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Tuëma PattieNamibian Desert2002
2002
About the Item
Tuëma Pattie was born in Dublin, studied at the Belfast College of Art, the Central School of Art and Design and Morley College, London, and with Piers Ottey and Christopher Baker in Sussex, and Robin Child in Devon.
In her early days in Belfast and London, she took advantage of urban scenes as her subject matter. She then had a long period in which she took time out to have two children and to support her husband in his career. It was a difficult to find time for her beloved painting, as was the case for many women in that era.
Tuëma has exhibited extensively at the Royal Academy Summer Exhibition, the London Art Fair, the Royal Hibernian Summer Exhibition, the Cork Street Gallery, Art for Youth at the Mall Gallery London, London Art Fair, Chichester Open, East Hampshire Art Fair, the Jorgensen Gallery in Dublin and at Glyndebourne. Also with Kevis House Gallery, Moncrieff Bray Gallery and Rountree Tryon Gallery - all in Petworth, West Sussex. A Retrospective was held at The Royal Opera House Gallery, Pall Mall, London in October 2020.
Travel has always played an immense influence on Tuëma's work, but her subject matter now tends to be taken from her surroundings in the English countryside.
“Creating a painting is half what is seen and understood and half what lies in the imagination of the artist. As the poet or composer does with his or her act “act of creation”, the facts are there – it is how one brings them to life that is the magic.”
- Creator:Tuëma Pattie (Irish)
- Creation Year:2002
- Dimensions:Height: 13.98 in (35.5 cm)Width: 33.27 in (84.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Petworth, GB
- Reference Number:1stDibs: LU2232211733272
Tuëma Pattie
Tuëma Pattie was born in Dublin and studied at the Belfast College of Art, the Central School of Art and Design and Morley College, London, Piers Ottey and Christopher Baker in Sussex and Robin Child in Devon. In her early days in Belfast and London, she took advantage of urban scenes as her subject matter. She then had a long period in which she took time out to have two children and to support her husband in his career. This meant it was difficult to find the time for her beloved painting, as was the case for many women in that era. While living in London, Tuëma Pattie painted the city extensively. From iconic views and more representational style to scenes less known and very much experimental, the capital appears in Tuëma's artwork in her many vibrant facets. Coinciding with her move out of London in 1989, Tuëma had the opportunity to travel extensively. Subject matter reflects her many voyages with city scenes and landscapes from the Galápagos, Antarctica, Hungary, Israel, Italy, Namibia, Spain, Uzbekistan as well as her beloved Sussex. Bursts of energy accumulate in Pattie's artworks and evolve into a more experimental approach, which soon becomes her signature style. Her artistic gift may have been influenced by her great aunt Sarah Purser (1848 – 1943), portraitist and stained glass artist who was the first female member of the Royal Hibernian Academy in Dublin, in 1924. Similar to her great aunt, Tuëma Pattie has exhibited extensively at the Royal Academy Summer Exhibition; the London Art Fair; the Royal Hibernian Summer Exhibition; the Cork Street Gallery; Art for Youth at the Mall Gallery London; London Art Fair; the Chichester Open; the Moncrief Bray Gallery, the Kevis House Gallery and the Rowntree Tryon Gallery all in Petworth; The East Hampshire Art Fair; The Jorgensen Gallery in Dublin and at Glyndebourne in West Sussex. Her work is also hanging in Government House in Stormont House, Northern Ireland. Robin Child – 2020 – said - “At times, Tuëma’s painting has the explosive painterliness akin to Bomberg at his best, where colours melt and fold into one another, moving through the cool and warm spectrum with enviable ease…. (see) how rich her imagination is and how fluent her brush strokes are. There is a believable atmosphere that hovers over the coloured bands of the abstract landscapes that enhance the feeling of space and soften the edges of the tonal forms.”
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