Items Similar to Double Sculpture, unique sculptural study, signed by Brazilian American artist
Want more images or videos?
Request additional images or videos from the seller
Saint Clair CeminDouble Sculpture, unique sculptural study, signed by Brazilian American artist 1987
1987
About the Item
Saint Clair Cemin (Brazilian-American)
Double Sculpture, 1987
Graphite and watercolor on paper
Hand signed, dated and titled on the back of the sheet (see photos)
Provenance: Daniel Weinberg Gallery, Los Angeles (with label on verso)
Brutten Herrick Collection, Philadelphia (with label on the verso)
Frame included
Measurements:
Framed:
25.25 inches vertical by 31 inches by 1.25 inches
Artwork alone:
18 inches (vertical) by 24 inches (horizontal)
Saint Clair Cemin Biography
Saint Clair Cemin (born Cruz Alta, Brazil in 1951) is a postmodern sculptor, professor, writer and film producer (610FILM). He lives and works in Woodbury, Connecticut and in Hydra, Greece.
His work encompasses multiple styles, approaches, and materials, from neo-surrealism to furniture to toys in popular culture to the history of sculpture. Cemin became interested in sculpting as a teenager. Once interested in philosophy and physics, he began to focus his attention on art, drawing and working on illustrations for magazines. Cemin earned his degree at École nationale supérieure des Beaux-Arts in Paris, France, from 1975-1978 where he learned printmaking for three years. He moved to New York City shortly after, where he worked in several fields, mostly with printmaking. From 1979 to 1983, Cemin went in a soul-searching mission, after seeing the exhibition of Joseph bueys at the Guggenheim. He finally began making sculpture in the summer of 1983. The artist's first exhibited sculpture was The Granny Ashtray, which has been described as an anti-modernist piece. Throughout the 1980s, Cemin became an integral part of NY's East Village art scene. Some of his works from this era are on permanent exhibition at important institutions such as the Museum of Contemporary Art in Los Angeles. After those formative years in NYC Cemin moved to Egypt and then Paris to pursue sculpture in different environments and with different mediums. After 2010 he returned to NY and continues to create sculptural works in his Brooklyn studio.
In 2012 Saint Clair Cemin had a public exhibition of works along Broadway in Manhattan. Of the several works exhibited on Broadway, one, "Vortex" at the corner of 57th street and Broadway, stood some 40 feet tall.
In 2005, Richard Milazzo's book on Saint Clair Cemin titled "Saint Clair Cemin: Sculptor from Cruz Alta" was published by Sikkema Jenkins & Co. A book of Saint Clair Cemin's art writings have been published by Edgewise Press titled Fragments of a Mind: Stories and Comments on Art 1987-2004.
In 1990 Saint Clair Cemins' first public sculpture was installed in the town of Reston, Virginia. Since then he has had large public monuments installed throughout the world, including "Open" in Schaumberg, Illinois, "Tree" in Bergen, Norway, "Spring" in Båstads Kommun, Sweden. The monument, "Supercuia" in Porto Alegre, Brazil and was completed in 2003. His public works also include "Fotini", "Three Graces", "Humanity", "Yggdrasil", and "Mercury Fountain". His custom works are featured prominently throughout Musée de la Chasse et de la Nature. Saint Clair Cemins' latest monumental work is the marble boat "Psyche". He received the Biennial Award from the Ueno Royal Museum and the Hakone Open-Air Museum in Japan in 1995.
Saint Clair Cemin's work is included in the collections of the Whitney Museum of American Art, Fonds National d’Art Contemporain, Paris, France; Emily Fisher Landau Collection, Long Island City, NY; Rooseum, Stockholm, Sweden; Eli Broad Family Foundation, Los Angeles, CA; Museum of Contemporary Art, Los Angeles; and Inhotim, Minas Gerais, Brazil.
- Creator:Saint Clair Cemin (1951, Brazilian)
- Creation Year:1987
- Dimensions:Height: 25.25 in (64.14 cm)Width: 31 in (78.74 cm)Depth: 1.25 in (3.18 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good studio condition with some waviness and undulations to the paper (see photos).
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745210654502
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2007
1stDibs seller since 2022
292 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 1 day of delivery.
More From This SellerView All
- Ammersee #2By Walter Darby BannardLocated in New York, NYWalter Darby Bannard Ammersee #2, 1975 Watercolor and acrylic painting on paper Signed, titled and dated lower recto This is a unique work Frame included: elegantly floated and frame...Category
1970s Abstract Expressionist Abstract Drawings and Watercolors
MaterialsInk, Mixed Media, Acrylic, Watercolor, Graphite
- In Real Time, unique signed Abstract Expressionist painting compared to MatisseBy Steven SormanLocated in New York, NYSteven Sorman In Real Time, 2003 Acrylic, gouache, gel medium, oil and beeswax collage painting on paper 48 × 34 inches Signed and dated 2003; The frame also bears the original label...Category
Early 2000s Abstract Expressionist Abstract Paintings
MaterialsMixed Media, Oil, Acrylic, Gouache, Gel Pen, Graphite
- Castello (Castle) signed unique painting abstract expressionist mid century artLocated in New York, NYRemo Farruggio Castello (Castle), ca. 1958 Oil on paper painting (hand signed twice by the artist) Hand signed twice by the artist on the lower front (center and right), and titled "...Category
1950s Abstract Expressionist Abstract Paintings
MaterialsOil, Graphite
- So Slight a Film, (Lehman Brothers Art Collection), unique signed oil on paperBy Emily MasonLocated in New York, NYEmily Mason So Slight a Film (from the Lehman Brothers art collection), 1978 Oil on paper Abstract Expressionist painting Signed and dated 'Emily Mason '78' bottom right in pencil Fr...Category
1970s Abstract Expressionist Abstract Paintings
MaterialsGraphite, Oil
- Ray Parker unique signed to dealer Carl Solway, Abstract Expressionist paintingBy Raymond ParkerLocated in New York, NYRaymond Parker Untitled (Abstract Expressionist painting), 1978 Acrylic on Paper. Hand signed, inscribed "For Carl" [Carl Solway, gallerist] and dated 1978 on the upper left front; ...Category
1970s Abstract Expressionist Abstract Paintings
MaterialsGraphite, Acrylic, Paper
- Untitled Abstract Expressionist watercolor, pencil signed, Japanese-American artBy Taro YamamotoLocated in New York, NYTaro Yamamoto Untitled Abstract Expressionist watercolor, ca. 1957 Watercolor wash, drips & splatter on rice paper Pencil signed on the front 12 × 16 inches Unframed Mid century mod...Category
Mid-20th Century Abstract Expressionist Abstract Drawings and Watercolors
MaterialsWatercolor, Rice Paper, Pencil
You May Also Like
- Balancing act 4By Tracey AdamsLocated in London, GBGouache, graphite and ink on Rives paper. Unframed. Balancing Act 4 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsPaper, Ink, Gouache, Graphite
- Balancing act 2 (Abstract Painting)By Tracey AdamsLocated in London, GBBalancing act 2 (Abstract Painting) Gouache, graphite and ink on Rives paper. Unframed. Balancing Act 2 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsPaper, Ink, Gouache, Graphite
- Balancing act 4 (Abstract Painting)By Tracey AdamsLocated in London, GBBalancing act 4 (Abstract Painting) Gouache, graphite and ink on Rives paper. Unframed. Balancing Act 4 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsPaper, Ink, Gouache, Graphite
- Balancing Act 3 (Abstract Painting)By Tracey AdamsLocated in London, GBBalancing Act 3 (Abstract Painting) Gouache, graphite and ink on Rives paper. Unframed. Balancing Act 3 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsPaper, Ink, Gouache, Graphite
- Estuary 1By Margaret NeillLocated in London, GBGraphite and acrylic on linen - Unframed This fluid abstract painting is intuitively made with a loaded brush graphite and acrylic on linen. The intersecting multi-layered forms cr...Category
2010s Abstract Expressionist Abstract Drawings and Watercolors
MaterialsLinen, Acrylic, Graphite
- Estuary 1 (Abstract Drawings)By Margaret NeillLocated in London, GBEstuary 1 (Abstract Drawings) Graphite and acrylic on linen - Unframed This fluid abstract painting is intuitively made with a loaded brush graphite and acrylic on linen. The inte...Category
2010s Abstract Expressionist Abstract Drawings and Watercolors
MaterialsLinen, Acrylic, Graphite