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Tracey Adams(r) evolution 28 (Abstract painting)2014
2014
About the Item
(r) evolution 28 (Abstract painting)
Graphite and oil on panel - Unframed.
This painting is part of a series titled (r)evolution which started in 2014.
This process-based series is inspired by Adams' ongoing interest in music and music theory. It is about pattern, rhythm, and intervals of notes as exemplified by the choice and placement of color.
Adams has been intrigued by math and serial systems since her days of graduate school at New England Conservatory (Boston, Massachusetts) when John Cage was composer in residence at Harvard University.
For this series, she has painted with many layers of encaustic and mounted hand cut circles of Japanese paper which have been dipped in encaustic.
Finally, each dot/circle is covered with a clear encaustic medium, then painted with oil to create spatial depth.
- Creator:Tracey Adams (American)
- Creation Year:2014
- Dimensions:Height: 48.01 in (121.92 cm)Width: 40.01 in (101.6 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU65939434072
Tracey Adams
Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art Museum, and the Santa Barbara Museum of Art. Her work is also part of multiple corporate collections, including those of Adobe Systems, AT&T Corporate Headquarters, Hallmark Corporate Headquarters, Sony Corporation, and Intel. Tracey is a contemporary artist that's known for creating artworks at the intersection of "art, math, and music."1 Being a former musician herself, Tracey Adams often uses rhythm to explore relationships between people and objects. The influence of music is visible in the artist's highly rhythmical artworks that often include visual intervals, patterns, and similar references. Mathematics, on the other hand, is employed to pre-determine a number of colors that will be used when creating an artwork, the number of times they will appear and the way they will be aligned in the compositions.
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