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SOPHIE DUMONTjeu de matieres, french artist, oil and collage, green abstract, contempory2024
2024
About the Item
Sophie Dumont's "Jeu de Matières" delivers a captivating visual experience by skillfully combining oil and collage on canvas. With dimensions of 81 x 60 cm or 31.89 x 23.62 inches, the canvas presents a balanced and meticulously crafted composition.
The size framed is 88x67 cm or 34.64 x 26.37 inches
The bold use of geometric shapes, particularly in shades of verdigris and black, creates an intriguing visual dynamic. The shapes overlap and intertwine in a way that arouses the viewer's curiosity, encouraging a deeper exploration. The color palette, dominated by subtle green tones and deep black accents, imparts an atmosphere that is both mysterious and sophisticated.
The incorporation of collage adds tangible texture to the painting, inviting the viewer to feel the different material layers. This introduces a tactile dimension to the artwork, emphasizing the importance of touch in understanding abstract art.
The overall composition appears to play with the notions of contrast and harmony. The rigid geometric shapes contrast with the organic texture of the collage, creating a visual tension that contributes to the dynamic aesthetic of the piece. Simultaneously, the overall balance maintains a visual harmony, preventing the painting from becoming overly chaotic.
"Jeu de Matières" embodies the creative freedom of abstract art while demonstrating technical mastery. Sophie Dumont has succeeded in creating a work that invites contemplation while offering enough complexity to stimulate the viewer's imagination. This painting stands as a visually stimulating exploration, allowing each observer to find their own interpretation within its rich nuances and subtleties.
Choose the frame black or natural wood
What sets Dumont's work apart is the strategic use of collage, adding an intriguing layer of complexity to the composition. The integration of mixed media introduces a tactile quality, inviting viewers to engage not only visually but also through the sense of touch, forging a unique connection with the artwork.
The choice of a library as the subject matter is both nostalgic and forward-thinking. Dumont captures the dichotomy of tradition and modernity, offering a visual dialogue between the tangible, tactile nature of books and the ephemeral, ever-evolving world of ideas.
As the observer navigates the canvas, the careful observer will notice nuanced details—a worn edge, a faint imprint—all contributing to the overall narrative of intellectual exploration. Dumont's mastery lies not only in her technical proficiency but also in her ability to infuse a static image with the dynamic energy of human intellect.
In conclusion, Sophie Dumont's monochromatic ode to libraries transcends the boundaries of conventional representation. Her skillful manipulation of oil and collage creates a work that invites contemplation, sparking a dialogue between the viewer and the profound significance of the library as a sanctuary for knowledge. Dumont's art not only captures a moment in time but also beckons us to delve into the timeless allure of literature and the boundless realms of human thought.
- Creator:SOPHIE DUMONT (1964, French)
- Creation Year:2024
- Dimensions:Height: 31.89 in (81 cm)Width: 23.63 in (60 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:LANGRUNE-SUR-MER, FR
- Reference Number:1stDibs: LU2430213740902
SOPHIE DUMONT
Born in Paris on April 09, 1964. Lives and works in Langrune sur Mer (Normandy) Sophie Dumont moved away from the Metropolis to live a few years in the Antilles, Spain and finally in Morocco. On her return to France in 1991, she took the plunge and grabbed the brushes. From her earliest childhood, she was immersed in the world of painting, through the drawings of Henriette Dumont, her paternal grandmother who sketches at all times, children and grandchildren with a line that can recall that of Matisse . Sophie Dumont is interested in the history of art, works for several years, searches, discovers in order to fully realize herself around 2007. Its invoice becomes stronger, the layers multiply on the canvas, revealing a beach or cliffs to whoever wants to discover them. His work in oil takes on its full value in successive layers and transparencies in shades of gray and white. Sophie DUMONT extends her exploration of the Norman universe. The environment is familiar to her, but she stubbornly welds the slightest vibrations. The omnipresent landscape hides from view to reveal furtive appearances that drown in the pearly and translucent light. The subliminal vision of a horizon cut out by distant cliffs evokes a daily life punctuated by a constantly changing space. Nothing disturbs the tranquility of a space shaped by these diaphanous lights, a mixture of grays and shadows that subtly play with the fluidities of air and water. These landscapes imbued with a lyricism bordering on abstraction seem to move away from a reality that the heaviness of traditional painting wants to find in the recognizable. The representation is irreversibly detached from the motif to better reflect the emotion aroused by the total immersion in the painting. The image fades before the senses, giving the viewer his freedom of interpretation. Sophie DUMONT's abstract is not a concept, it is an approach where each canvas is built around graphics put into perspective by color. The drawing can recall the shape of a body or the meanders of a landscape. It is only the unpremeditated interpretation of a figurative idea, which takes other forms in space. The canvas is structured around a play of curves and lines filtering the lights. It is in this refined construction that the palette of often contrasting tones enters the scene. But the substance is never raw, drawing from its maturation lyrical effects which are the result of a fruitful work of the material. The knife shapes the material in successive layers that merge into a combination of shimmering colors. His perception is only the expression of his own emotions, submitted simply to the effect of modulations transcribed by the artist. Hence this permanent relationship between works with sometimes changing appearances and spirit, but which symbolize a coherent and sincere approach. Francois Laune
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REPRESENTATION Artplex Gallery, Los Angeles, USA EDUCATION 1996 - 2002 Belarusian State Academy of Arts, Painting Department, professors M. Dantzig, V. Gerasimov and V. Tyurin, Minsk, Belarus 1990 - 1996 I. 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