Teresa Pemberton

Lighting Up A Dark Room, Abstract Floral Art, Contemporary Still Life Painting

2020

Lilies and Rose bud by Rosie Copeland [2019] Original Oil on board Image size: H:37 cm x W:24 cm Complete Size of Unframed Work: H:2 cm x W:37 cm x D:24cm Framed Size: H:55.5 cm x W:...

Libbi Gooch Black Jar and Roses Original Abstract Still Life Painting Oil on Board Canvas Size: 80 cm x 80 cm x .5 cm Framed Size: 93 cm x 93 cm x 1.8 cm Sold Framed Free Shipping Pl...

Pocket Gala Apple [2023] Pocket Tangerine is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a...

The inspiration and ideas behind this piece of work , came from a dream which featured an orange square motif. The blues are a mixture of Prussian blue, ultramarine, and cerulean. The work is acrylic on canvas , with areas of cold wax oil...

Robert Dunt, Dian, 2016, oil on canvas, 142.5 x 142.5cm, original painting for sale. "For me these paintings are dealing with colour and space. I’m endeavouring to push simple colour combinations to their absolute limit. For example with this painting the colours pink and black. I wanted to make the colours resonate in our eyes as much as possible. To a degree I was working within the same sphere of investigation as the pointillists, like Paul Signac." Robert Dunt paintings are available to buy online with Wychwood Art. Robert Dunt is an abstract/pop art artist who graduated from City & Guilds of London Art School (2004) with First Class honours. Robert Dunt paintings, prints and installations are inspired by music and explore the use of colour in a contemporary context. His practice has a rebel ethic that distorts art traditions in order to create surprising and original works: “Like putting Botticelli’s Venus through a Jimi Hendrix Fuzz Face distortion pedal.” Rebert Dunt has exhibited nationally and internationally. He has had several solo shows - Madonnas and Housemasters, Charterhouse School (2015), Break on Through, Waterloo Gallery (2004) and I Wanna Trip You Up, Covent Garden (2004). Selected group exhibitions include Alien Beauty, Vyner Street; Fun House, The Empire Bethnal Green...

Pots of garden flowers displayed in a window setting. The view is of the Lynher estuary in Cornwall. Painted in impasto oils on canvas. Discover new works by Teresa Pemberton availa...

Bright and expressive abstract painting of flowers by Allie Bill Skelton (American, 1942-1986). This piece is unsigned, but was acquired with a collection of other Allie "Bill" Skelton works. Unframed. Image, 12”H x 9”W, oil on artists canvas board. Allie William “Bill” Skelton (American, 1942-1986) was a painter and sculptor active in San Francisco who was involved in the gay art...

Whimsical abstracted textural still life with three daises and other objects floating through an ambiguous orange space by Daniel David Fuentes (American, 1978-2016). From a collecti...

Abstract Floral painting with geometric vase by Stephanie Marrott (American, 20th Century). Original acrylic on artists board. Signed lower right "Stephanie Workman Marrott" in pen. ...

Robert Petrick's "Post Metro" is a fusion of meticulous geometry and bold abstract expression. From the artist's Ziggurat series, this piece is both timeless and contemporary, offeri...

FRANCISCO BORES Spanish, 1898 - 1972 STILL LIFE OF FRUITS signed "Borès 45´" (lower right) oil on cardboard 15-3/4 x 19-3/4 (40 x 50 cm.) framed: 18-1/4 x 22-1/8 inches (46 x 56 cm.) PROVENANCE Private French Collector Francisco Bores López (Madrid, May 5, 1898 - Paris, May 10, 1972) was a Spanish painter of the so-called New School of Paris. His artistic training originated both in the Cecilio Pla painting academy, where he met Pancho Cossío, Manuel Ángeles Ortiz or Joaquín Peinado...

'Still Life with Fruit', oil on board (1968), by Juliane Solignac. An engaging yet unusual artwork with vibrant colours, thickly applied with a painting knife. Nonetheless, through the thick paint there is an unfinished quality to the work leaving the impression that the raw canvas - or board in this case - is revealed. Some of the colour seems to have been scored on to the work with an artist's knife leaving lines and creating angles as in a cubist painting. There are layers of paint with no evident brush strokes. One may believe in this instance, Madame Solignac used this technique to create a visual effect which would deliberately have upset traditionalists. Be reminded that the Impressionists were criticised for creating patchy, incomplete works because there were strong notions about the correct way to paint in those days. Picasso once said, 'To finish a work is to kill it.' It is unsure how Mme Solignac would have felt about that. Regardless of this conjecture, the painting is colourful, compelling and rewards the viewer with a curious interest. The work is in fair vintage condition, newly framed with a linen slip. It is signed: 'Julian Solignac 68'. About the Artist: Juliane Solignac (born 1904). Regrettably, there is not much information available about the artist (including what year she may have died). She is referenced as a resident artist in Montmartre in the 1930s, one of only a handful of women in an otherwise sea of male names. In addition, Solignac is mentioned in both French and Dutch references as a creator of fabrics. These may have been more artistic 'tapis' which are hung on the wall like a painting. A Dutch museum references having one of her designs in their collection. Here is a quote from the magazine, 'COTE', Edition Nº 9 (March 2009): "Until 20 April, Pierre Frey is exhibiting 50 printed fabric works from their own collection dating from 1936 to today. Most were produced in liaison with artists like Jean Chatanay, Irène Rohr, Juliane Solignac, Rieffel Anossof, Janine Janet...