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Harry HallA Racehorse with Owner and Jockey, 19th Century Equine Oil Painting
About the Item
Oil on canvas
Image size: 25 1/2 x 19 1/2 inches (40 x 50 cm)
19th century gilt pierced frame
This is a wonderful scene featuring a dark bay racehorses mounted by its jockey. The pair is depicted with the horse's owner, companion pony and stable boy.
The quality of this work is very fine and the dealing of the animal is commendable; the finely worked horse's body having been achieved through close examination of the animal's anatomy.
Victorian equine works such as this were often commissioned by members of the gentry to celebrate a victory by their racehorse, such as their horses winning a notable race.
- Creator:Harry Hall (1814 - 1882, English)
- Dimensions:Height: 19.5 in (49.53 cm)Width: 25.5 in (64.77 cm)
- More Editions & Sizes:1 of 1Price: $10,443
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU52410975322
Harry Hall ( 1814–22 April 1882) was an English equestrian painter, whose works were in high demand by horse owners. His output was prolific and he was the foremost racehorse portraitist of his time: his style has been described as being "strikingly modern... when compared with many of his contemporaries". He also produced other types of portraits and shooting scenes. Hall was born in Cambridge sometime around the middle of the second decade of the 19th century in either 1813 or 1814.
He first appeared as an artist at Tattersalls (famous English horse market), working on a number of their publications; initially British Racehorses and The Sporting Review. He graduated to become chief artist of "The Field" magazine. He produced a great volume of work, much of which was engraved. The Sporting Magazine published 114 engreved plates by Hall, he also worked for The Illustrated London News.
Hall began life as a portrait painter, and exhibited frequently at the Royal Academy, from 1838, however his career was established on his first equestrian work being given at the Royal Academy in 1845 when he exhibited a Suffolk cob from Newmarket.
He worked from his home, Willoughby House, Newmarket from 1846, and frequently across England and Europe. He worked continuously and very successfully, therefore with no need for exhibiting from 1860.
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