Milly Ristvedt

Daisy - bright, colourful, expressive, gestural abstract, acrylic on paper

1977

Passages of black and grey lit with subtle marks of ecrue, pink, blue and yellow bring to life Andrew Lui's theme of inexorable change. Born in Guangzhou, China, Lui participated in the Chinese Cultural Revolution as a member of the Red Guard but escaped to Hong Kong in 1970. Making his way to Toronto, Lui studied at the Ontario College of Art before traveling to the UK, and Italy. In Florence, he was drawn to the dynamic Uccello's Battle of San Romano (c. 1456). Lui is represented in multiple public, corporate and private collections in Canada, Europe and China: Musée d'art contemporain, Musée de Dijon, France, L'Ecole des Beaux Arts, Bruxelles, Pallazo Strozzi, Florence, Musée National des Beaux-Arts du Quebec, Musée des Beaux-Arts de Sherbrooke, Grimsby Art Gallery, Robert McLaughlin Art Gallery, Art Gallery of Stratford, Stratford, Coburg Art Gallery, Rodman Hall Art Centre, Canadiana Foundation (Art Collection of Governor General of Canada). He is part of a large number of private and corporate collections, including HSBC of Canada, DKNY and Sun Life Insurance...

This highly gestural and drip composition on paper balances a kaleidoscope of colour -- grape, magenta, orange, gold, green -- with areas of black and grey. It is a muscular explosion inspired by the classic Greek poem, the Odyssey, which charts the journey of hero Odysseus home to Ithaca after the 10 year Trojan war. This work on paper is currently unframed. However, it can be mounted on panel and framed or framed behind glass. Adam Cohen born in New Jersey in 1959, studied with artist Lilian Marzell, a friend of Willem de Kooning. Cohen earned his BFA at Philadelphia's Tyler School of Art at Temple University which included a year of painting in Rome. Returning to New York he studied at the School of Visual Arts, the Arts Students League and Parsons School of Design. Cohen has exhibited in Italy, Holland, New Jersey, New York and Ontario. His work is in numerous private collections. In 2015, he was awarded the International Art Prize Giuseppe Gambino...

Hot pink and red intersects with drips and splashes of yellow, magenta and orange in this dynamic acrylic painting on paper. Beneath the energetic surface a scaffold of black completes the composition. Cohen intersects the language Abstract Expressionism with narrative to re-invent the experience of action painting in a contemporary context. This painting on paper is currently unframed. However, it can be mounted on panel and framed or framed behind glass. Adam Cohen, born in New Jersey in 1959, studied with artist Lilian Marzell, a friend of Willem de Kooning. Cohen earned his BFA at Philadelphia's Tyler School of Art at Temple University which included a year of painting in Rome. Returning to New York he studied at the School of Visual Arts, the Arts Students League and Parsons School of Design. Cohen has exhibited in Italy, Holland, New Jersey, New York and Ontario. His work is in numerous private collections. In 2015, he was awarded the International Art Prize Giuseppe Gambino...

Milly Ristvedt is making a bold proposition in this dramatic series of four large paintings designed to be displayed together. Each of the four canvases offers a stunning visual dialogue in blocks of colour—reds, purples, orange, greens, blues, black and white for contrast. Ristvedt is known as a master colourist who uses colour to express thought and emotion. Art Critic Barry Lord (Art in America) declared that Ristvedt’s paintings were ‘more insistent than Bush, more consciously structured than Molinari.’ “They are meant to be ‘read’ together in the same viewing space. The conversations between them are intense.” Milly Ristvedt Born in British Columbia, Ristvedt studied at the Vancouver School of Art (now the Emily Carr University) and had her first solo exhibit at the Carmen Lamanna Gallery in Toronto. In the late 1960s, Ristvedt shared a studio with famed Canadian painter Jack Bush, met art critic Clement Greenberg and was inspired by American painters Jules Olitiski...

A monumental work, comprised of 66 small square panels, each painted with a single orthogonal, are installed in a precise grid: six high and ten across. The orthogonal panels are pai...

Horizontal bars of blue, maroon, cherry red, pink, lemon yellow, burnt orange and green communicate on a soaked sand-coloured ground in the two panels that form this 9-foot square acrylic diptych painting on canvas. The rhythm of the spaces between the short lengths of colour creates a dialogue of movement that leads the eye upwards through the large picture plane. About the inspiration for the work, the artist wrote: "This is one of the rare paintings that I saw clearly in a dream and painted almost exactly as I saw it. It relates back to the four-panel work, Lock-Up (1972), done a couple of months earlier, where I used the physical break between panels as an edge to anchor some colour bars. In Phoenix, some bars are anchored while others float within the larger ground colour." This painting was included in the exhibition catalogue Milly Ristvedt-Handerek: Paintings of a Decade (1979). Milly Ristvedt, RCA, began her career in Toronto in 1964 after studies with Takao Tanabe at the Vancouver School of Art. In Toronto, during the 1960s and 1970s, she was making and exhibiting large-scale paintings alongside a small but defined group of non-figurative painters who, like Ristvedt, had planted...

Angel Descending the Staircase, 2019 by a.muse is a 15” x 11” x 3/16” acrylic and pastel stick collage on canvas mounted on board. The painting is signed (on front and back), titled,...

A set of 12 original mixed media monotype and painting mixed media works by American contemporary artist Monica Angle. These pieces were inspired by the changing light throughout th...

Ky Anderson Feelers, 2019 pigment and acrylic on paper 72 x 84 in. (and272ap) This original painting on paper by Ky Anderson features bold shapes and curving lines in saturated shad...

Acrylic and pasted papers on canvas mounted on board 50.8 x 40.6 cms (20 x 16 ins) This collage includes a fragment of a 1985 print, Burning Sun. Although Motherwell signed...

The discipline of creating a drawing each day is a process, like a written diary, to clear the mind, to declutter thoughts, and to observe patterns. It is a method that allows the mind a freedom to wander and drift. A visual journal becomes a safe space for personal reflection–a self-awareness fueled by the opportunity for contemplation and immersion. The painted surface for the drawings was created by dividing five large paintings into 40 separate pieces. I chose five paintings from my Perspective Series (1993-94), which relied on day-to-day imagery that narrated a story about shifting time and how time anchors our day. The brush strokes of Perspectives are fluid, with muted colors – moving from deep blacks to taupe whites. Dividing these pieces was a means for me to rethink ideas and recurring images in my older work. The very thin gold leaf applied to each piece has a wonderful amber tone. This gold leaf is from Myanmar, where it is used as decoration for Buddha or for the dome of a temple or monastery. In the drawings, the gold element relates to the sense of infinity – like the sky in an enclosed courtyard. An architectural element is a critical component in my studio work that I wanted to carry over into these pieces. I envisioned a courtyard–a safe space that opens up to the sky. Unfolding circles define the beginnings of an open interior space. The process felt open-ended. It was an opportunity to get lost in thought and to give me an opportunity to reflect, muse and declutter my thinking. Then repeat. 40 days...

*Card pictured after painting not included. Dongkuk Ahn (1937-2013), better known as Don Ahn, was a South Korean artist and t'ai chi master who resided in New York City. Don Ahn (A...