SOPHIE DUMONT

histoire sans fin, abstract expressionist, colorful books, library, pink

2022

This painting offers a captivating immersion into the vibrant and creative atmosphere of an artist's studio. The shades of blue and green used by Sophie Dumont create a rich and harm...

abstract painting in a shades of white and black having as starting subject the work of horizontal and vertical lines and matter. The layers are numerous and the underlying colors numerous, thus revealing the whites and the grays. The approach is purely emotional, Sophie Dumont literally sculpts the painting by bringing out the colored layers below. More than thirty layers follow one another on the canvas One of the first paintings in the series started in 2012. The square format accentuates the abstract side. This canvas is framed with an American box in black wood. Signed lower left Size of the framed work: 85 x 85...

Abstract expressionist library with books in greige tones. Worked in oil and knife, the subject ends up disappearing in favor of abstraction, the colors are soft but vibrate a lot....

This painting offers a captivating immersion into the vibrant and creative atmosphere of an artist's studio. The shades of blue and green used by Sophie Dumont create a rich and harm...

In this vibrant masterpiece by Sophie Dumont, titled 'The spring studio,' the atmosphere of an artist's studio is captured with intoxicating energy. Predominantly green hues evoke a...

This painting offers a captivating immersion into the vibrant and creative atmosphere of an artist's studio. The shades of blue and green used by Sophie Dumont create a rich and harm...

Dear art lover, I enjoy working on floral and nature compositions. This one was inspired by my trip to Arles, Provence ( south of France) where Vincent Van Gogh lived for one year. ...

The collection of paintings has the name of the "Dream catcher" The paintings are drawn in Ebru techinique with oil on the canvas with stretcher The Alliance of the window and the p...

Rosy song 70 x 70 cm 28 x 28 inches Expressive and impressive floral painting of charming roses. This artwork was made using a palette knife on premium cotton canvas of professional...

Jon Rowland Shooting the Breeze Contemporary Abstract Expressionist Painting Oil Paint on Paper Sheet Size: H 51cm x W 38cm x D 0.01cm Framed Size: H 67cm x W 53cm Sold Framed Please...

Richard Andres (American, 1927-2013) White & Yellow, c. 1953 oil on canvas signed lower right, signed and titled verso 30 x 20 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

The surfaces Susan Washington works with are derived from her memories of the graffitied subway car, public telephone booths, and rolling steel cages that secure neighborhood stores ...