Milly Ristvedt

Procession - large, red, blue, pink, contemporary abstract, acrylic on canvas

1984

Milly Ristvedt is making a bold proposition in this dramatic series of four large paintings designed to be displayed together. Each of the four canvases offers a stunning visual dialogue in blocks of colour—reds, purples, orange, greens, blues, black and white for contrast. Ristvedt is known as a master colourist who uses colour to express thought and emotion. Art Critic Barry Lord (Art in America) declared that Ristvedt’s paintings were ‘more insistent than Bush, more consciously structured than Molinari.’ “They are meant to be ‘read’ together in the same viewing space. The conversations between them are intense.” Milly Ristvedt Born in British Columbia, Ristvedt studied at the Vancouver School of Art (now the Emily Carr University) and had her first solo exhibit at the Carmen Lamanna Gallery in Toronto. In the late 1960s, Ristvedt shared a studio with famed Canadian painter Jack Bush, met art critic Clement Greenberg and was inspired by American painters Jules Olitiski...

Horizontal bars of blue, maroon, cherry red, pink, lemon yellow, burnt orange and green communicate on a soaked sand-coloured ground in the two panels that form this 9-foot square acrylic diptych painting on canvas. The rhythm of the spaces between the short lengths of colour creates a dialogue of movement that leads the eye upwards through the large picture plane. About the inspiration for the work, the artist wrote: "This is one of the rare paintings that I saw clearly in a dream and painted almost exactly as I saw it. It relates back to the four-panel work, Lock-Up (1972), done a couple of months earlier, where I used the physical break between panels as an edge to anchor some colour bars. In Phoenix, some bars are anchored while others float within the larger ground colour." This painting was included in the exhibition catalogue Milly Ristvedt-Handerek: Paintings of a Decade (1979). Milly Ristvedt, RCA, began her career in Toronto in 1964 after studies with Takao Tanabe at the Vancouver School of Art. In Toronto, during the 1960s and 1970s, she was making and exhibiting large-scale paintings alongside a small but defined group of non-figurative painters who, like Ristvedt, had planted...

Milly Ristvedt has captured, in vivid colour, and expressive form the wonders of the ‘deep’ in this gorgeous abstract painting. Against a rich blue colour field, ethereal forms and g...

Dynamic and whimsical, Aron Hill’s mobile is a joyful contemporary kinetic sculpture. Three separate discs are covered in a curated collage of shapes and brilliant colours. The colour profile here is Hill’s characteristically vivid palette-- orange, yellow, blue, red, and green punctuated by black and white. Delicately balanced, the sculpture moves in the air redefining the space and affording the viewer a fresh ‘view’. Mobiles have existed for millennia—at first as windchimes, then re-imagined by Russian sculptors...

Canadian painter Milly Ristvedt’s masterful exploration of colour and abstract form continues with this diptych (two panels create a singular piece of art) in a classic grid pattern....

Using rich colours—blues, reds and yellows reminiscent of the old masters, Paris born Alice Teichert’s new work continues to explore the effect of light on delicately layered translucent gels. Central to this ethereal piece is a radiant yellow sphere...

colors- original abstract canvas acrylic painting. , Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the same ...

Ruz. Vertical. horizontal lines. Interior Landscapes - Abstract Acrylic on canvas . Perfect condition. RUZ, Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are i...

This large 119" x 72" mixed media painting by the artist, XVALA, is from his series 'Pandemic Collection: 8' and depicts bright colorful cartoon chara...

Abstract expressionist work of art by Joseph Hicks. Joseph Hicks’s works are bright and colorful, full of life and creativity. His canvases are full of energy and dynamism due to t...

Tondo. Clifford Singer had done several tondo paintings in the late 1980s which work with spirals.

Acrylic on canvas. Signed, titled, and dated on verso. 86 x 74 in. 87.25 x 75.25 in. (framed) Please note: Our framing studio could not accommodate the scale of this work, so it is being sold as-acquired. The canvas is housed in an original “studio strip” frame installed by the artist. Please see condition notes below for additional details and an assessment of condition. Provenance Steve Chase Design, Palm Springs, CA Ronnie Landfield was born in the Bronx, NY on January 9, 1947 - the same day as his older brother. As a teenager, he was encouraged to pursue a career as an artist, subsequently creating his first real paintings around the age of 14. He was particularly influenced by a Life magazine article from 1961 on the Abstract Expressionists, most notably: Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Hans Hofmann, Mark Rothko, Clyfford Still, Robert Motherwell and Franz Kline. After stints at the Art Students League, the Kansas City Art Institute, the San Francisco Art Institute, and the University of California at Berkeley, Landfield’s professional career as a painter began in New York in 1965. The following year, after completing a major series of hard-edge border paintings, success as a painter began to materialize. The famous architect and collector Philip Johnson and the collector Robert Scull each acquired large paintings works, as did the Sheldon Memorial Museum in Lincoln, Nebraska. In 1967, Landfield was invited to participate in the Whitney Annual at the end of the year. His work attracted considerable attention, and he was invited to participate in important group exhibitions at the Bykert, Bianchini, and Park Place Galleries in New York. Landfield joined the David Whitney...