Paul Sprohge

"River Fun" Abstract Figurative Painting in a Green Hue

1960's

Pink, purple, and grey surrealist figurative portrait painting by contemporary Houston artist Scott Woodard. The work features an abstract male figure wearing an aristocratic suit wi...

Sculptural relief image of the biblical story from Genisis 28:12 about Jacob's Dream of a ladder reaching up to the heaves from the earth. The work is done on wood and it painted and lacquered over. It is signed by the artist in the bottom right corner. Artist biography: The Mississippi-born Dixon is a self-taught artist. A teacher spotted Dixon’s talent, when he was the first black student to take an art course in his newly integrated high school. Carl decided to get vocational training as a brick mason, but he returned to art-making, when his childhood friend, Ben Oliver, persuaded him to try his hand at wood carving on a router machine. The two aspiring artisans began making decorative address signs but soon moved on to bas-relief portraits of Michael Jackson, Prinz, and other black pop cultural icons for neighborhood kids. (Carl made an image in this style of my father, Andy the Prayer Warrior.) Dixon was inspired to create carved wood paintings...

Red, blue, and black abstract figurative painting by Texas artist Paul Reeves. The work features a central figure with the text "NAM.MIA RA16Q42081" set about an abstract background of red, blue, and black rectangles. Currently unframed, but options are available. Artist Biography: Paul Reeves is the owner of Reeves Antiques...

Red, blue, and yellow abstract figurative painting by Reeves Art + Design owner and Houston, TX artist Paul Reeves. This horizontal painting depicts a blonde woman with red-painted lips...

Abstract acrylic painting of two childlike graffiti figures drawn on a brick wall against a bright blue sky by artist J. P. Smith in 1969. Signed and ...

Brightly colored yellow pop art painting of a wolf with clowns floating in the background. The wolf character is reminiscent of the classic Looney Toons ch...

Original art by Lesia Danilina. Abstract acrylic painting on canvas "Endless Summer". "Flowers are the remnants of heaven on earth." Each of my paintings in this series looks as if ...

Original art by Lesia Danilina. Abstract acrylic painting on canvas "Roses for dessert". "Flowers are the remnants of heaven on earth." Each of my paintings in this series looks as ...

After the rain, abstract large poppies by Mary Chaplin, artist : A summer rain falls on the poppies in the garden of contemporary artist Mary Chaplin bringing a new source of inspira...

Childhood, a reoccurring theme in Darlene Cole’s work, is represented by prepubescent girls and boys, engaged in some type of action. Without adult supervision, these activities confer on Cole’s children an adult-like aura, empowering them. The artist cites Neil Postman’s 1982 book about the decline in innocence in American culture The Disappearance of Childhood as a text that informs her work. In it, Postman argues that communications technology, such as the invention of the television and later, the Internet, contributed to children losing their innocence, thus transforming them into young adults. A source of inspiration for Cole are the works of the Pre-Raphaelite Brotherhood, a group of English painters, poets and critics, founded in 1848. They studied nature attentively, employed vivid colours and depicted unconventional-looking women. Just like in Pre-Raphaelite works, the girls in Cole’s paintings embody enigma, distance, and beauty. The past, in general, is a great source of inspiration for the artist. Cole’s cottage, or ‘artist’s retreat’ as she calls it, was built at the beginning of the 20th century. Since she kept all the original furniture and linens intact, the cottage, on the side of a lake, seems to belong to the past. Nature, another omnipresent theme in Cole’s work, is in many works represented by flowers, such as pink David Austin roses...

Childhood, a reoccurring theme in Darlene Cole’s work, is represented by prepubescent girls and boys, engaged in some type of action. Without adult supervision, these activities confer on Cole’s children an adult-like aura, empowering them. The artist cites Neil Postman’s 1982 book about the decline in innocence in American culture The Disappearance of Childhood as a text that informs her work. In it, Postman argues that communications technology, such as the invention of the television and later, the Internet, contributed to children losing their innocence, thus transforming them into young adults. A source of inspiration for Cole are the works of the Pre-Raphaelite Brotherhood, a group of English painters, poets and critics, founded in 1848. They studied nature attentively, employed vivid colours and depicted unconventional-looking women. Just like in Pre-Raphaelite works, the girls in Cole’s paintings embody enigma, distance, and beauty. The past, in general, is a great source of inspiration for the artist. Cole’s cottage, or ‘artist’s retreat’ as she calls it, was built at the beginning of the 20th century. Since she kept all the original furniture and linens intact, the cottage, on the side of a lake, seems to belong to the past. Nature, another omnipresent theme in Cole’s work, is in many works represented by flowers, such as pink David Austin roses...

Childhood, a reoccurring theme in Darlene Cole’s work, is represented by prepubescent girls and boys, engaged in some type of action. Without adult supervision, these activities confer on Cole’s children an adult-like aura, empowering them. The artist cites Neil Postman’s 1982 book about the decline in innocence in American culture The Disappearance of Childhood as a text that informs her work. In it, Postman argues that communications technology, such as the invention of the television and later, the Internet, contributed to children losing their innocence, thus transforming them into young adults. A source of inspiration for Cole are the works of the Pre-Raphaelite Brotherhood, a group of English painters, poets and critics, founded in 1848. They studied nature attentively, employed vivid colours and depicted unconventional-looking women. Just like in Pre-Raphaelite works, the girls in Cole’s paintings embody enigma, distance, and beauty. The past, in general, is a great source of inspiration for the artist. Cole’s cottage, or ‘artist’s retreat’ as she calls it, was built at the beginning of the 20th century. Since she kept all the original furniture and linens intact, the cottage, on the side of a lake, seems to belong to the past. Nature, another omnipresent theme in Cole’s work, is in many works represented by flowers, such as pink David Austin roses...