Paul Jenkins

Phenomenon East of the River, Acrylic on Canvas Painting by Paul Jenkins

1993

Tu es matinale aujourd’hui by Lélia Pissarro (B. 1963) Blue and gold acrylic and glitter on canvas 80 x 59.5 cm (31 ½ x 23 ⅜ inches) Signed lower right, Lélia Pissarro P.C. Inscribed...

Ontology of Love (To my Muse) by Lélia Pissarro (B. 1963) Acrylic and resin on canvas 65 x 81 cm (25 ⁵/₈ x 31 ⁷/₈ inches) Signed lower left, Lélia Pissarro Inscribed on the reverse ...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Phenomena Entreat the Caves by Paul Jenkins (1923-2012) Acrylic on canvas 61 x 50 cm (24 x 19 ³/₄ inches) Signed lower left, Paul Jenkins Executed in 1998-2001 Provenance: Private collection, Italy Literature: Prato, Galleria Open Art, Paul Jenkins, 12 November 2005 - 31 January 2006, p. 61 (illustrated) Artist biography: Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...

Rhino sauvage sous la pluie, ta force ma taille (b. 1963) Acrylic, oil and resin on canvas 146 x 114 cm (57 ¹/₂ x 44 ⁷/₈ inches) Signed lower left, Lélia Pissarro Signed and titled on the reverse Provenance Private collection Literature Lélia Pissarro, The Colours of Silence, London, 2010, p. 58 (illustrated) This work is accompanied by a certificate of authenticity from the artist. Artist biography Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia Pissarro. She was raised, however, in the loving care of her grandparents Paulémile Pissarro, Camille’s youngest son, and his wife Yvonne, in Clécy, Normandy. From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age. When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié. With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes. In 1988 Lélia married English art dealer David Stern and moved to London. Their three children Kalia, Lyora and Dotahn, all paved their own way in the art world. From 1995 Lélia participated in a series of exhibitions entitled Pissarro – The Four Generations, which were held in galleries in London, Tel Aviv, Boston, Austin, San Francisco, Cleveland, Milwaukee and Los Angeles as well as a number of museums in Japan in 1998 and the Museum of Art in Fort Lauderdale, Florida in 2000. In 1999 Lélia also became one of the founders of the Sorteval Press, a group of artists dedicated to developing techniques in etching and printmaking. Their first exhibition took place at the Mall Gallery in London. In 2005 following a long break in painting because of cancer, Lélia started a journey into modern art creating a number of different series: Circles, Shoes, Animals, exploring these until she reached the point of abstraction and minimalism. Developing innovative techniques, she began incorporating in her work new materials such as gold, wax and encaustic paint. To coincide with a major exhibition at Stern Pissarro gallery...

Art Meets Something but We're not Quite Sure What it is by Lélia Pissarro (b. 1963) Acrylic, gold leaf and resin on canvas 130 x 97.4 cm (38 ³/₈ x 51 ¹/₈ inches) Signed and titled on...

Rhino sauvage sous la pluie, ta force mataille by Lélia Pissarro (b. 1963) Acrylic, oil and resin on canvas 146 x 114 cm (57 ¹/₂ x 44 ⁷/₈ inches) Signed lower left, Lélia Pissarro Si...

The present work of art titled "Urban Abstraction (ripped off posters)" is part of a series of paintings that the artist composed in the 1980s and 1990s inspired by the observation of the urban reality of those years. The artist take the cue from his walks in Florence, both in the center and in the suburbs, and by the observation of billboards and posters scattered throughout the city. The mass of information, colors, messages and words were carried on the canvas with acrylic colors, ideally reconstructing the tears and overlaps of all the information and advertising contained on these huge sheets of paper that invade our cities. The geometric lines are overlaid with jagged lines, overlaps and color dripping and also the choice in the color palette, with different shades of white, gray, rose, orange red and blue helps in rendering the result of the tears and ripped paper. The result is a beautiful multicolored modern abstract canvas, both aesthetically and ethically, with many rich layers of color, texture and expression in which the artist leaves his own message. The painting is housed in a simple modern white lacquer wood frame. Andrea Spinelli...

This square edge filled canvas presents a mesmerizing yet relaxing spectrum of perfectly blended pigment. “I'd Slay Another Dragon for You” is from the “Mindfulness Circle” series by artist Ethan Blu...

Intriguing abstract impressionist style acrylic on canvas painting of a figure running titled "Perpetual Motion" by Cyrostofer/Christopher Shoemaker (...

Large abstract impressionist style figural painting titled "The Fourth Facade" by Cystofer/Christopher Shoemaker (Italian/German 20th c). Shoemaker calls Co...

Large, colorful abstract impressionist style painting by Cyrstofer/Christopher Shoemaker (Italian/German 20th c.) This piece is titled " Urban Coffee". It was part of a four paintin...

Fascinating large scale abstract impressionist style acrylic on canvas painting by Cyrstofer/Christopher Shoemaker (Italian/German 20th c). Features a grey, blue, and lavender ground centered by a large figure signed across bottom. Titled "Decompression of Thoughts" with gallery label on verso. Shoemaker calls Coachella Valley CA his home. Provenance: From the estate of Colin Fisher.