Claudia Griesbach-Martucci

"To the Place I Dream Of" Oil Painting

Christy Stallop's (US based) "Dawn" is an original, handmade oil painting that depicts a grackle bird wearing a bright red bandana. ARTIST BIOGRAPHY ...

Shelli Langdale's "Portrait of a Horse (Pool with Two Figures)" is an original, handmade oil painting that depicts a white horse standing at the ...

Alla Bartoshchuk's "Paper City" is an original, handmade oil painting that depicts a blue hued female figure in the company of ghostly greyhounds with an orange sun appearing alongsi...

Our Tracks Will be Concealed

Sweet Thing

Alla Bartoshchuk's "Cardboard Meat " is an original, handmade oil painting that depicts a blue and orange hued female figure in the company of floating cardboard cows frolicking with...

Rina Sutzkever Calderon (Russian/Israeli, b. 1945), Fly Away Oil on canvas, signed at lower left, presented in a gilt frame with linen liner. Frame dim...

An imaginary human hybrid representing “mother nature” resides in a ruined building symbolic of a decaying society. As the crows flutter and the human hybrid plays a bucolic tune, green shoots emerge from the ruins symbolizing rebirth and victory of nature over human destruction of the environment. This painting is framed in a simple black wooden frame measuring 20.5 x 16.5 inches. Christopher A. Klein The Spring...

Please note, the whites areas in the painting are trully white as opposed to bluey as shown in the pictures. Painting is signed at the front. COA provided keywords; surrealism, humo...

Joséphine Beaudouin (1909-2005) Poetry of the Bird, surrealist painting, 1948 Oil on canvas Signed "Joséphine Beaudouin" and dated "1948" lower left 13,7 x 10,6 inch Born in Albi in 1909, Josephine Beaudouin (née Cals) showed an early interest in drawing. At the age of twelve, she moved to Paris where her mother, Jeanne Ramel-Cals, ran a literary salon that was frequented by art world figures such as Ambroise Vollard. In 1925, while her first drawings appeared in the magazine Crapouillot, the young artist entered the School of Decorative Arts where she studied fresco painting. She married the architect Eugène Beaudouin in 1928, with whom she traveled throughout Europe. Beaudouin, a member of the Académie des Beaux-Arts, designed a series of buildings that were precursors of modern architecture in France (Clichy, Maison du Peuple; Antony, Résidence universitaire Jean Zay). Josephine Beaudouin exhibited at the Salon des Indépendants, the Salon des Tuileries, the Salon d'Automne and the Salon des Artistes Décorateurs. The work of the one that Jean Cocteau described as "bewitching" is full of mystery. Her work bears the stamp of an extraordinary personality. Indeed, Josephine Beaudouin developed a penchant for dreams at a very early age and took refuge in the works illustrated by Gustave Doré. Her technical virtuosity and overflowing imagination were praised by the critics of her time who unanimously greeted her Marmorées (ill.1). Named by René Barotte, these are paintings made on marble slabs from 1955. The artist exploits the infinite resources of the veins of this support which inspires him poetic compositions with unusual subjects. Marked by surrealism, she returns to the fantastic by delivering a prodigious creation of the mind made of dreamed cities and trompe-l'oeil. The 1948 painting that we propose probably represents a red-billed chough. The bird is a recurring theme in the work of Josephine Beaudouin, as in her life. An avid ornithologist, she kept an aviary in her Parisian home where many island birds were kept. She also built up a collection of stuffed birds. Still on this theme, the writer Claude Aveline (1901-1992), author of the poem L'Oiseau-Qui-N'Existe-Pas, invited several visual artists to freely interpret what this bird could be. The first series of works was produced between 1956 and 1963. In 1957, Joséphine Beaudouin delivered a work with a pen of great finesse, now preserved at the Centre Pompidou (ill.2). Several renowned artists also responded to the invitation of the poet such as Jean Cocteau and Ossip Zadkine. The precision of the graphics of our painting testifies to an attentive observation of the anatomy of the birds. The artist paints with great delicacy: the technique is impeccable, the drawing is careful, the material is smooth, the details are represented with great finesse and mastery. Bibliography : Fernand Pouillon...

The smiling figures in the helicopter, hatching from a frozen crab-apple, have false hopes that they are on a fun adventure, unaware of the imminent danger- they are about the chameleon’s prey. Fortune can turn on a dime. Such is the subject of Christopher Klein...