Paul Emmerson

The Long View, Abstract Figurative Art, Art Deco Painting, Statement Art

2023

Parapluie XX by Henry Walsh [2022] Parapluie XX by Henry Walsh is an original acrylic painting on a wooden board that features a man with an umbrella on a walk. Henry Walsh’s work begin with snapshots of busy life and by a process of elimination, he refocus’ on the image and on the elements that encapsulate a sober thoughtfulness. Additonal information: Original Acrylic on Wooden Board Image size: H:11 cm x W:11 cm Complete Size of Unframed Work: H:11 cm x W:11 cm x D:0.3 cm Frame Size: H:19.5 cm x W:19.5 cm x D:3.5 cm Sold Framed Please note that insitu images are purely an indication of how a piece may look. Henry Walsh artist's works are available to buy online with Wychwood art and in our art gallery. Henry Walsh was born 1978 in Norwich, England and spent his childhood in the Suffolk countryside. Henry studied art at Ipswich College in Suffolk, and then Loughborough University in Leicestershire. In 2000 he moved to London to find work that would further his art career and help to maintain his painting. In Spring 2011 Henry and his family moved from London to the High Peak in Derbyshire. Henry is now a freelance artist & designer concentrating more time to his painting. Artist and painter Henry Walsh comments “My work begins with snapshots of busy city life and by a process of elimination I refocus the image on elements that encapsulate a sober thoughtfulness." "Scattered throughout the hustle and bustle of concrete life, like pools among the rocks, are the parks and squares that provide us with a place to breathe and a time to think. It is a fundamental need of a sane society to be able to stop once in a while and wander from the routine, lift our heads and look at the sky or take in our regular surroundings with a fresh insight.” “Sitting on the top deck of a London bus, I let my mind stroll over the lives of the people on the street, they obtain new life stories; I’m placing myself in their...

Rime V by Henry Walsh [2021] Rime V by Henry Walsh is an original acrylic painting on a wooden board that features people at leisure on a wintry walk. Henry Walsh’s work begin with snapshots of busy life and by a process of elimination, he refocus’ on the image and on the elements that encapsulate a sober thoughtfulness. Additional information: Original Acrylic on Wooden Board Image size: H:11 cm x W:11 cm Complete Size of Unframed Work: H:11 cm x W:11 cm x D:0.3 cm Frame Size: H:19.5 cm x W:19.5 cm x D:3.5 cm Sold Framed Please note that insitu images are purely an indication of how a piece may look. Henry Walsh artist's works are available to buy online with Wychwood art and in our art gallery. Henry Walsh was born 1978 in Norwich, England and spent his childhood in the Suffolk countryside. Henry studied art at Ipswich College in Suffolk, and then Loughborough University in Leicestershire. In 2000 he moved to London to find work that would further his art career and help to maintain his painting. In Spring 2011 Henry and his family moved from London to the High Peak in Derbyshire. Henry is now a freelance artist & designer concentrating more time to his painting. Artist and painter Henry Walsh comments “My work begins with snapshots of busy city life and by a process of elimination I refocus the image on elements that encapsulate a sober thoughtfulness." "Scattered throughout the hustle and bustle of concrete life, like pools among the rocks, are the parks and squares that provide us with a place to breathe and a time to think. It is a fundamental need of a sane society to be able to stop once in a while and wander from the routine, lift our heads and look at the sky or take in our regular surroundings with a fresh insight.” “Sitting on the top deck of a London bus, I let my mind stroll over the lives of the people on the street, they obtain new life stories; I’m placing myself in their shoes...

‘Gertrude’ is an original abstract painting on board by contemporary artist Wendi Weller. Oil pastel mark making details are added to many layers of acryl...

Janet Keith Rosy,Rosy Original Abstract Painting Acrylic paint on Board Board Size: H76 cm x W101 cm x D0.30 cm Sold framed 
Please note that in situ images are purely an indication of how a piece may look. Rosy, Rosy is an original abstract painting by Janet Keith. The painting is built up of many layers of line and areas of transparent and opaque colour. It is joyful, lively and full of movement. The predominately red and pink colours with black and white look vigorous, energetic and warm. My paintings are never intended to be representations of things or places but rather they suggest mood and atmosphere in a manner similar to instrumental music. I listen to various recordings in the studio while painting – salsa...

Familiar II by Henry Wlash [2021] Familiar II by Henry Walsh is an original acrylic painting on a wooden board that features a man and dog at leisure on a wintry walk. Henry Walsh’s...

Gerard Tunney Midsummer Ballet Suite. Dancer and Sun Dial Original Figurative Painting Acrylic Paint on Canvas Canvas Size: H 30cm x W 40cm x D 2cm Sold Unframed Please note that ins...

About Prymon’s Exhibition Dopaminum and his paintings: ”Dopaminum” - Tomasz Prymon Dopamine – colloquially referred to as the hormone of love and happiness. Why is this organic che...

The painting is framed behind glass. About Prymon’s Exhibition Dopaminum and his paintings: ”Dopaminum” - Tomasz Prymon Dopamine – colloquially referred to as the hormone of love...

About Prymon’s Exhibition Dopaminum and his paintings: ”Dopaminum” - Tomasz Prymon Dopamine – colloquially referred to as the hormone of love and happiness. Why is this organic che...

Gustavo Úbeda (1930-1994) - Orixa - Acrylic on panel Acrylic measurements 61x91 cm. Frameless. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao Paulo, 1994) comes from a f...

In this painting from Thomas Easley's Working Man series, a man is depicted bent over a bicycle, burdened by a substantial load on his back. Serving as a...

David Hare Summer Land, 1970 Acrylic or oil paint and collage on board Dimensions: 26 X 36 inches. Framed measuring 29 x 38 inches. Hand signed, dated and titled on tape to verso 'Summer Land 1970 Hare'. Provenance: Hamilton Gallery of Contemporary Art, New York David Hare (1917 – 1992) was an American artist, associated with the Surrealist movement. He is primarily known for his sculpture, though he also worked extensively in photography and oil painting. The VVV Surrealism Magazine was first published and edited by Hare in 1942. Born March 10, 1917 in New York City, New York to father Meredith Hare, a lawyer and mother Elizabeth Sage Goodwin, an art collector. In the 1920s the family moved first to Santa Fe, New Mexico and later to Colorado Springs, Colorado, in hope that the fresh air would help heal Meredith Hare's tuberculosis. His mother founded the Fountain Valley School, where David attended high school. After high school Hare married and moved to Roxbury, Connecticut where he worked as a color photographer. He attended Bard College in Annandale-on-Hudson from 1936 to 1937, studying biology and chemistry. In the late 1930s, with no previous artistic training, he began to experiment with color photography. Using his previous education in chemistry Hare developed an automatist technique called "heatage" in which he heated the unfixed negative from an 8 by 10-inch plate, causing the image to ripple and distort. Hare's Surrealist experiments in photography were only one of his many projects. In 1938 he met Susanna Winslow Wilson and the couple soon married. Both David and Susanna pursued their interests in Surrealism and regularly attended Surrealist gatherings in New York Larre French restaurant on 56th street and at Breton's Greenwich Village apartment. In 1940 he received a commission from the American Museum of Natural History to document the Pueblo Indians of the American Southwest, for which he eventually produced 20 prints developed using Eastman Kodak's then-new dye transfer process (a time-consuming and complicated technique). In the same year, he also opened his own commercial photography studio in New York City and exhibited his photographs in a solo show at the Julien Levy Gallery. In the next few years, through his cousin the painter Kay Sage, he came into contact with a number of Surrealist artists who had fled their native Europe because of World War II. Hare became closely involved with the émigré Surrealist movement and collaborated closely with them on projects such as the Surrealist journal VVV, which he co founded and edited from 1941 to 1944 with André Breton, Max Ernst, and Marcel Duchamp. With numerous illustrations by Breton, Leonora Carrington, Marc Chagall, Roberto Matta, Giorgio de Chirico, MarcelDuchamp, Max Ernst, Andre Masson, Joan Miro, Enrico Donati, Dorothea Tanning, and others. Published in only four issues between 1942-44, VVV was an experimental New York-based magazine devoted to the dissemination of Surrealism. Edited by David Hare, the short-lived magazine featured contributions from some of the leading avant-garde artists of the period. David and Susanna divorce in 1945 and Breton’s wife Jacqueline Lamba...