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Natalya Mougenot "Flowering fields"2023
2023
About the Item
This oil painting makes part of my series dedicated to the scenes of a summer period.
This abstract vibrant floral painting called "Flowering fields" is done in a modern contemporary expressive style.
Floral artworks allow me to express myself freely, to express my emotions and explore my identity. While working on my art piece, I trust myself completely and enjoy a full experimentation. The key is to immerse myself into the creativity and see what it'll give me as a result in the end.
This artwork is done with oil paints on a stretched cotton canvas with large edges painted in yellow.
I used oil paints mixed with linseed oil to create texture so the viewer can experience a physical experience when passing his/her hand on the flowers represented on canvas.
The painting is sold unframed.
It is ready to hang.
The pictures of the artwork framed in the interior are for your inspiration.
This is a unique, one of a kind original oil painting. It is signed on the front and comes with a Certificate of Authenticity. The painting will be carefully packed in cardboard box with layers of bubble wrap and sent out to you as soon as possible.
Please understand colors may vary slightly between the actual painting and the image on your screen due to my digital camera's results and your monitor.
- Creator:Natalya Mougenot (1981, French)
- Creation Year:2023
- Dimensions:Height: 27.56 in (70 cm)Width: 19.69 in (50 cm)Depth: 1.58 in (4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:VÉNISSIEUX, FR
- Reference Number:1stDibs: LU2490213807332
Natalya is a contemporary artist from Lyon, France. She was born and grew up in Kazakhstan, the country known for its spacious steppes and low mountains. She arrived in France 2003. Since that moment she loves her adoptive country. She started painting in 2017 and used it as a therapeutic and emotional release during times of crisis when she was struggling with radical life changes. She incorporates this therapeutic approach in her artistic creative process till now. Several years ago painting became more than a hobby. It became a way of expressing her emotions and visions, a successive reaction to events of either personal or general concern. Her artist statement: “ I paint as it’s a necessity for my soul to express itself. Being creative for me is overcoming the restrictions. My art is a piece of my soul. I hope my art inspires reflection, provides a release and forms connection at other people’s souls”. She has developed her own vision of art through practicing a lot. She makes use of varying degrees of figuration, abstraction and impressionism by adding a contemporary twist. Abstract art for her is an interesting challenge for understanding inner feelings, a self-expression based on an intuitive approach. In figurative art her main subject remains women. Her artworks representing women contain the raw emotions of women. She also communicates the importance and the power of strong female relationships: “Women are enriched when they bond with each other”. She works in series: among them are "Heart-mind connection" of abstract artworks, "Women", "Bond", "Florals", "Springtime"... She uses various mediums ( acrylic, oil, watercolor, oil pastels) to create her unique artworks either on canvas or on paper. But she mainly uses acrylic as she works very quickly and expressively by finishing her artwork in one sitting. If Natalya had to pick one quote about her art, she would say : " Art is the reflection of the soul". Natalya goes with her gut and intuition to choose the colors, the lines, the shapes and the texture. She hopes her artworks will give a home a unique personality by filling it with life and color. Her sources of inspirations are Claude Monet, Paul Cezanne, Henri Matisse, George-Daniel de Monfreid, Paul Gauguin. She also admires the artworks of Joan Mitchell and Banksy.
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- ShippingRetrieving quote...Ships From: VÉNISSIEUX, France
- Return PolicyA return for this item may be initiated within 14 days of delivery.
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