Sarah Foat

Graffiti Triptych - XIX, XVIII, XVII

2021

Graffiti XXI by Sarah Foat [2021] original Acrylic on Fabriano paper Image size: H:10 cm x W:10 cm Complete Size of Unframed Work: H:25.5 cm x W:25.5 cm x D:0.3cm Sold Unframed ...

Graffiti XV by Sarah Foat [2021] original Acrylic on Fabriano paper Image size: H:10 cm x W:10 cm Complete Size of Unframed Work: H:25.5 cm x W:25.5 cm x D:0.3cm Sold Unframed P...

Graffiti XIX by Sarah Foat [2021] original Acrylic on Fabriano paper Image size: H:10 cm x W:10 cm Complete Size of Unframed Work: H:25.5 cm x W:25.5 cm x D:0.3cm Sold Unframed ...

Graffiti XVIII by Sarah Foat [2021] original Acrylic on Fabriano paper Image size: H:10 cm x W:10 cm Complete Size of Unframed Work: H:25.5 cm x W:25.5 cm x D:0.3cm Sold Unframed...

Jon Rowland: 'As the tide recedes sometimes it leaves small sand spits. The Scottish coast offers opportunities to make a quick sketch that can be worked on in the studio.' Discover new paintings by Jon Rowland and his abstract expressionism with Wychwood Art. Each work has been carefully selected by Deborah Allan our Chief Art Curator. Wychwood Art have exhibited Jon Rowland in London during a pop-up exhibition of theirs at the Darren Baker Gallery. His paintings have been displayed at the Royal Academy and at the Berthold and Darren Baker Gallery in London. He has also exhibited in group exhibitions at Linacre and Green Colleges, at Swann Gallery in Woodstock, and with Wychwood Art at Battersea Art Fair. He was one of six contemporary artists who took part in an exhibition of views of Blenheim Palace, juxtaposing the original visions with today's, as part of the celebration of the 300th anniversary of Capability Brown's birth. Solo exhibitions have been at the Said Business School, Wolfson College in Central Oxford, and most recently at the Sewell Centre Art Gallery and Cornerstone Art Centre in Oxfordshire, and the Boiler Room Gallery in Central Oxford. Through Wychwood Art, he has carried out several large scale commissions for private clients. Jon comments: Painting is a journey. One starts at one place - the blank canvas, and hopefully ends at a resolution. Sometimes one gets lost. My aim in this journey is to create original, contemporary art that is grounded in place. Chance and opportunity are the travelling companions; but the art is to know when the journey is complete. I tend to work in series, with references to locations that are abstracted, reflecting on themes of colour, movement and space. In some themes I use concepts...

There we were looking out over the bay at the low winter sun. The clouds were gone and after a beautiful day the sun was receding. This work on paper was painted 'en plein aire', whi...

Turnstile Vibration 2, 2020. Acrylic paint and ink on recycled cotton rag paper. Repeated and transformed in these paintings, Nicky Marais’ ‘Turnstiles’ are portals through which we...

Waiting for equality iv, 2021. Acrylic ink on 100% cotton paper. 560 x 760mm Nicky Marais is a Namibian artist, educator and activist who lives and works in Windhoek. Marais is well...

Green Blocks, 2017. Ink and acrylic on paper. Nicky Marais is a Namibian artist, educator and activist who lives and works in Windhoek. Marais is well-known for her abstract artwork...

Pylons Marching 1 and 2, 2017. Acrylic and ink on paper. 302 x 215 mm each Nicky Marais is a Namibian artist, educator and activist who lives and works in Windhoek. Marais is well-k...

Line people, 86x61cm

Line people, 86x61cm