Sean Shanahan

Air Choir

2023

Karen Silve developed an interest in Post-Impressionist and Fauvist painting, and they informed her early figurative abstractions. She studied in the graduate painting and design programs at the University of Denver, creating abstract work that was inspired by the landscape and by the color lessons she learned in France. Later, the Abstract Expressionist painters Willem de Kooning and Joan Mitchell, and the German artist Gerhard Richter became important influences on her work. In 1993, Silve moved to Portland, Oregon, worked in graphic design and began to explore painterly process in a series of meditative paintings. In the late 1990s, she created two extended groups of paintings, first the Musician Series, and then the Cellist Series. Both series focused on players with their instrument, and on a feeling for music expressed through abstracting the human figure, gestural brush strokes and vibrant color. After this she moved on to rhythmic, calligraphic brush strokes and drips of paint. Evolving from this period is the ongoing series of abstract paintings that Silve continues to create. Silve has exhibited her work extensively in solo exhibitions including at the Portland Performing Arts Center, the Forsyth Center Gallery at Texas A&M University, the Visual Art Center of Northwest Florida, the Tuscaloosa Performing Arts Center and the West Linn Public Library in Oregon. Group exhibitions include those at The Institute for American Universities, Aix-in-Provence, France, the Jemison-Carnegie Heritage Hall...

Inspired by the graffiti artists of East London, the poetry of Philip Larkin, the philosophy of Guy Debord, and the French student protesters of May 1968, Robert Montgomery’s text-ba...

Inspired by the graffiti artists of East London, the poetry of Philip Larkin, the philosophy of Guy Debord, and the French student protesters of May 1968, Robert Montgomery’s text-ba...

Inspired by the graffiti artists of East London, the poetry of Philip Larkin, the philosophy of Guy Debord, and the French student protesters of May 1968, Robert Montgomery’s text-ba...

Inspired by the graffiti artists of East London, the poetry of Philip Larkin, the philosophy of Guy Debord, and the French student protesters of May 1968, Robert Montgomery’s text-ba...

Inspired by the graffiti artists of East London, the poetry of Philip Larkin, the philosophy of Guy Debord, and the French student protesters of May 1968, Robert Montgomery’s text-ba...

Stephanie Peek's "Uniform Language" Camo paintings showcasing an assortment of worldwide camouflage (both historic and contemporary) from countries around the world. The complete installation includes 52 original works that are each 10 x 10 inches. Can be hung in an assortment of ways. The artwork comes with a template for installation as shown below. The series started following 9/11 with the bombing of the World Trade Center in NY. and continues to today. Stephanie Peek's "Uniform Language" is a constellation of small painting on alabaster-coated wood panels featuring camouflage patterns of nations worldwide. Peek’s fascination with these patterns stems from her observation of nature (including her studies of flowers, for which the artist is well known), and compositions of shapes and color relationships. When hung in the configuration shown, the overall dimension is 77 inches tall x 132 inches wide. The artwork can hang in a variety of configurations. Each camp painting is 10 x 10 inches. Fascinated by how various countries use camouflage patterns to represent and to disguise themselves and their military equipment, the artist explores how countries see themselves in this pattern language that speaks of power and fear, while also considering each painting a prayer for peace. Artist's statement, Early in the 20th century, the United States military adapted the nature studies of American painter Abbot Thayer...

This is an abstract painting characterized by both its round shape and the bright fields of colors used. The round form, called a tondo, provides a special way when displaying this p...

SOME SPAIN 2021 Paris, France Graphically bold, yet cerebral, this textured, abstract piece offers a rich color palette. Painted using oil, acrylic and plaster, and executed on an ...

‘PORTAL 1 ( PROSPERO) Abstract Oil and Acrylic on birch ply panel was exhibited at GALLERY46 show 'KNOCKING IT OUT OF THE PARK' - 5TH NOVEMBER – 12TH DECEMBER 2021 Sarah Pickstone's work is in the collections of The Royal Academy of Arts Societe Generale UK Art Collection Saatchi Collection The Walker Art Gallery National Museums of Liverpool The Mercer Art Gallery collection – Yorkshire Museums British School at Rome Teaching is an intrinsic part of Sarah Pickstone's practice and is currently 2019 – Mentor Turps Banana Painting...

"Untitled" by Don Totten is an abstract oil painting circa 1960 on canvas and measures 16 in x 20 in. It is in excellent condition. Donald C. Totten (1903...

"Untitled" by Don Totten is an abstract oil painting on masonite circa 1960 and measures 20 in x 16 in. The painting is in good condition. Donald C. Totten (1903-1964) was a member...