J Farrel

Antique French Horse and Seated Rider Painting on wood Titled The Sentinel 1908

1908

#5-2779a River Crossing Equestrian painting, a 1910"s black and white oil on canvas , signed lower right by Clarence Rowe 1910. Age wear Unframed

%-3074 Italian Fisherman Portrait, oil on canvas applied to a board, displayed in a wood frame, signed lower left by E.Mori

5-3756 Oil painting on canvas of Italian boys having a feast unframed

#5-3462 Surreal horse trainer, figurative acrylic on artist board displayed in a gilt wood frame, signed by S.Liotti Image size 19.25 H x 15.25 W

5-3750 Screen print on Irish Linen of an Englishman and his bull dog Linen applied to board Set in a custom wood frame

5-100 A 1940's bucolic scene,finely executed gouache on paper signed lower left by F.L.B displayed in a wood-gold trim frame

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by t...

A complex composition of interlocking pyramids defines Cornwell not only as a great storyteller but a master of painting fundamentals and design. There exists no living artist today who can paint and draw on a level as Dean Cornwell. Published in Cosmopolitan magazine: "The Short Happy Life of Francis Macomber" by Ernest Hemingway Reproduced in Dean Cornwell, Dean of Illustrators (Broder) The work is rendered in the painterly style of a school of impressionism. Dean Cornwell was Normam Rockwell's favorite Illustrator. He was a student of Harvey Dunn, he in turn taught artists and developed talents for a generation. Oils for Cosmopolitan, Redbook, True, American Weekly, Life, Good Housekeeping. Book art for Man from Galilee and others. Ad contracts for GM, Eastern, Pennsylvania Railroad, Paul Jones Whiskey, Aunt...

In the fish tank is al modern artwork realized in the 1970s-. Mixed colored oil and enamel on cardboard. Monogrammed CB on the lower margin

An original oil, oil stick and charcoal diptych painting on canvas by Contemporary female artist Dorothy Fitzgerald. This monumental work measures 60" (h) x 120" (w) This work was featured in the recent exhibition of The Corridors Gallery at Hotel Henry...

Provenance: Private Collection, Palm Beach, Fl. AB Levy Gallery, October, 2019 Description: Experience the captivating artistry of Anna Richards Brewster (1870...

James Seymour (1702–1752) Feeding Time in the Stables Oil on canvas 32 x 38 inches inc. frame Provenance: Private Collection, Lambourn James Seymour (1702–1752) was an English painter, widely recognized for his equestrian art. Seymour was born in London. His father was an amateur artist and art dealer, whose other business dealings (as a banker, goldsmith, and diamond merchant) afforded young Seymour the leisure time to study art on his own, either his father's or the art at the Virtuosi Club of St. Luke - a gentleman's club his father belonged to, specializing in art. In a short time the boy was a self-taught artist, familiar with many of the prominent artists of the period. Seymour's love of art was matched only by his love of horses. He began spending time at racetracks early on, and before long found himself absorbed in the sport - drawing, painting, owning, breeding, and racing horses. His art proved popular among the prominent sporting families of the day, eventually garnering Seymour patrons in Sir William Jolliffe and Charles Seymour, 6th Duke of Somerset...