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Urszula WilkUntitled 1 - Contemporary Expressive Abstract Painting, Conceptual Art2018
2018
About the Item
Urszula Wilk – artist statment:
I have always been interested in the idea of infiniteness of a painting and its opposite – that is the physical finiteness of the painting. This physical finiteness of a painting appears when the painting acquires its physical, material dimension. For me, the crucial thing is whether a painting, which was created in a certain period and constitutes a closed whole – can change. Through its modular construction the picture’s painting structure generates infiniteness within itself. Can a finished, in a sense “closed” whole become something new again and again? Can it expand and divide or overlap and thicken, transform all the time?
‘ If reality never rests, to paraphrase Futurist painter Boccioni, painting – once it has been drawn out of the frame of a painting – becomes an immaterial space that can be visited and crossed; it becomes an environment of light, a visual, spatial, total and involving experience.”
Urszula Wilk graduate of the Academy of Fine Arts in Wrocław. In 1986 she received her diploma with honours at Professor Zbigniew Karpiński’s atelier. In 1987 and 1988 Urszula Wilk was a grantee of the Minister of Culture and Art. In 1989 she was awarded with the 1st Prize at the Eugeniusz Geppert Post-contest Painting Ehxibition. And in 1995 she received a grant from The Pollock-Krasner Foundation, New York, USA. Her achievement include more than 100 solo exhibitions and involvement in several dozens of group exhibitions in Poland and worldwide.
selected
2013 – exhibition at the City Museum of Wroclaw, organised in frames of a grant from the budget of the Ministry of Culture and National Heritage. In 2014 the 1st Prize – the best exhibition in 2013 in Wroclaw - ZPAP
In 2015 – Grand Prix -International Watercolor Biennale, Shenzhen, China
Works in collection: City Museum of Wroclaw, Poland; Shangyuan Art Museum, Beijing, China, Shenzhen Luohu Art Museum, Shenzhen, China; Collection of the Zachęta Lower Silesian Society for the Encouragement of Fine Arts, Wroclaw, Poland
Urszula Wilk's other art events include painting installation Painted Tower, 1990, Parachutes, 1991, Lines presented in Shangyuan Art Museum, China, 2012 and at the Airport Wroclaw, 2013.
2018 - Painting Museum of Architecture_Wroclaw
- Creator:Urszula Wilk (1959, Polish)
- Creation Year:2018
- Dimensions:Height: 47.25 in (120 cm)Width: 31.5 in (80 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Salzburg, AT
- Reference Number:1stDibs: LU1035314099362
Urszula Wilk A graduate of the Academy of Fine Arts in Wrocław. In 1986 she received her diploma with honours at Professor Zbigniew Karpiński’s atelier. In 1987 and 1988 Urszula Wilk was a grantee of the Minister of Culture and Art. In 1989 she was awarded with the 1st Prize at the Eugeniusz Geppert Post-contest Painting Ehxibition. And in 1995 she received a grant from The Pollock-Krasner Foundation, New York, USA. Her achievement include more than 100 solo exhibitions and involvement in several dozens of group exhibitions in Poland and worldwide. Selected:
2013 – exhibition at the City Museum of Wroclaw, organised in frames of a grant from the budget of the Ministry of Culture and National Heritage. In 2014 the 1st Prize – the best exhibition in 2013 in Wroclaw- ZPAP
In 2015 – Grand Prix -International Watercolor Biennale, Shenzhen, China
Works in collection – City Museum of Wroclaw, Poland; Shangyuan Art Museum, Beijing, China, Shenzhen Luohu Art Museum, Shenzhen, China; Collection of the Zachęta Lower Silesian Society for the Encouragement of Fine Arts, Wroclaw, Poland Urszula Wilk's other art events include painting installation Painted Tower,1990, Parachutes, 1991, Lines presented in Shangyuan Art Museum, China, 2012 and at the Airport Wroclaw, 2013.
2018-Painting-Museum of Architecture_Wroclaw Urszula Wilk – Artist statment: I have always been interested in the idea of infiniteness of a painting and its opposite – that is the physical finiteness of the painting. This physical finiteness of a painting appears when the painting acquires its physical, material dimension. For me, the crucial thing is whether a painting, which was created in a certain period and constitutes a closed whole – can change. Through its modular construction the picture’s painting structure generates infiniteness within itself. Can a finished, in a sense “closed” whole become something new again and again? Can it expand and divide or overlap and thicken, transform all the time? ‘ If reality never rests, to paraphrase Futurist painter Boccioni, painting – once it has been drawn out of the frame of a painting – becomes an immaterial space that can be visited and crossed; it becomes an environment of light, a visual, spatial, total and involving experience.”
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Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...Category
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