Sigrid Sandström

Untitled

2015

Sigrid Sandström Untitled, 2012 Acrylic on board, 60 x 48 inches Sigrid Sandström was born in 1970 in Stockholm, Sweden and currently Professor of Fine Arts at the Royal Institute of Art, Stockholm. She studied at Cooper Union School of Art, Academie Minerva, Groningen, The Netherlands (BFA 1997), attended Skowhegan School of Painting and Sculpture (2000) and received an MFA in Painting from Yale University in 2001. She has exhibited widely since then, with solo exhibitions in New York, Los Angeles, Houston and her native Sweden. Sandström's work was included in the Contemporary Arts Museum of Houston's 25th anniversary exhibition, Perspectives @ 25. Her first solo museum exhibition, Ginnungagap: Recent Works by Sigrid Sandstrom...

Sigrid Sandström Untitled, 2012 acrylic on board, 84 x 60 inches

Emily Joyce Pantomime, 2015 acrylic and mirror on canvas 59 1/2 x 47 inches Pantomime is part of a new body of work called "The Masks". Joyce is an artist who explores the space between vernacular visual idioms and geometric abstraction through various combinations of mediums and formats. In The Masks, a theatrical mix of painting and sculpture populate the exhibition, with works that mine twentieth century art history, universal symbols, and the 16th century Italian theater...

Emily Joyce Pantomime, 2015 acrylic and mirror on canvas 59-1/2 x 47 inches

Dana Frankfort FATI, 2016 oil on paper 30.25 x 44 in (76.8 x 111.8 cm) paper size 32.75 x 46.5 x 1.75 in (83.2 x 118.1 x 4.4 cm) framed

Dana Frankfort SHE SELLS SEASHELLS (I), 2016 oil on paper 30.25 x 44 in (76.8 x 111.8 cm) paper size 32.75 x 46.5 x 1.75 in (83.2 x 118.1 x 4.4 cm) framed

Ronnie Tjampitjinpa is the last painter to witness the emergence of this pictorial movement. Although he is often considered one of Australia's most important abstract painters, his ...

Adam Cohen’s glorious abstract painting is a kaleidoscope of bright colours—a heady mix of orange, pinks, purples, chocolate brown, indigo, turquoise blue, and yellow highlighted by ...

Michael Nelson Tjakamarra (also cited as: Michael Nelson Jagamarra, or Jakamara) is a Senior Warlpiri Tribesman and an Elder of the Papunya Community in central Australia. Born c. 1949 at Pikilyi, Vaughan Springs west of Yuendumu in the Northern Territory, he grew up ‘in the bush’. His father was an important tribal elder and medicine man at Yuendumu. It was therefore automatic that he would grow up with the traditional values and knowledge that now influences his paintings. Michael lived at Haasts Bluff until his parents took him to Yuendumu for European education at the mission school. He left school at thirteen, after initiation, and worked at buffalo shooting, driving trucks, droving cattle and in the army, before returning to Yuendumu and then to Papunya to settle in 1976. He worked for a time in the Government store and for the Council. Michael learned to paint at Papunya by observing the senior men such as Billy Stockman and Old Mick Tjakamarra. Although he was tutored by his uncle, Jack Tjupurrula, Michael developed his own style and began painting earnestly from 1983. Michael is known as master desert painter for his depiction of several Dreamings in one painting. For him the understanding of the Dreaming stories that go with his paintings is all important – without the stories his paintings would ‘mean nothing’ as far as he is concerned. His Dreamings include the Possum, Snake, Two Kangaroos, Rock Wallaby, Bush Banana, Honey Ant and Yam. In 1984 Michael won the National Aboriginal Art Award with his painting ‘Three Dreamings’. His reputation as a painter rose rapidly after this. He exhibited his work in the 1986 Biennale of Sydney and featured in ‘The State of the Art’, a British art documentary. In 1987 Michael had been asked to paint a major work (27’long) to decorate the foyer of Sydney’s Opera House and he chose to paint his ‘Possum Dreaming’ story. A great highlight in Michael’s career was in 1988 when he was commissioned to design a 196 sq-metre mosaic in the main forecourt of Australia’s new Parliament House in Canberra. The work was based on his ‘Kangaroo and Emu’ dreaming. Michael was presented to Her Majesty, Queen Elizabeth 11...

Michael Nelson Tjakamarra (also cited as: Michael Nelson Jagamarra, or Jakamara) is a Senior Warlpiri Tribesman and an Elder of the Papunya Community in central Australia. Born c. 1949 at Pikilyi, Vaughan Springs west of Yuendumu in the Northern Territory, he grew up ‘in the bush’. His father was an important tribal elder and medicine man at Yuendumu. It was therefore automatic that he would grow up with the traditional values and knowledge that now influences his paintings. Michael lived at Haasts Bluff until his parents took him to Yuendumu for European education at the mission school. He left school at thirteen, after initiation, and worked at buffalo shooting, driving trucks, droving cattle and in the army, before returning to Yuendumu and then to Papunya to settle in 1976. He worked for a time in the Government store and for the Council. Michael learned to paint at Papunya by observing the senior men such as Billy Stockman and Old Mick Tjakamarra. Although he was tutored by his uncle, Jack Tjupurrula, Michael developed his own style and began painting earnestly from 1983. Michael is known as master desert painter for his depiction of several Dreamings in one painting. For him the understanding of the Dreaming stories that go with his paintings is all important – without the stories his paintings would ‘mean nothing’ as far as he is concerned. His Dreamings include the Possum, Snake, Two Kangaroos, Rock Wallaby, Bush Banana, Honey Ant and Yam. In 1984 Michael won the National Aboriginal Art Award with his painting ‘Three Dreamings’. His reputation as a painter rose rapidly after this. He exhibited his work in the 1986 Biennale of Sydney and featured in ‘The State of the Art’, a British art documentary. In 1987 Michael had been asked to paint a major work (27’long) to decorate the foyer of Sydney’s Opera House and he chose to paint his ‘Possum Dreaming’ story. A great highlight in Michael’s career was in 1988 when he was commissioned to design a 196 sq-metre mosaic in the main forecourt of Australia’s new Parliament House in Canberra. The work was based on his ‘Kangaroo and Emu’ dreaming. Michael was presented to Her Majesty, Queen Elizabeth 11...

"El Turista Quemado" means the burnt tourist, one of the many names for an endemic Mexican tree. This species changes its skin like a snake, or as Oaxacan...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits...