Acer Hillsi
View Similar Items
Thomas HammerAcer Hillsi2014
2014
About the Item
- Creator:Thomas Hammer (1985, American)
- Creation Year:2014
- Dimensions:Height: 42 in (106.68 cm)Width: 42 in (106.68 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Los Angeles, CA
- Reference Number:1stDibs: LU426119848
Thomas Hammer was born in 1985 and grew up in Ithaca, New York. He completed his BS at Cornell University. He is known for his motion-filled ink works on paper. His ink works, created with a unique tool that’s a fusion of a squeegee and a brush, are inspired by the spontaneity and vim of post-war action painting, though they employ a unique vocabulary of mark-making. He creates a sense of depth through the variety of textures that vary between smooth and flowing, staccato and rhythmic. The physical process of creating his ink paintings involves a degree of performance. The brushwork requires gestures that activate the body like dance. He works fast and relies on instinct to achieve the right balance of spontaneity and control. Hammer started his career as an interaction designer at digital agencies in New York City. He titles his artworks after extinct plants, evoking a moment in time which we cannot return to. His abstract works speak to the complexities of contemporary life, with the calligraphic elements offering a nod to a more cosmopolitan and inclusive art world today. He says of his work, “I aim to create emotionally impactful works that explore the relationship between human activity and our natural surroundings. Though non-representational, my works are inspired by photography — particularly images of vast landscapes, outer space, and major meteorological events. My work alternates from organic and spontaneous to strictly linear, minimal and mechanical. I aim to balance these forces to create work that is chaotic, but still controlled. To me, a successful piece is viewed as a window to an imagined space rather than as a physical object.” His works have been published in Architectural Digest, CoEval Magazine, and Lines Magazine and have been exhibited internationally and acquired by collectors around the world.
- Pinus MatthewsiiLocated in Los Angeles, CANew York artist Thomas Hammer is known for his motion-filled ink works on paper. His artworks, created with a unique tool fusing a squeegee and a brush, are inspired by the spontanei...Category
21st Century and Contemporary Abstract Abstract Paintings
MaterialsPaper, Ink
- SagariaLocated in Los Angeles, CANew York artist Thomas Hammer is known for his motion-filled ink works on paper. His artworks, created with a unique tool fusing a squeegee and a brush, are inspired by the spontanei...Category
21st Century and Contemporary Abstract Abstract Paintings
MaterialsPaper, Ink
- Orontium Mackii - Original Black and White Abstract Calligraphy PaintingLocated in Los Angeles, CANew York artist Thomas Hammer is known for his motion-filled ink works on paper. His artworks, created with a unique tool fusing a squeegee and a brush, are inspired by the spontanei...Category
21st Century and Contemporary Abstract Abstract Paintings
MaterialsPaper, Ink
- Chamaecyparis Eureka - Original Black and White Abstract Calligraphy PaintingLocated in Los Angeles, CANew York artist Thomas Hammer is known for his motion filled ink works on paper. The physical process of creating his ink paintings involves a degree of performance. The brushwork re...Category
21st Century and Contemporary Abstract Abstract Paintings
MaterialsArchival Ink, Archival Paper
- The Red Cloth 86 - Figurative Abstract Painting with Vitality and SensualityBy Bettina MauelLocated in Los Angeles, CABettina Mauel, an internationally collected artist, effortlessly channels vitality and sensuality through her awe-inspiring collection of abstract and figurative paintings. With an u...Category
21st Century and Contemporary Abstract Abstract Paintings
MaterialsInk, Paper
- The Red Cloth 83By Bettina MauelLocated in Los Angeles, CABettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and peopl...Category
21st Century and Contemporary Abstract Abstract Paintings
MaterialsPaper, Ink
- Untitled (Study for Līnea)Located in Washington, DCPoured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...Category
21st Century and Contemporary Abstract Geometric Mixed Media
MaterialsWax Crayon, Sumi Ink, Archival Paper, Graphite
- Untitled (Study for Līnea)Located in Washington, DCPoured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...Category
21st Century and Contemporary Abstract Geometric Abstract Paintings
MaterialsWax Crayon, Sumi Ink, Archival Paper, Graphite
- 'Soldier Protects The Queen'. Botanical environmental mixed media paintingBy Sophia MilliganLocated in Penzance, GB'Soldier Protects The Queen' Original Artwork, Unframed ______________________ The sculptural strength of the agave, holding proud and protective, around the flashes of silken bloss...Category
2010s Abstract Impressionist Abstract Paintings
MaterialsPaint, Paper, Ink, Mixed Media
- 'Pasadena Reflections'. Conceptual, botanical painting in blue and whiteBy Sophia MilliganLocated in Penzance, GB'Pasadena Reflections' Original Artwork Memories rise and float, tangled in the intangible shadows of time. 'Pasadena Reflections' captures an essence of the ephemeral and the end...Category
2010s Abstract Impressionist Abstract Paintings
MaterialsPaint, Paper, Ink, Mixed Media
- India, blue indigo print on Japanese paper, circle and squaresLocated in Petaluma, CAThis print on Japanese paper is created by carving into a tetrapak carton. Tetrapak is a silver lining, notably in your almond milk or soup. I hand-printed the tetrapak carving twi...Category
21st Century and Contemporary Abstract Abstract Paintings
MaterialsArchival Ink, Archival Paper
- Contemporary Abstract Ink Painting by Tian Wei-Landscape Mountain Zigai NO.5Located in Beijing, CNAbstract Ink Painting-Landscape Mountain Zigai NO.5 Artist Biography Tian Wei was born in 1973 in Beijing, China. He presently lives and works in Beijng. He is a contemporary ink artist engaged by China National Academy of Painting. Since 2018, Tian has been an visiting professor of the Comprehensive painting language of Central Academy of Fine Arts . In recent years, Tian devoted himself to the study of meditation of Zen. By “emptying his mind” of all extraneous thoughts during the process of painting, Tian nds the ideal mental state and becomes liberated from reality. He works in water-based media, By permeating with layer of ink stains and lines over and over, tian has developed his unique distinctive visual language and style. His experimental and expressive Chinese ink characterized by symmetricity, simplicity that expresse the rythme of the Nature and wisdom of Buddhism. You can say halos are shining among his work.It is a representation of visualized the existence of abstract, also a set of drawing...Category
2010s Abstract Geometric Abstract Paintings
MaterialsRice Paper, Ink
$12,640 Sale Price20% OffFree Shipping