Shizico Yi

The Weaver- Original Set-UK Awarded Artist-(feat. Scottish Tartan vs Camellia)

2024, Shizico Yi takes on an innovative project she named it "The Weaver," inspired by the heritage of family's Tartan, the rich lineage and history of the Clan. Within the patterns...

In her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...

2024, Shizico Yi takes on an innovative project- "The Weaver," it's inspired by the heritage of family's Tartan, the rich lineage and history of the Clan. Within the patterns of fam...

To Shizico, a triptych is a compilation of visual prayers; it embodies a meditative voyage akin to a form of meditation. For her, the repetition of motifs within the triptych serves ...

2024, Shizico Yi takes on an innovative project - "The Weaver," it's inspired by the heritage of family's Tartan, the rich lineage and history of the Clan. Within the patterns of fam...

In her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...

"Nasturtium, Diptych" is an abstract diptych painting of two potted plants. On the lefthand canvas the background is painted a thin hookers green and resin was poured over the top. The potted flower is painted over the resin, sitting on a white stippled table with a thick yellow edge. Yellow stipples are painted around the plant. The righthand painting has intentionally exposed canvas soft smudges of green paint through the middle of the canvas and navy up in the upper lefthand corner, at the middle of the composition. A heavy impasto flower...

"Eggshell Yellow Curls" is an abstract painting triptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined...

Acrylic on masonite. This is a pivotal work in deep and radiant cobalt blue from 1950. It dipicts calligraphic and hieroglyph structures over a grid and pyramidal base by the first generation abstract expressionist. Provenance: Skinner: November 13, 1992 [Lot 00219}, The entry in the Skinner catalog indicates that the painting came directly from the artist to the family of the consignor to Skinner. Kaminsky Auctions. There is an unbroken paper trail that traces the ownership of the painting from the current owner, through two auction houses to the artist. Perfect unbroken provenance. Pousette-Dart was among the most inventive of the Abstract Expressionist generation, His uncanny talent was to expand the nature of abstraction and still make each mark each element very much his own; a reflection of what he called   "the concealed power of the spirit," he said, “not of the brute physical form."   His was not aiming for a singular, realized aesthetic formula but to expand the possibilities of painting; the transcendental in painting. Typical of such invention and exploration is this  painting  Untitled 1950 when the artist was only 34 years old and represented by one of the champions of the new American painting, Betty Parsons.  
A banner year for Pousette-Dart, the Museum of Modern Art acquired their first painting by the Minnesota born artist.  He worked on easel size works such as this painting an oil on masonite. At the same time Pousette-Dart was also working on larger scale works such as Path of the Hero, running over ten feet in length now in the collection of the Metropolitan Museum of Art.  Both contain fields of color articulated by a highly sophisticated white hieroglyphic vocabulary. Rather than demonstrate an expressionist sensibility, Pousette-Dart harnesses his more cerebral ideas transforming thick areas of paint into a more refined composition of geometric forms akin to the pattern and forms of say a stained glass window. In a way he is looking back at Fugue, 1940 a black and white composition which makes use of a similar format of painting albeit smaller. Color and form are minimal, but what Pousette-Dart has maximized is the rhythmic and syncopated character of painting casting his ideas into purely symbolic terms that one might link to the pictograms of Adolph Gottlieb. Nonetheless, nature is always at the core of Pousette-Dart’s thinking and dreaming. Here he has transformed the local Ramapo Mountains—where he will eventually move with his family to live and work— into a complex series of articulated fragments linked by style, scale and color.  The painting’s imagery built on two large triangles and reduced to just two colors, cobalt blue and white all outlined in black.  Pousette-Dart symbols stacked in horizontal and vertical rows:  blue is ground, white is language, symbolic of light, consciousness and awareness . The painting maintains a mystical character images compounded that formulate a secret code and linked to the series of white paintings Pousette-Dart authored in the first half of the 1950s. Get up close to the picture and you discover images within images a kind of picture puzzle...

CAROLINA PONTE No Title, 2016 60 x 197 inches Acrylic on Linen Message for videos of the piece with more details. The extended present time and the a...

CAROLINA PONTE No Title, 2016 (Painting) 60 x 197 inches (150 x 400 cm) Acrylic on Linen Message for videos of the piece with more details. The exten...

CAROLINA PONTE No Title, 2016 60 x 197 inches Acrylic on Linen Message for videos of the piece with more details. The extended present time and the a...