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Sebastien PreschouxOutlines2018
2018
About the Item
Acrylic and India ink on wood panel
Artwork done with a compass
Black exterior frame
Framed dimensions: 104 x 54 (x5)cm
Signed on the back
- Creator:Sebastien Preschoux (1974, French)
- Creation Year:2018
- Dimensions:Height: 39.38 in (100 cm)Width: 19.69 in (50 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Marrakech, MA
- Reference Number:1stDibs: LU1852210796882
Sebastien Preschoux - 1974 / Paris Deeply infuenced by the optical art, but also by the values of Bauhaus teaching advocating an instruction focused on the fundamental value of manual work, Sebastian tirelessly creates increasingly complex designs that can compete with what a machine could produce in a few moments. Through this process he has created a visual confusion in the viewer that can lead him to wonder about the origin (human or mechanical) of his work. But it is only by approaching that the spectator will have been able to identify the stigmata of the passage of the human hand, attitude that Sebastien names the reward of the curious. His work is not limited to a 2-dimensional production, but fnds a 3-dimensional correspondence through threads installations, often made in the natural environment, thus offering him perfect freedom both in terms of size and diversity. For this, he works in collaboration with the photographer Ludovic LE COUSTER, who also works with non-digital tools, but prefers medium-format flm cameras. By watching Sébastien PRESCHOUX at work, we perceive the oscillation between the serenity of an artpiece built without haste and the tension of an infnitely precise gesture, gracefully moderated, drastically governed by a process of measures and counting. The work stretches over time, punctuated by the repeated gestures of the rulers and compasses handling. Without impatience, Sébastien PRESCHOUX unwinds the drawing movement in time, let the material spread in the space. In two dimensions, Sébastien PRESCHOUX’s drawings seem livened up of vibrations, perhaps attributable to the inherent imperfections of the fallible nature of the hand. Threedimensional, the installations diffract the light and fnd in the natural surrounding of their implementation an obvious case. The border between art and crafts is unstable and the homology with the digital depiction too disturbing. A look without demanding will be misleading. The creative work endurance raises the «sine qua none» condition of a benevolent slow visit, so that the encounter between the eye and the object can be real, allowing what Sébastien PRESCHOUX names «the reward of the curious». Valérie NAM
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Established in 2010
1stDibs seller since 2022
- ShippingRetrieving quote...Ships From: Marrakech, Morocco
- Return PolicyA return for this item may be initiated within 3 days of delivery.
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