Ron Blumberg

City Abstrait

circa 1952

Presenting for the first time in decades, an exceptional geometric abstract oil painting by American artist Philip Pinner, 1910-1977. Equilateral Variations, is an original oil on ...

American artist Ron Blumberg was classically trained at La Grande Academie Chaumiere in Paris, 1932, before moving to New York where he became a National Academy artist and a member ...

American artist Ron Blumberg was classically trained at La Grande Academie Chaumiere in Paris, 1932, before moving to New York where he became a National Academy artist and a member ...

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green studied with prominent artists of the d...

Presenting an exceptional American modernist figurative/abstract painting by American artist Zulma Steele Parker. Boudoir;, is an original oil on canvas,...

We are proud to present a recently discovered original abstract/figurative painting by American artist Robert McIntosh(1916-2010). "Three Friends" is an original mixed media painting on panel, signed, dated 1945-50, good original condition with a dimension of 12 x 10 inches, currently unframed. We are including a biography on American artist Robert McIntosh, please contact the gallery for additional information. Presenting a magnificent, early original pastel, "The Artist's Portrait", by American artist Robert McIntosh. "The Artist's Portrait", is an original pastel on artist's paper, signed, dated 1937, 13 x 9.75, currently unframed, the portrait was acquired directly from the personal collection of the artist. We have included the artist's biography below please contact the gallery for additional information, Robert McIntosh (1916-2010) Robert McIntosh was born on March 11, 1916 near San Francisco, in Vallejo, California, the second son of Harry and Jesusita Coronado McIntosh. He found his lifelong passion for painting by the time he was ten years old and never swayed from his calling. The family moved to Stockton when Robert was 12. Their home was just six blocks from the newly opened Haggin Museum, filled with a treasure trove of European and American paintings. He became particularly enamored with the fine examples of 19th century French pastoral landscapes. As teens, Robert and his brother Harrison befriended local painter Arthur Haddock who taught them the craft of art and brought them along on outdoor painting trips. Robert also became skilled at drawing portraits that captured the subject's personality. Soon, the sheer joy of expressing himself this way became a consuming interest. ​When not sketching, McIntosh would wander the stacks of books at the public library, discovering and studying the Masters - in particular, Michelangelo, Rembrandt and Whistler. At a Gauguin exhibit at the Legion of Honor in San Francisco, Robert discovered a "whole new world of color" and the importance of designing the space in the eternal rectangle. "I envision a frame around everything I see, "he admitted. "The artists' challenge is to put something meaningful, interesting or beautiful in that space." ​In 1934 McIntosh won a competition for a scholarship to the Art Center School of Design, the first award they ever bestowed. The entire family moved to Los Angeles and a new vista opened to the young artist, both visually and culturally. Robert began to take on portrait commissions and had exhibitions at the San Francisco Museum of Art, The Oakland Museum of Art and the Crocker Museum of Art in Sacramento. During the Great Depression, Robert began to work at Disney Studios painting backgrounds for such classics as "Fantasia". Ron Barbagallo, of Animation Art...

Since the 1990s, Heinsohn’s work has addressed climate change, impending cataclysm, and cultural dysfunction in numerous bodies of work including his mixed media wall reliefs, his "T...

Since the 1990s, Heinsohn’s work has addressed climate change, impending cataclysm, and cultural dysfunction in numerous bodies of work including his mixed media wall reliefs, his "Time Frames" series of photo-based abstractions, and his turbulent, thickly painted, cratered abstractions. However, as mentioned in his recent statement: “Given the current dysfunctional mayhem of our planet, I believe we need visual art that provides a place for the mind to transcend our calamity, to thoughtfully explore the multitude of unknowns connected to our daily lives, and to thereby refresh our optimism and our sense of urgency in the reimagining of our existence.” These new works channel the meditative properties of abstraction pursued by Kandinsky and Malevich, combined with intuitive approaches of accessing higher consciousness which guided Hilma af Klint as well as, much later, artists of Abstract Surrealism such as Gordon Onslow Ford, Roberto Matta, Wolfgang Paalen...

Since the 1990s, Heinsohn’s work has addressed climate change, impending cataclysm, and cultural dysfunction in numerous bodies of work including his mixed media wall reliefs, his "Time Frames" series of photo-based abstractions, and his turbulent, thickly painted, cratered abstractions. However, as mentioned in his recent statement: “Given the current dysfunctional mayhem of our planet, I believe we need visual art that provides a place for the mind to transcend our calamity, to thoughtfully explore the multitude of unknowns connected to our daily lives, and to thereby refresh our optimism and our sense of urgency in the reimagining of our existence.” These new works channel the meditative properties of abstraction pursued by Kandinsky and Malevich, combined with intuitive approaches of accessing higher consciousness which guided Hilma af Klint as well as, much later, artists of Abstract Surrealism such as Gordon Onslow Ford, Roberto Matta, Wolfgang Paalen...

Since the 1990s, Heinsohn’s work has addressed climate change, impending cataclysm, and cultural dysfunction in numerous bodies of work including his mixed media wall reliefs...

Since the 1990s, Heinsohn’s work has addressed climate change, impending cataclysm, and cultural dysfunction in numerous bodies of work including his mixed media wall reliefs, his "Time Frames" series of photo-based abstractions, and his turbulent, thickly painted, cratered abstractions. However, as mentioned in his recent statement: “Given the current dysfunctional mayhem of our planet, I believe we need visual art that provides a place for the mind to transcend our calamity, to thoughtfully explore the multitude of unknowns connected to our daily lives, and to thereby refresh our optimism and our sense of urgency in the reimagining of our existence.” These new works channel the meditative properties of abstraction pursued by Kandinsky and Malevich, combined with intuitive approaches of accessing higher consciousness which guided Hilma af Klint as well as, much later, artists of Abstract Surrealism such as Gordon Onslow Ford, Roberto Matta, Wolfgang Paalen...

Since the 1990s, Heinsohn’s work has addressed climate change, impending cataclysm, and cultural dysfunction in numerous bodies of work including his mixed media wall reliefs, his "Time Frames" series of photo-based abstractions, and his turbulent, thickly painted, cratered abstractions. However, as mentioned in his recent statement: “Given the current dysfunctional mayhem of our planet, I believe we need visual art that provides a place for the mind to transcend our calamity, to thoughtfully explore the multitude of unknowns connected to our daily lives, and to thereby refresh our optimism and our sense of urgency in the reimagining of our existence.” These new works channel the meditative properties of abstraction pursued by Kandinsky and Malevich, combined with intuitive approaches of accessing higher consciousness which guided Hilma af Klint as well as, much later, artists of Abstract Surrealism such as Gordon Onslow Ford, Roberto Matta, Wolfgang Paalen...