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Stephen BezasOH2024
2024
About the Item
2024
Acrylic on canvas
24 x 24 in. (61 x 61 cm)
Signed, titled, and dated, verso
“Oh” could be interpreted in several ways, reflecting the complexity of human emotions and the moments that catch us off guard. The “oh” might represent a moment of sudden insight or realization, a pause in the midst of chaos, where clarity briefly surfaces. It could signify a moment of disappointment or resignation, where the individual is overwhelmed by their circumstances. Alternatively, it could symbolize a moment of awe or wonder, a brief instance where the beauty or magnitude of something is truly grasped.
In essence, this painting, through its use of color and composition, invites viewers to reflect on the moments of sudden emotion or realization in their own lives. It’s a visual representation of the complex tapestry of human experience, highlighting the moments that leave us speechless, when all that can be uttered is a simple “oh.”
- Creator:Stephen Bezas (1949, American)
- Creation Year:2024
- Dimensions:Height: 24 in (60.96 cm)Width: 24 in (60.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1185214217252
Born and raised in New York City. He attended the High School of Art and Design and then the School of Visual Arts where he greatly admired and was influenced by artist Chuck Close, first as a student of Close’s and later as a friend. A neo-pointillist, Bezas is inspired by historically important pointillist artists such as Georges Seurat and Paul Signac. Bezas’ distinctive trademark is the vertical and horizontal stacks of dots contained within a grid, which he sometimes places on a diagonal. Another distinct narrative of his art is the alternating dot pattern achieved by the smaller grids within larger ones and the two alternating dot sizes. He has created a contemporary hybrid using his design sensibilities, photography and painting talents, blurring the lines among the three. The dots in his art interrelate and culminate into something that’s larger than the sum of its parts. The viewer is utterly transfixed to realize that the work is created from a mélange of meticulously placed dots of varying sizes into an underlying grid in an artistic, mathematical process, whereby the actual composition comes alive with exciting recognition.
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