Items Similar to Large German Neo Figuarist Abstract Expressionist Oil Painting Werner Liebmann
Want more images or videos?
Request additional images or videos from the seller
1 of 18
Werner LiebmannLarge German Neo Figuarist Abstract Expressionist Oil Painting Werner Liebmann c.1980s-1990's
c.1980s-1990's
About the Item
WERNER LIEBMANN (German b. 1951)
"Elf Köpfe Bei Nacht,"
Oil on canvas, signed L/R, "Liebmann;"
29 1/4'' x 35 1/2'', framed 31'' x 37''.
Werner Liebmann (born 1951) is a German painter and graphic artist .
Werner Liebmann was born in Königsthal in Thuringia. Born in Königsthal from 1969 to 1973 he studied chemistry at the Martin Luther University in Halle (Saale) . From 1973 to 1976 he worked as a project engineer. He was active as a chemist until he opted for an artistic career and studied painting at the University of Art and Design in Halle. A master student of Bernhard Heisig, he graduated at the College of Fine Arts Leipzig.
Since then, he has been a freelance artist, as well as a professor at the College of Fine Arts in Dresden and currently at the Art school Berlin – Weissensee. His works were represented at numerous group exhibitions and solo exhibitions in Halle, Hamburg, Berlin, Düsseldorf and further cities, mostly in Germany. Influenced by the Neo Figuraist artists of the Junge Wilde painters. In 1978, the Junge Wilde painting style arose in the German-speaking world in
opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). The Junge Wilde painted their expressive paintings in bright, intense colors and with quick, broad brushstrokes very much influenced by Professor at the Academy of Art in Berlin, Karl Horst Hödicke (b:1938). They were sometimes called the Neue Wilde. Berlin: Luciano Castelli, Rainer Fetting, Salomé, Bernd Zimmer, Elvira Bach. Cologne: Jiri Georg Dokoupil, Düsseldorf: Jörg Immendorff, Albert Oehlen, Markus Oehlen, Martin Kippenberger, Markus Lüpertz, Werner Buettner, Peter Angermann. The most famous are Anselm Kiefer and Georg Baselitz. From 1976 to 1977 he began with a preliminary painting internship with Willi Neubert in Thale, where there was a branch office for the preliminary internship at Burg Giebichenstein. From 1977 to 1982 he studied painting and graphic arts at Burg Giebichenstein (now the University of Art and Design) in Halle, earning his diploma with Hannes H. Wagner as a supervisor. He then became a master student with Bernhard Heisig at the Academy of Visual Arts in Leipzig from 1983 to 1986. From 1986 to 1992 he became an assistant in basic studies at the Academy of Fine Arts in Dresden. From 1992 to 1993 he was offered a professorship in painting at the HfBK Dresden. Since 1993 he has held a professorship for painting at the Kunsthochschule Berlin-Weißensee.
Even before the fall of communism in 1989, he could be seen in surveys of GDR art, e.g. B. 1988 in the exhibition "Young Art from the GDR" in the Kunsthalle Wilhelmshaven (traveling exhibition), then in 1990 in the exhibition "New Territory: Art from East Germany" in the Museum of Fine Arts, Boston. In 1990 he was also represented in the group exhibition “Ambiente Berlin” at the 44th Venice Biennale in the central pavilion.
In addition to participating in many exhibitions at home and abroad, he had the following solo exhibitions:
1983: "Werner Liebmann '83", Kulturhaus Philipp Müller, Halle
1984: "Werner Liebmann personal exhibition", Kulturhaus der Unions, Halle
1986: "Werner Liebmann and Johannes Heisig : Art from the GDR", Galerie Maschmann, Hamburg
1987: "Werner Liebmann: New Pictures", gallery of the Academy of Fine Arts, Dresden
1989: "New Pictures by Werner Liebmann", Galerie Maurer, Bern, Switzerland
1989: "Werner Liebmann, Painting", Gallery Pankow , Berlin
1991: "Paul plays with light", Gallery Brusberg , Berlin
1992: "Works on Paper", Galerie am Markt, Halle
1993: "Werner Liebmann: Berlin '93", Heffel Gallery, Vancouver, Canada
1994: "Werner Liebmann, new pictures", Gallery Döbele, Stuttgart
1994: "Heideröslein", Gallery of the City of Sindelfingen , Sindelfingen
1995: “Werner Liebmann: Ceramics and Painting”, Wilfriede Maass Gallery, Berlin
1995: "Liebmann: Pictures", Kunsthochschule Berlin-Weißensee, Berlin (inaugural exhibition)
1996: "It was only a moment", Galerie Brusberg, Berlin
1996: "Werner Liebmann, new pictures", Mersmann Gallery, Düsseldorf
1997: “Hidden Reality (gouaches)”, Mitte Gallery, Dresden
1997: "Hidden Reality (Painting)", Artforum , Dresden
1998: "Women's Waiting", Werner Liebmann and Bernhard Heisig , Galerie Ebert, Darmstadt
1998: "Breakfast in the open air", Gallery Berlin, Berlin
1999: "Werner Liebmann, painting, and Joachim Böttcher , sculpture", Ludwig Gallery Schloss Oberhausen , Oberhausen
2000: "The Doll", Gallery Fine Arts, Rostock
2000: "Women", Gallery Maschmann, Hamburg
2001: "Werner Liebmann", Monastery of Our Lady , Monastery Gallery, Magdeburg
2001: " Berndt Wilde and Werner Liebmann", gallery in the tithe barn, Bad Homburg
2002: "Luxembourg - Germany: Werner Liebmann", Gallery 96, Luxembourg
2006: "The River", Gallery Berlin, Berlin
2008: "The Tattooed Horse" - new paintings by Werner Liebmann , Maddox Arts, London
2010: "Cross mirror", art station Kleinsassen , Kleinsassen
2010: "New Pictures by Werner Liebmann", Gallery Litera, Prague
publications
Werner Liebmann, Alexander Haeder (text): Miracle of fire: pictorial world of Werner Liebmann. Edition q, Berlin 1991
Werner Liebman. 'Paul plays with light'. Images from 1988 to 1991. Edition Brusberg, Berlin, 1991
Liebmann, Werner. In: Dietmar Eisold (ed.): Encyclopedia Artists in the GDR. Verlag Neues Leben, Berlin, 2010.
- Creator:Werner Liebmann (1951)
- Creation Year:c.1980s-1990's
- Dimensions:Height: 31 in (78.74 cm)Width: 37 in (93.98 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:good. please see photos. minor wear.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38211145122
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1995
1stDibs seller since 2014
1,549 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Surfside, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Large Oil Painting Louisa Chase Grotto Floral Garden Abstract Neo ExpressionistBy Louisa ChaseLocated in Surfside, FLTitle: Grotto Dated: 1981 Size: 72 X 96 inches Technique: Oil paint on canvas Provenance: Robert Miller Gallery New York This is a large magnificent, Neo figurative, expressionist painting. A bright, vibrant piece in yellow and purple, green, gray and black colors. Louisa Lizbeth Chase (1951 – 2016) was an American neo-expressionist painter and printmaker. Louisa Chase was born in 1951 in Panama City, Panama. She grew up in Lancaster, Pennsylvania. She earned her BFA in printmaking from Syracuse University in 1973 and her MFA in fine art from Yale University School of Art in New Haven, Connecticut in 1975. In the year of her graduation she had her first New York exhibition, at the alternative gallery Artists Space. She taught painting at the Rhode Island School of Design from 1975–1979, and at the School of Visual Arts from 1980-1982. She was a National Endowment for the Arts grantee. She exhibited at the 1984 Venice Biennale. Her solo exhibitions include: Brooke Alexander Gallery (1989) The Texas Gallery in Houston (1987); Gallery Inge Baker in Cologne, Germany (1983) and others. She had solo exhibitions at Boston’s Institute of Contemporary Art, Wisconsin’s Madison Art Center, and Baltimore’s Contemporary Museum. Her work was featured in group exhibitions at the New Museum, the Whitney Museum, the Rhode Island School of Design’s Museum of Art, SFMoMA, LACMA and the Brooklyn Museum. Her work is in the collections of: the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Corcoran Gallery, the Library of Congress, the Minneapolis Institute of Arts, the Walker Art Center, the Mount Holyoke College Art Museum, the Denver Art Museum, the Elvehjem Museum of Art, and the Madison Museum of Contemporary Art.[ Chase lived in Sag Harbor, New York. She died on May 8, 2016 in East Hampton, New York, at the age of 65. Louisa Chase is known for her use of schematically drawn body parts (i.e. hands, feet, torsos) and elements of landscape, separately or combined. She used a bright color palette and geometric forms. Chase paid special attention to the brushstrokes and markings in wood in her pieces. Chase’s work shows influence from New Image Painting and Neo-Expressionism. She was an accomplished printmaker and worked in woodcut, lithograph, etching, monoprint woodblock print, collage and chine colle along with watercolor and oil painting techniques. Chase’s paintings often have a sense of juxtaposition between disturbing imagery and lightness or even humor of style. “When peopled, her fragments of place are inhabited by partial figures: torsos, hands, feet. They are hovering or falling or drowning or being assumed into the sky.” This imagery is contrasted by the cartoonish style with which Chase would symbolize these body parts, the many energetic brushstrokes and the bold colors she would use. Swimmer, in the collection of the Honolulu Museum of Art, is an example of Chase's use of cartoonish human bodies and body parts rendered in geometric shapes. Exhibitions 1975 Artists Space, New York 1979 Chase's work "Tears, Ocean II" part of Painting: The Eighties at NYU 1985 New Currents: Louisa Chase. Institute of Contemporary Art, Boston 1996 Madison Art Center 2008 Goya Contemporary & Goya–Girl Press in Baltimore, Maryland Works and publications Chase, Louisa (1982). Louisa Chase. New York, N.Y.: Robert Miller Gallery. Chase, Louisa; Salcman, Michael (2003). Louisa Chase : New Paintings. Baltimore, Md.: Contemporary Museum. Amenoff, Gregory; Tallman, Susan (1989). Contemporary Woodblock Prints: Gregory Amenoff, Richard Bosman, Louisa Chase ... Jersey City, N.J.: Jersey City Museum.She was included in the seminal show "American Painting: The Eighties" organized by the Grey Art Gallery and Study Center, New York University. Artists in the exhibition Included Dennis Ashbaugh, Frances Barth, Louisa Chase, Elaine Lustig Cohen, Sam Gilliam, Nancy Graves, Richard Hennessy, Elizabeth Murray, George Noel...Category
1980s Neo-Expressionist Abstract Paintings
MaterialsCanvas, Oil
- Large Venezuelan Expressionist Oil Painting Diego Barboza Latin American MasterLocated in Surfside, FLDiego Barboza - 1945-2003 Hand signed and dated 1988 Oil on Canvas Diego Barboza was born the Carabobo street of Maracaibo, Venezuela on February 4, 1945. He was a Venezuelan Neo Figurative Painter who is among the most famous and influential figures in Venezuelan art history. Diego Barboza opened a new chapter in Latin America, beyond the surreal or the magical realism of the Modern Latin American Masters. He created a new language of dislocation and transgression. Personages became distorted to the point that was very exaggerated forms His figures twisted and contorted without losing their presence or their pull. Extremities muscles, and bones burst into an explosive compound of divergent and convergent lines. Through eruptive brushstrokes and fractured outlines. Barboza created a world of illusions. Barboza was born into a upper-middle-class family. He stopped going to school at 12 years old, and he registered himself at the School of Visual Art in the City of Maracaibo Venezuela. Barboza studied at the School of Visual Arts in Caracas, Venezuela. Barboza began his training as an artist at age 12 in his native Maracaibo when he left formal education to enroll in the then School of Plastic Arts of Zulia, then Julio Arraga School of Plastic Arts, where he was a student in the modeling, collage and Drawing of Angelina Curiel. His first collages, in the sixties, show the influence of American Pop Art. In 1967 he exhibited at the Ateneo de Caracas his series 'Los Ratones', a proposal then 'criticized by critics as unprecedented in Venezuela'. In his tribute to the film "Nosferatu" Friedrich Murnau included 32 drawings as well as two-dimensional objects. In 1968 he moved to London where he studied at the London College of Printing. From that time is his '30 Girls with Nets', an action in which 30 students of the London College of Printing, dressed in black and covered by white nets, toured London public places, behaving naturally. His 'street expressions', which he later called 'poetic actions', symbolized a breakdown of social restraints through unusual behaviors that sought to provoke public reactions. Upon his return to Venezuela in 1973, Barboza continues with this line of work, being recognized as one of the initiators of Venezuelan conceptual art. In the 1980's Diego Barboza turned to painting, the New Venezuelan Figuration. Here belongings and the feminine figure fill the work of that time, in which he embodied his intimacy and daily life through scenes of furnishings and flowers that included objects from his workshop and home. His nudes were made from live model, then to follow the path of distortion resulting in their unmistakable females: a figure that represented their personal way of appreciating beauty. Barboza presented his first individual exhibition at the Centro de Bellas Artes of Maracaibo Venezuela. In 1963, he traveled to London when the Conceptual Art movement started, he had the support of the London New Art Lab Gallery. On March 7, 1970 Barboza displayed his first work on Conceptual Art, which he called Art of Action. In London with the performance of 30 Girls with nets (30 Muchachas con redes). His second work was Nets and Hats in markets and restaurants (Con sombreros y redes en mercados y restaurantes). In London UK. His third The Centerpiece (El Ciempies) and the fourth Expression on a laundry-mat (Expresiones en una lavandería) In 1974. Baboza returned to Venezuela. Where he presented two very important Conceptual Art works: The Armadillo Box (La Caja del Cachicamo) and from the School of Athens to the New School of Caracas (De la Escuela de Atenas a la Nueva Escuela de Caracas). Closing his cycle of Conceptual Art creation. IN Venezuela a sort of impromptu academy started up at Claudio Perna’s house. Eugenio Espinoza, Roberto Obregón, Antonieta Sosa, Alfred Wenemoser, Yeni and Nan, Sigfredo Chacón, Diego Barboza, Luis Villamizar, Margherita D’Amico, Pedro Terán, Alfredo del Mónaco, as well as international figures who happened to be visiting Venezuela such as Antoni Muntadas, Charlotte Moorman, and Roman Polanski would gather there. Venezuela, especially Caracas, was a rich field of action for modernism in South America. Venezuelan Geometric Abstraction, Op art and Kinetic Art dominated through crucial figures like Jesús Rafael Soto, Gego, Alejandro Otero, and Carlos Cruz Diez, the country’s kinetic art made a fundamental contribution internationally. The Greater London Arts Association and the Arts Council of Great Britain did several exhibitions of (North, Central, South, London, Wales, Scotland and Ulster) to show the actual Visual Arts in all of the United Kingdom and Diego Barboza was invited for this event with a solo exhibition, expressions around a cylinder (Expresiones alrededor de un cilindro). Diego has made numerous solo and group exhibitions, obtaining rewards since 1963. He is represented in the most important museums of Venezuela, as well as in England, Brazil, Colombia and Cuba. In 1986 he was awarded the Municipal Visual Arts Award of the Municipal Council of the Federal District and in 1997 he received the National Prize for Plastic Arts granted by the National Council of Culture, CONAC. Select Group Exhibitions 1964 Ateneo de Caracas, Caracas, Venezuela 1965 Salón Arturo Michelena, Valencia, Venezuela 1968 Salón Oficial Museo de Bellas Artes, Caracas, Venezuela 1971 Art Spectrum London, London, Great Britain 1972 Serpentine Gallery, London, Great Britain 1973 Midland Group Gallery, London, Great Britain 1974 Galería BANAP, Caracas, Venezuela 1975 Casa de Las Américas, La Habana, Cuba Museo de Bellas Artes, Caracas Galería de Arte Nuevo, Buenos Aires, Argentina 1976 Museo de Arte Moderno, Bogotá, Colombia Museo de Arte Contemporáneo, Sao Paulo, Brazil Museo de la Tertulia, Cali, Colombia Bienal de Venecia, Venecia, Italy 1979 Centro de Artes y Comunicación, Buenos Aires, Argentina 1980 Galería NBC, Memphis, Tennessee, USA 1981 Galería de Arte Nacional, Caracas, Venezuela Museo de Arte Contemporáneo, Medellín, Colombia Museo de Bellas Artes, Caracas, Venezuela 1986 Museo de Arte La Rinconada, Caracas, Venezuela 1989 Galería Venzor, Chicago, Illinois, USA 1990 Museo Bellas Artes, Santiago de Chile, Chile 1992 Ambrosino Gallery, Coral Gables, Florida, USA 1993 Museo de Arte de Petare, Caracas, Venezuela Centro de Arte Lia Bermúdez, Maracaibo, Venezuela 1994 Galería Namia Mondolfi, Caracas, Venezuela 1995 Galería Art Nouveau, Maracaibo, Venezuela Galería Cesar Sassòn, Caracas, Venezuela Maremares Resort, Puerto La Cruz, Venezuela Galería Durban, Caracas, Venezuela Galería Odalys, Caracas, Venezuela 1996 Centro de Arte Grupo Li, Caracas, Venezuela Galería Uno, Caracas, Venezuela Centro Cultural Consolidado, Caracas, Venezuela Espacios Unión, Caracas, Venezuela Hebraica, Caracas, Venezuela 1997 Sociedad Dramática, Maracaibo, Venezuela, Venezuela CELARG, Caracas, Venezuela Galería Ocre Arte, Caracas, Venezuela Museo de Arte Contemporáneo , Maracay, Venezuela Galería Medicci, Caracas, Venezuela Awards 1963 Premio Estímulo - IX Salón d’Empaire, Maracaibo, Venezuela 1964 Premio José Ortìn Rodríguez - X Salón d’Empaire, Maracaibo, Venezuela 1965 Primer Premio de Dibujo - III Salón Pez Dorado, Caracas, Venezuela 1968 Premio Henrique Otero Vizcarrondo - XXIV Salón Oficial Anual de Arte Venezolano Museo de Bellas Artes, 1973 Premio Emilio Boggio...Category
1980s Neo-Expressionist Figurative Paintings
MaterialsCanvas, Oil
- UntitledBy Richard HennessyLocated in Surfside, FLRichard Hennessy, 1972. Born in Rochester, NY, in 1941, Hennessy began as a gifted concert pianist studying at the Eastman School of Music from 1954-1959. He went on to study art history at the Institute of Fine Arts, New York University, from 1963-66, after which he began his career as a fine artist. His early paintings were quickly admired and supported by Henry Geldzahler, curator of Modern Art at the Metropolitan Museum of Art. His first exhibition was in 1969 at Olivier Bernier Inc. NYC, followed in 1970 by a show at the Tibor De Nagy Gallery, also in NYC. Over the years he has shown in San Francisco, Indiana, Arizona, Florida, and at other prominent NYC galleries including Robert Miller, Hamilton, John Good and a retrospective at NYU’s Grey Gallery...Category
1970s Neo-Expressionist Abstract Paintings
MaterialsOil, Canvas
- Huge Oil Painting "Jeu D'enfant" Colorful Vibrant Abstract GeometricBy Richard HennessyLocated in Surfside, FLThe artist Richard Hennessy creates pictorial space as a complex and contradictory entity. The colorful ground uses alternately concave and convex forms and negative space to indicate overlapping geometric shapes. Signed and titled on verso by the artist. Richard Hennessy, 1972. Born in Rochester, NY, in 1941, Hennessy began as a gifted concert pianist studying at the Eastman School of Music from 1954-1959. He went on to study art history at the Institute of Fine Arts, New York University, from 1963-66, after which he began his career as a fine artist. His early paintings were quickly admired and supported by Henry Geldzahler, curator of Modern Art at the Metropolitan Museum of Art. His first exhibition was in 1969 at Olivier Bernier Inc. NYC, followed in 1970 by a show at the Tibor De Nagy Gallery, also in NYC. Over the years he has shown in San Francisco, Indiana, Arizona, Florida, and at other prominent NYC galleries...Category
1970s Neo-Expressionist Abstract Paintings
MaterialsCanvas, Oil
- Rhino Horn Artist "Space Dream, 1973" Figurative Expressionist AbstractBy Jay MilderLocated in Surfside, FLJay Milder (born 1934) is an American artist and a figurative expressionist painter of the second generation New York School. Old Testament themes such as Jacob's Ladder and Noah’s Ark, and the Jewish mystical beliefs of the Kabbalah, are recurring themes in Milder’s paintings which are presented as archetypal images that recur in the basic karma, make-up and need of human nature. Internationally exhibited, Milder is included in the collections of many national and international museums. He has been the subject of two, recent retrospectives in Brazil in 2007 at the National Museum Brasilia and, in 2006, at the Museum of Modern Art, in Rio de Janeiro. He is renowned in Sao Paulo, one of the major international centers for street and public art, as a seminal influence on graffiti artists. Jay Milder was born in Omaha, Nebraska, in 1934. His grandparents, who came from the Ukraine, were descendants of the Hasidic mystic, Rabbi Nachman. As he listened to family stories his interest in spiritualism and mysticism increased, and became an important influence on his philosophy of life and art. Later, when he arrived in New York, he was drawn to the Theosophical Society and the teaching of Helena Blavatsky. In 1954 Milder visited Europe where he studied painting with André L’Hote, and sculpture with Ossip Zadkine. He spent much time studying at the Louvre Museum, and at the studio of Stanley Hayter. During his Paris years the paintings of the Jewish painter Chaim Soutine, primarily influenced him. Milder returned to the United States in 1956, and he began studying painting at the Chicago Art Institute. He exhibited with the Momentum Group, an alliance of artists who were particularly dedicated to the progression of figurative art and its global origins. In 1957, Milder spent the summer in Mexico for a summer where he exhibited in Puebla. That year he received the Mexican Government’s Honor Award for artists. In the summer of 1958, Milder studied with Hans Hofmann in Provincetown, Massachusetts. He exhibited his work at the Sun Gallery, with his contemporaries, including Mary Frank, Red Grooms, Bob Thompson, Lester Johnson, Emilio Cruz and Alex Katz, among others. During this period his painting began to incorporate iconography of birds, animals, humans and animal/human hybrids. In 1958, Milder, Bob Thompson and Red Grooms, founded the City Gallery in the Chelsea section of New York City. The gallery moved downtown and became the Delancey Street Museum and an early site for ‘Happenings’,which Milder participated in. He showed his first major series called Subway Runners in 1960 at the Martha Jackson Gallery in New York City. Milder began a group of smaller paintings, entitled “Messiah Series”, in the late 1960s. These were fully expressionistic earth toned pictures, and he completed around 250 paintings in the series, based on biblical themes from the Old Testament. When 40 of these paintings were shown in a traveling exhibition premiering at the Richard Green Gallery in New York City, in 1987, art critic Donald Kuspit wrote in ArtForum Magazine: “after Nolde’s biblical pictures, these are the best and most integral group of biblical pictures in the 20th century.” During the 1970s, Milder co-founded a collective group called Rhino Horn with Peter Passuntino, Peter Dean, Benny Andrews, Nicholas Sperakis, Michael Fauerbach, Ken Bowman, Leonel Gongora, and Bill Barrell...Category
1970s Neo-Expressionist Abstract Paintings
MaterialsCanvas, Oil
- Vibrant Abstract Rhino Horn Figurative Expressionist PaintingBy Jay MilderLocated in Surfside, FLGenre: Modern Subject: Abstract Medium: Oil Surface: Canvas Country: United States Dimensions: 26" x 26" x 3/4" Dimensions w/Frame: 26 1/2" x 26 3/4" Jay Milder (born 1934) is an American artist and a figurative expressionist painter of the second generation New York School. Old Testament themes such as Jacob's Ladder and Noah’s Ark, and the Jewish mystical...Category
1970s Neo-Expressionist Abstract Paintings
MaterialsCanvas, Oil
You May Also Like
- Cool BlueBy Ford CrullLocated in Brooklyn, NY“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...Category
2010s Neo-Expressionist Abstract Paintings
MaterialsEnamel
- "Pink Dreams" Abstract Painting 51" x 51" inch by Vera KochubeyBy Vera KochubeyLocated in Culver City, CA"Pink Dreams" Abstract Painting 51" x 51" inch by Vera Kochubey * * * SHIPPING: ROLLED CANVAS * * * The majority of Kochubey’s paintings take the form of heavily symbolic portrai...Category
21st Century and Contemporary Neo-Expressionist Figurative Paintings
MaterialsCanvas, Mixed Media, Oil, Acrylic
- Hunt Slonem, "In the Pink", 12.5x11 Diamond Dust Pink Bunny Oil PaintingBy Hunt SlonemLocated in Saratoga Springs, NYRenowned artist Hunt Slonem's "In the Pink" is a 12.5x11 oil painting on wood featuring a pink and white bunny outline over a lighter pink background with diamond dust, finished with...Category
2010s Neo-Expressionist Abstract Paintings
MaterialsCanvas, Oil
- "Magicians Dream" Painting 71" x 59" inch by Vera KochubeyBy Vera KochubeyLocated in Culver City, CA"Magicians Dream" Painting 71" x 59" inch by Vera Kochubey * * * SHIPPED: ROLLED CANVAS * * * The majority of Kochubey’s paintings take the form of hea...Category
21st Century and Contemporary Neo-Expressionist Figurative Paintings
MaterialsCanvas, Mixed Media, Oil, Acrylic
- "Composizione" by Enzio Wenk, 2017 - Lacquer and Oil on Canvas, NeoExpressionismBy Enzio WenkLocated in Bresso, ITTranslated title: "Composition". Lacquer and Oil paint on canvas. This is a diptych.Category
2010s Neo-Expressionist Abstract Paintings
MaterialsCanvas, Lacquer, Oil
- "Bosco Dorato" by Enzio Wenk, 2012 - Oil on Canvas Panel, Neo-EspressionismBy Enzio WenkLocated in Bresso, ITTitle: "Bosco Dorato" Translated title: "Golden Forest". Acrylic on canvas panel. The wooden frame is included and is vintage, made in the 40s. Canvas measures: Width: 60 cm He...Category
2010s Neo-Expressionist Abstract Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
Abstract Expressionist Oil
Abstract Expressionist Oil Paintings
Large Expressionist Painting
German Oil Signed
Famous Abstract Paintings
Large Abstract Expressionist Paintings
German Expressionist Art
Berlin School
Oil Paintings Abstract German
German Expressionist Paintings
German Expressionist Artist
Large Women Painting
Italian Oil Painting Large
Large Italy Oil Painting
Graphic Painting Large
East German Art
East Germany Art
Berlin School Painting