Robert Ruello

Unknown Adventures In Unknown Spaces #21

2013

Unknown Adventures In Unknown Spaces #14, 2013 acrylic and flashe on canvas, 24 x 30 inches This canvas is part of a recent series of works entitled “Unknown Adventures in Unknown Spaces” by Houston-based painter Robert Ruello. Robert Ruello (b. 1958, New Orleans, LA) lives and works in Houston TX. He received an MFA from Columbia University (1997), a BFA from the School of the Art Institute of Chicago (1987), and a BA in Psychology from Loyola University, New Orleans, LA (1982). From 1987-89 he was an artist-in-residence at the Core Program, Glassell School of Art, Museum of Fine Arts, Houston, TX. His recent exhibitions include solo shows at Lone Star College, Woodlands, TX; Texas A&M University, Commerce, TX; and the group exhibitions Mapping Galveston, Galveston Artist Residency, Galveston, TX, and In Plain Sight, McClain Gallery...

Unknown Adventures In Unknown Spaces #12, 2013 acrylic and flashe on canvas, 30 x 24 inches This canvas is part of a recent series of works entitled “Unknown Adventures in Unknown Spaces” by Houston-based painter Robert Ruello. Robert Ruello (b. 1958, New Orleans, LA) lives and works in Houston TX. He received an MFA from Columbia University (1997), a BFA from the School of the Art Institute of Chicago (1987), and a BA in Psychology from Loyola University, New Orleans, LA (1982). From 1987-89 he was an artist-in-residence at the Core Program, Glassell School of Art, Museum of Fine Arts, Houston, TX. His recent exhibitions include solo shows at Lone Star College, Woodlands, TX; Texas A&M University, Commerce, TX; and the group exhibitions Mapping Galveston, Galveston Artist Residency, Galveston, TX, and In Plain Sight, McClain Gallery...

Gilad Efrat Untitled, 2016 oil on canvas, 150 x 150 x 5 cm (59.1 x 59.1 x 2 in) This painting is part of new series of work by Israeli artist Gilad Efrat. The paintings comprise th...

Gilad Efrat Untitled, 2016 oil on canvas, 175 x 250 x 5 cm (68.9 x 98.4 x 2 in) This painting is part of new series of work by Israeli artist Gilad Efrat. The paintings comprise th...

David Aylsworth Lovely Day-to-Day, 2017 oil on canvas, 42 x 42 in (106.7 x 106.7 cm) verso: LOVELY DAY-TO-DAY; signed D Aylsworth; 2017 David Aylsworth (born 1966, Tiffin, OH) live...

NO.SNOW, 2014 gouache on paper mounted on canvas, mounted on panel 29 x 22 inches If some artists’ studios are factories, efficient and methodical, and some are gardens, cultiva...

Since the 1990s, Heinsohn’s work has addressed climate change, impending cataclysm, and cultural dysfunction in numerous bodies of work including his mixed media wall reliefs, his "T...

Since the 1990s, Heinsohn’s work has addressed climate change, impending cataclysm, and cultural dysfunction in numerous bodies of work including his mixed media wall reliefs, his "Time Frames" series of photo-based abstractions, and his turbulent, thickly painted, cratered abstractions. However, as mentioned in his recent statement: “Given the current dysfunctional mayhem of our planet, I believe we need visual art that provides a place for the mind to transcend our calamity, to thoughtfully explore the multitude of unknowns connected to our daily lives, and to thereby refresh our optimism and our sense of urgency in the reimagining of our existence.” These new works channel the meditative properties of abstraction pursued by Kandinsky and Malevich, combined with intuitive approaches of accessing higher consciousness which guided Hilma af Klint as well as, much later, artists of Abstract Surrealism such as Gordon Onslow Ford, Roberto Matta, Wolfgang Paalen...

Since the 1990s, Heinsohn’s work has addressed climate change, impending cataclysm, and cultural dysfunction in numerous bodies of work including his mixed media wall reliefs, his "Time Frames" series of photo-based abstractions, and his turbulent, thickly painted, cratered abstractions. However, as mentioned in his recent statement: “Given the current dysfunctional mayhem of our planet, I believe we need visual art that provides a place for the mind to transcend our calamity, to thoughtfully explore the multitude of unknowns connected to our daily lives, and to thereby refresh our optimism and our sense of urgency in the reimagining of our existence.” These new works channel the meditative properties of abstraction pursued by Kandinsky and Malevich, combined with intuitive approaches of accessing higher consciousness which guided Hilma af Klint as well as, much later, artists of Abstract Surrealism such as Gordon Onslow Ford, Roberto Matta, Wolfgang Paalen...

Since the 1990s, Heinsohn’s work has addressed climate change, impending cataclysm, and cultural dysfunction in numerous bodies of work including his mixed media wall reliefs...

Since the 1990s, Heinsohn’s work has addressed climate change, impending cataclysm, and cultural dysfunction in numerous bodies of work including his mixed media wall reliefs, his "Time Frames" series of photo-based abstractions, and his turbulent, thickly painted, cratered abstractions. However, as mentioned in his recent statement: “Given the current dysfunctional mayhem of our planet, I believe we need visual art that provides a place for the mind to transcend our calamity, to thoughtfully explore the multitude of unknowns connected to our daily lives, and to thereby refresh our optimism and our sense of urgency in the reimagining of our existence.” These new works channel the meditative properties of abstraction pursued by Kandinsky and Malevich, combined with intuitive approaches of accessing higher consciousness which guided Hilma af Klint as well as, much later, artists of Abstract Surrealism such as Gordon Onslow Ford, Roberto Matta, Wolfgang Paalen...

Since the 1990s, Heinsohn’s work has addressed climate change, impending cataclysm, and cultural dysfunction in numerous bodies of work including his mixed media wall reliefs, his "Time Frames" series of photo-based abstractions, and his turbulent, thickly painted, cratered abstractions. However, as mentioned in his recent statement: “Given the current dysfunctional mayhem of our planet, I believe we need visual art that provides a place for the mind to transcend our calamity, to thoughtfully explore the multitude of unknowns connected to our daily lives, and to thereby refresh our optimism and our sense of urgency in the reimagining of our existence.” These new works channel the meditative properties of abstraction pursued by Kandinsky and Malevich, combined with intuitive approaches of accessing higher consciousness which guided Hilma af Klint as well as, much later, artists of Abstract Surrealism such as Gordon Onslow Ford, Roberto Matta, Wolfgang Paalen...