Rathin Kanji

Blue Dream - II, Acrylic on canvas, Black by Contemporary Artist "In Stock"

2020

Rathin Kanji - Part 2 Acrylic on canvas 47.5 x 71.5 inches, 2019 Style: Kanji believes that we are currently experiencing what is probably the most complex period of human history. ...

Rathin Kanji - No Issue - issue resolve - 48 x 48 inches (unframed size) Acrylic on canvas. Inclusive of shipment in roll form. Style : Kanji believes that we are currently expe...

Suresh Kumar P - Untitled Acrylic on Canvas , 60 x 60 inches ( UNFRAMED ALL IN DELIVERED PRICE ) Date of Birth : 20th May 1982 Place of Birth : Chen...

Suresh Kumar P - Untitled Acrylic on Canvas , 44 x 48 inches ( UNFRAMED ALL IN DELIVERED PRICE ) Date of Birth : 20th May 1982 Place of Birth : Chen...

Tapas Ghoshal - Untitled - 42 x 54 inches ( without framing ) Acrylic on Canvas Inclusive of shipment in roll form. Style : In Hindu philosophy, the 'Antahkaran' refers to the tot...

Suresh Kumar P - Untitled Acrylic on Canvas , 36 x 48 inches (Unframed & Delivered in India ) Date of Birth : 20th May 1982 Place of Birth : Chennai A...

Johnny Defeo’s work belongs to the concept of souvenir, attempting to capture the experiences he has in the natural world, where he feels free and most at home. His paintings and rug...

"Concrete and Nonchalant" Abstract Painting 67" x 59" inch by Gosha Ostretsov Born in 1967, in Moscow Lived in Paris for ten years (1988 - 1998), now lives and works in Moscow. PUBLIC COLLECTIONS: The State Tretyakov Gallery, St. Petersburg, Russia The State Russian Museum, St. Petersburg, Russia The Moscow Contemporary Art Museum, Moscow, Russia The Saatchi Collection, London, England The Arctic and Antarctic Museum, St. Petersburg, Russia The Freud Museum of Dreams, St. Petersburg, Russia SOLO EXHIBITIONS: 2017 I’ve been abducted hundreds of times! Palazzo Nani Bernardo. 2016 I've been abducted hundreds of times! Triangle gallery, Moscow 2014 Autotrans NG. Zarya art center. Vladivostok 2010 Heavy Patients, Rabouan Mousson Gallery 2009 Apocalypse, Marat Guelman Gallery, Moscow Art Moscow, Triumph Gallery Banality and Eternity', Triumph Gallery Gosha for Kids, Triumph Gallery The Adventures of Robin Hood, Paradise Row, London 2008 Dead Souls...

"Botticelli" Painting 55" x 47" inch by Gosha Ostretsov Full name: Botticelli in the Conditions of State Propaganda From "Precious Stones of Dissent" series: A renowned artist kn...

"Idea and function" Abstract Painting 67" x 59" inch by Gosha Ostretsov Born in 1967, in Moscow Lived in Paris for ten years (1988 - 1998), now lives and works in Moscow. PUBLIC CO...

Perspiration is a product of inspiration, this artwork was created to sever as a source of inspiration to those that are down, depressing or about to give up on their dreams. I was ...

Inspiration for my work comes from internalised imagery absorbed throughout her childhood in Northumberland and the North East of England. Images of declining industry, the closing of coal mines, abandoned shipyards and other associated heavy industries loomed large across the landscape.The atmosphere of loss, sadness was as palpable as the smell of smoke, tar and coke from the power stations. Philippas work consists of remembered imagery of past landscapes combined with the pastoral landscape in which she lives. The muted palette references the industrial while suggested imagery reflects the rural. Work produced references both worlds combining two genres, marrying post contemporary modernism with elements of classical romanticism. Two genres, two generations of artistic movements intersect with each other, creating a place where contradictions co exist. Disjunctive kinds of everything, hidden in plain sight, create a realm in which one can lose oneself. Implied abstract imagery reveals conflict between beauty and desolation ,whilst Romanticism and Modernism combine with clashing qualities of drawing and painting. Images develop through a series of intuitive acts. Repeated applications of thin films of ink and paint build depth and patina. Layers are often removed by washing and scrubbing, revealing a palimpsest of faded marks and former painterly decisions, exposing the underbelly, vulnerable and tender. Additional information: Untitled 0042 by Philippa Anderson [2023] Original painting Acrylic paint, Canvas, Charcoal, Colour Pencil, Pencil on Canvas SOLD UNFRAMED Signed by artist Image size: Height: 100cm (39.37 in) Width: 120cm (47.24 in) Complete size of unframed painting Height: 100cm (39.37 in) Width: 120cm (47.24 in) Depth: 4cm (1.57 in) Please note that insitu images are purely an indication of how a piece may look ARTIST PROFILE: Philippa was born and grew up in Northumberland before moving to Herefordshire where she currently lives and works. She studied a BA Hons in Fine Art at Cheltenham College of Art and has recently completed an MA at Hereford College of Art. She also holds two teaching qualifications , a PGCE for adult education and a GTP for Secondary school education. Inspiration for my work comes from internalised imagery absorbed throughout her childhood in Northumberland and the North East of England.Images of declining industry, the closing of coal mines, abandoned shipyards and other associated heavy industries loomed large across the landscape.The atmosphere of loss, sadness was as palpable as the smell of smoke, tar and coke from the power stations. Philippa's work consists of remembered imagery of past landscapes combined with the pastoral landscape in which she lives. The muted palette references the industrial while suggested imagery reflects the rural. Work produced references both worlds combining two genres, marrying post contemporary modernism with elements of classical romanticism. Connections. Through Philippas current and ongoing line of enquiry several connections are being explored which are both real and notional. The fusing of genres, the industrial and the pastoral which combine elements of classical romanticism and post contemporary modernism, these relate to her past and her present surroundings. Rarely associated elements of drawing and painting are combined on canvas adding to the narrative of her personal story. Work produced displays...