthropologie, Banana Republic, BCBG, BEBE, Bluefly, Brooks Brothers, Calvin Klein, Chanel, Chrome Hearts, David Yurman, Delia’s, Eileen Fisher, INC, FIDM, Fredricks of Hollywood...

Swiss-born artist Marco Schmidli creates large-scale minimalist paintings reminiscent of color field studies with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An important aspect of my artwork is the removal of my own artistic hand. Instead of controlling and demanding the paint move and act a certain way, I let the paint naturally manifest and express its pure form/ true colors/ most natural movement.” Schmidli's work is known for its sensitive surfaces and subtle textures. He has developed specialized techniques for applying and layering color, giving depth to his large-scale paintings. This 11-inch high by 9-inch wide and 1-inch deep original artwork is an abstract composition in acrylic on wood. It is framed in a natural wood frame. Size and price include frame. It is signed on the back. Convenient local Los Angeles area shipping. Affordable Continental U.S. and worldwide shipping also available. A certificate of authenticity issued by the art gallery is included. Schmidli studied photography and fine art in Switzerland and Rome. He worked as a photographer and painter in Zurich and then in 1989 he moved to California. Schmidli has been creating large-scale artworks since. He has developed specialized techniques for applying and layering color. His artworks have been featured in the film and entertainment industry, such as fashion photography, celebrity portraits, music videos, films, editorials, and at red carpet events. Schmidli has set a new standard for large-scale contemporary abstract works in Los Angeles. His original paintings have appeared in highly respected magazine publications, such as Vogue, Flaunt, and Harper’s Bazaar. His work has also been featured in fashion spreads of iconic international brands such as Nike and Balenciaga. REPRESENTATION Artplex Gallery, Los Angeles, USA CLIENT LIST ADVERTISING Acura, Aveda, Bath & Body Works, Bloomingdales, Cost Plus, Covergirl, Heather Levine, JC Penny, Loehmann's, Lord and Taylor, Macy's, Mazda, MGM Resorts International, Neiman Marcus, Noah's Bagels, Nordstrom, O.P.I., Oakley, Porsche, QVC, Saks Fifth Avenue, Silverman Group, Sketchers, Smashbox Beauty, Sprint, Stila. EDITORIAL Architectural Digest, Cosmo Girl, Cosmopolitan, Details, Elle Décor, Elle, Empire Magazine, Entertainment Weekly, ESPN, Esquire, Essence, Forbes Life, Giant, Glamour, Golf Digest, Good Housekeeping, GQ, Hearst Magazine, House Beautiful, Instyle, Ladies Home Journal, Latina Magazine, Los Angeles Magazine, Los Angeles Times, Lucky, Martha Stewart Living, Maxim, Men’s Vogue, New York Magazine, New York Times Magazine, Oprah Magazine, Parade, Parents, People, Playboy, Rolling Stone, Seventeen, Shape, Spin, Sports Illustrated, Teen People, The Hollywood Reporter, The Wall Street Journal, Town & Country, US Magazine, Vanity Fair, Vogue, Wonderland, Women’s Wear Daily FASHION Ann Taylor, Anthropologie, Banana Republic, BCBG, BEBE, Bluefly, Brooks Brothers, Calvin Klein, Chanel, Chrome Hearts, David Yurman, Delia’s, Eileen Fisher, INC, FIDM, Fredricks of Hollywood...

Ellen Hackl Fagan makes her paintings by pouring paint around the forms of commonplace, mass-produced objects placed on wet sheets of paper or panels – little fruit cartons, fragment...

2023 Acrylic on wood panel 12 x 12 in. (30.5 x 30.5 cm) Signed, titled, and dated on the reverse Framed

Mid Century Modern Abstract Painting by Don Clausen C.1959 Early abstract by Clausen Original oil on board Dimensions 48" wide x 28.25" high The frame measures 52" wide x 33.25" ...

2023 Acrylic on wood panel 12 x 12 in. (30.5 x 30.5 cm) Signed, titled, and dated on the reverse Framed

2023 Acrylic on wood panel 12 x 12 in. (30.5 x 30.5 cm) Signed, titled, and dated on the reverse Framed

Black, gray, and white abstract contemporary painting by Houston, TX artist Winifred Booth. The piece depicts white writings all over the canvas against...

2023 Acrylic on wood panel 12 x 12 in. (30.5 x 30.5 cm) Signed, titled, and dated on the reverse Framed

2023 Acrylic on wood panel 12 x 12 in. (30.5 x 30.5 cm) Signed, titled, and dated on the reverse Framed

2023 Acrylic on wood panel 12 x 12 in. (30.5 x 30.5 cm) Signed, titled, and dated on the reverse Framed

Abstract interior, with figures and bison. Oil on panel.

“My work is based on visualizations of energy, inspired by particle physics and forms in nature. I use the lines of colliding atomic particles to explore a new language of abstractio...

“My work is based on visualizations of energy, inspired by particle physics and forms in nature. I use the lines of colliding atomic particles to explore a new language of abstractio...

Untitled No 63, modern​ abstract composition 1987 Mixed media on wood panel, wax, oil, paper. Signed with initials, gallery label. Abstract painter Michael David is best known for his use of encaustic, a technique that incorporates heated beeswax and pigment. Considered an inheritor of Abstract Expressionism, David’s abstract work primarily centers on the use of a densely layered surface to facilitate a direct and immediate spiritual experience. He often incorporates religious iconography and symbolism, art historical themes such as the nude, and contemporary politics into his paintings resulting in a critical dialogue between the layered abstraction of the surface and the integrated representational imagery. Alongside his work on canvas, David has developed a body of studio photography that recreates paintings by Caravaggio, Manet, and Mantegna, among others, in works that confront racism, homophobia, and sexism. David also works in mixed media and environmental sculpture...

Shades of dark magenta and purple contrast with rich creams in this abstract composition. Paint has been built up in layers and then sanded back to reveal the history of the piece, and to create a surface full of depth and visual interest. The bold mark-making and shapes bring a lively contrast. The work is presented in a natural wood tray frame, not a wide border frame as in the in situ photos. Alison Gilbert is an Artists with Wychwood Art. Alison is a British contemporary abstract artist...

“My work is based on visualizations of energy, inspired by particle physics and forms in nature. I use the lines of colliding atomic particles to explore a new language of abstractio...

Abstract geometric three-dimensional wood wall sculpture resembling stacked books in blue, grey, and white "Blue Books", hand-carved wooden wall sculpture ...

Neutral-toned abstract contemporary painting by Houston, TX artist Winifred Booth. The piece depicts two gray rectangle shapes with black calligraphic-l...

Abstract, minimalist three-dimensional wood wall sculpture in a pale palette of blue, grey, and sage "Splish Splash", hand-carved wooden wall sculpture by Hudson Valley artist, Steph...

Acrylic paint on wood panel

Acrylic paint on wood panel

Acrylic paint on wood panel

Black, gray, and white abstract contemporary painting by Houston, TX artist Winifred Booth. The piece depicts two gray rectangle shapes with white calli...

Patricia Fabricant’s radials take an organic, sometimes animalistic form, populating her canvases with seed, scale, and wave-like shapes. Interested in the tension between decoration...

Burning Ember is painted on a wood panel, in acrylic. The size is 40" x 40". The painting hangs on a French cleat. Troy Smith is a Canadian artist, designer, sculptor and painter w...

Black and gray abstract contemporary painting by Houston, TX artist Winifred Booth. The painting depicts 3 gray rectangular cloud-like shapes against a ...

Fiddle-dee-dee, Original Contemporary Yellow Gold and Red Abstract Painting 30" x 22" x 1.5" (HxWxD) This abstract work by artist Denise Presnell brings a large dose of color and ab...

Bouquet, Original Contemporary Blue and White Abstract Square Painting 30" x 30" x 1.5" (HxWxD) This square-format abstract work by artist Denise Presnell has an energy and mystery ...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

ADDITIONAL PHOTOS OF THIS WORK WILL BE SENT UPON REQUEST: Jean Feinberg is a NY based artist whose wall constructions - paintings on found wood and paintings on painted plywood - a...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...