Liberty Head IX, Peter Max - SIGNED
View Similar Items
Peter MaxLiberty Head IX, Peter Max - SIGNED2003
2003
About the Item
- Creator:Peter Max (1937, American, German)
- Creation Year:2003
- Dimensions:Height: 3.43 in (8.72 cm)Width: 2.62 in (6.66 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:“Excellent Condition; never framed or matted”.
- Gallery Location:Auburn Hills, MI
- Reference Number:1stDibs: LU146527359912
Peter Max
Born Peter Max Finkelstein in Berlin in 1937, psychedelic Pop art icon Peter Max spent the first part of his childhood in Shanghai after his parents emigrated from Germany to flee the Nazis. While there, Max developed his deep interest in American pop culture — namely comic books, jazz and cinema. Max’s paintings, graphic design, prints and illustrations, which were inspired by these interests, were also informed by his experience with synesthesia, a sensory condition that causes him to see music and hear color.
After relocating to Haifa, Israel, then Paris, where he spent a significant amount of time in sketching classes at the Louvre, a teenage Max and his family finally moved to the United States, settling in Brooklyn. Max enrolled in the Art Students League of New York in 1956, training under Frank J. Reilly, and then the School of Visual Arts. Throughout art school, Max focused on photorealism, but he found the style too restrictive. When he graduated and opened his graphic design studio with friends in 1962, he began experimenting with abstraction and color — just in time for the psychedelic era.
The technicolor works for which Max would become known are characterized by big and bold graphic qualities — not dissimilar to what you’d find in his beloved comic books. Some deeper themes emerged across his work too: Max spent a good portion of the 1960s and 1970s creating his signature cosmic style, inspired by his fascination with astronomy and Eastern philosophies.
For Max and his partners, the graphic design business was highly successful, with commissions rolling in from advertising agencies, magazines and even Hollywood in the form of movie posters. The artist was featured on the cover of Life in 1969, and by the 1970s, he was practically a household name.
Max's body of work extended into product design, including a line of clocks for General Electric, while his domination of the commercial art scene continued for decades. He was commissioned to paint a postage stamp honoring the World’s Fair of 1974 (Expo ‘74); a Statue of Liberty series in which some proceeds went on to fund the statue’s restoration; posters and other advertising materials for major events like the Super Bowl, the U.S. Open and the Grammys; a Dale Earnhardt race car; and even the hull of the Norwegian Breakaway cruise ship.
Commercial activities aside, Max has long been the subject of many museum exhibitions, from his first solo show in 1970, “The World of Peter Max,” at the M.H. de Young Memorial Museum in San Francisco to 2016's “Peter Max: 50 Years of Cosmic Dreaming” at the Tampa Museum of Art in Florida. Today, his work belongs to the collections of the Museum of Modern Art in New York, the Philadelphia Museum of Art and other institutions.
Find original Peter Max lithographs, paintings, signed art and other works for sale on 1stDibs.
- Moon Shot (NASA official commission—74 x 114 inches), Lowell NesbittBy Lowell NesbittLocated in Auburn Hills, MIOriginal oil painting on canvas, 1970. Size: 72 x 108 inches. Signed, titled, dated on verso. Provenance: Andrew Crispo Gallery, New York, NY. Notes: This is one of the resulting lunar paintings from Lowell Nesbitt’s commission as the official artist for the NASA Apollo 13 space mission. In 1969, artist Lowell Nesbitt was invited by NASA to create artwork to commemorate the Apollo 9...Category
1970s Photorealist Landscape Paintings
MaterialsOil, Canvas
- Primeval Landscape, 1985, Ian Hornak — PaintingBy Ian HornakLocated in Auburn Hills, MIOriginal acrylic painting on double layered Masonite, 1985. Size: 16 x 19 inches. Inscription: Signed, recto; signed, dated, and titled, verso. Provenance: Armstrong Gallery (57th St...Category
1980s Photorealist Landscape Paintings
MaterialsCanvas, Acrylic
- Domain of Asmodeus, 1985, Ian Hornak — PaintingBy Ian HornakLocated in Auburn Hills, MIOriginal acrylic painting on Masonite with artist’s painted wood frame, 1985. Size: 31 x 37 inches. Inscription: Signed, recto; titled, and double signed and dated, verso. Provenance...Category
1980s Photorealist Landscape Paintings
MaterialsAcrylic, Masonite, Panel
- Waiting for the Barbarians, 1985, Ian Hornak — PaintingBy Ian HornakLocated in Auburn Hills, MIOriginal acrylic painting on Masonite with artist’s painted wood frame, 1985. Size: 37 x 31 inches. Inscription: Signed, recto; titled, and double signed and dated, verso. Provenance...Category
1980s Photorealist Landscape Paintings
MaterialsAcrylic, Masonite, Panel
- Light from the Past, 1st version, 1985, Ian Hornak — PaintingBy Ian HornakLocated in Auburn Hills, MIOriginal acrylic painting on double layered Masonite, 1985. Size: 21.5 x 18 inches. Inscription: Signed, recto; signed, dated, and titled, verso. Provenance: Armstrong Gallery (57th ...Category
1980s Photorealist Landscape Paintings
MaterialsCanvas, Acrylic
- (Hudson River Landscape) Untitled, 1985, Ian Hornak — PaintingBy Ian HornakLocated in Auburn Hills, MIOriginal acrylic painting on illustration board, circa 1985. Size: 12.5 x 10 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. IAN HORNAK (January 9, 1944 – December...Category
1980s Photorealist Landscape Paintings
MaterialsAcrylic, Illustration Board
- Carali McCall, Work no. 1 (Circle Drawing) 1hour 09min, Lithograph Print, 2017By Carali McCallLocated in London, GB'Work no. 1 (Circle Drawing), 1hour 09minutes, 2018’ Limited Edition of 25, Lithograph Print, by Carali McCall (born 1981). Signed and numbered by the artist. McCall began her ‘Circle Drawing' artworks in 2004 where she focuses on the durational element and physical process of drawing. Using graphite on paper she draws her full arm's length in a continuous circular motion to the point of complete exhaustion. During this physically demanding process, her position and ability to extend the arm diminishes to the extent she can no longer hold the graphite. McCall quotes, 'an important aim is to maintain a constant and continuous visible line that embodies time and energy. While performing, painfully, my entire body is noticeably putting effort into the drawing.' This intense action and durational element often cause the paper to fatigue and rip, which is often identified as her distinctive trademark. About Artist: Carali McCall is an emerging artist whose works are internationally recognised. A Canadian artist born in 1981, she is based in London, UK. McCall was awarded a PhD from Central Saint Martins, University of the Arts, London, and her work is featured in the upcoming publication by Bloomsburg Publishing, 'Performance Drawing: New Practices since the 1960s'. A finalist in the 2017 Jerwood Drawing Prize, McCall’s work is currently touring the United Kingdom and is situated in private and public collections curated alongside artworks by Picasso and Damien Hirst. Other notable exhibitions include: Again and Again and Again: Serial Formats and Repetitive Actions, Vancouver Art Gallery, Canada, (2012), Kenny Schachter’s Rove Gallery, Hoxton Square, London (2008), Folkestone Fringe Festival (2014), Woolff Gallery, London UK (2017) and EMPIRE II...Category
2010s Pop Art Abstract Prints
MaterialsLithograph
- United We Stand: Four Statues of Liberty with Blue Unique Signed Painting FramedBy Peter MaxLocated in New York, NYPeter Max United We Stand: Four Statues of Liberty with Blue Statue of Liberty, 2001 Acrylic and Mixed Media painting with collage on thin board Boldly si...Category
Early 2000s Pop Art Abstract Paintings
MaterialsMixed Media, Acrylic, Lithograph
$6,800 Sale Price20% Off - LARRY RIVERS (hand signed and inscribed first edition book)By Larry RiversLocated in New York, NYLarry Rivers LARRY RIVERS (hand signed and inscribed first edition book), 1989 Hardback monograph with a dust jacket (hand signed and inscribed "Enjoy the Matisse" Signed, dated and inscribed by Larry Rivers in red marker on the title page 11 3/5 × 9 4/5 inches Lavishly illustrated hardback monograph with dust jacket on the occasion of the artist's career retrospective. Text is by the distinguished art historian and Princeton professor Sam Hunter. Hand signed, dated and dedicated in red marker on the title page. Inscription reads: To Joanne and Ira Enjoy the Matisse Larry Rivers, April 2, 1992 About the book: Hunter, Sam. LARRY RIVERS. 358 pp. with 400 illustrations, including 155 plates in color. Folio, cloth. New York, Rizzoli, 1989. New York: Rizzoli, 1989. First edition. Hardcover. 358 pages. Retrospective monograph on Larry Rivers. Features text by Sam Hunter. Includes 400 illustrations of which 155 are in color. Publisher's Blurb: Rivers' public persona as an artist combines that of bohemian outsider, sensualist and entertainer. His best-known images of the 1960s--Dutch Masters cigars, French money, cigarette packs--became Pop icons. Eschewing abstraction, he came up with startling, disquieting figures, such as his obese, sagging mother-in-law depicted in the nude with brutal honesty ( Double Portrait of Berdie ). Yet there is more to Rivers than the hipster, as this lavishly illustrated monograph by a former Princeton art historian shows. Hunter makes a case for Rivers as a social realist: witness his powerful construction piece Ghetto Stoop or recent works that include searching portraits of Primo Levi...Category
1980s Pop Art Figurative Prints
MaterialsMixed Media, Permanent Marker, Lithograph, Offset
- #4, FROM 6 LITHOGRAPHS (AFTER UNTITLED 1975)By Jasper JohnsLocated in Aventura, FLHand signed, dated and numbered by the artist. Sheet size: 30.125 x 29.875 in. Edition of 60. Published by Gemini, G.E.L., Los Angeles. Artwork is in excellent condition. Certifica...Category
1990s Pop Art Figurative Paintings
MaterialsLithograph, Paper
- 0 THROUGH 9By Jasper JohnsLocated in Aventura, FL4-color lithograph on La Paloma handmade paper. Published and printed by Gemini G.E.L., Los Angeles. Hand signed and dated lower right margin of sheet beneath image. Edition lower le...Category
1970s Pop Art Figurative Paintings
MaterialsLithograph, Paper
- The KissBy Michael KalishLocated in Los Angeles, CA"Kiss", Aluminum Wall Sculpture, layered laser cut aluminum panels painted with enamel — 41 x 39 x 12 inches — 2015. Edition of 35. THIS IS A COMMISSION-ONLY PIECE THAT IS MADE UPO...Category
21st Century and Contemporary Pop Art Abstract Paintings
MaterialsEnamel, Metal
Price Upon Request