Karl Hartman

Compass Flower on the Cimarron River, surrealist pastoral oil painting

2020

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer heatwave. Hartman’s tightly c...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer heatwave. Hartman’s tightly c...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer h...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer heatwave. Hartman’s tightly c...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer h...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer heatwave. Hartman’s tightly c...

Arthur Fitzwilliam Tait was born at Livesey Hall, near Liverpool, England, and began his career as a clerk at the gallery of Agnew & Zanetti’s Repository of Arts in Manchester. While...

"Moonlight Serenade" is a 30 x 40 inches, oil on panel, nocturnal landscape with cows roaming in the moonlight. The painting is signed "Karl J Kuerner" in the lower right The American painter Karl J Kuerner was greatly guided and influenced by his mentors and friends, Carolyn Wyeth and her brother Andrew Wyeth. Provenance: Newman's Gallery, Philadelphia, PA; Private collection, West Chester, Pennsylvania; Gratz Gallery, Doylestown, Pennsylvania. Karl J. Kuerner, III was born in Chadds Ford, Pennsylvania on January 12, 1957 - to Karl and Margaret Kuerner - third generation farmers. His artistic talent was recognized and nurtured at a very young age by Carolyn Wyeth - sister of Andrew Wyeth and a renowned artist in her own right. Kuerner grew up surrounded by artists and the task of painting. From the age of seven he watched Andrew Wyeth paint...

This luminous New Hampshire White Mountain oil painting of Mount Chocorua at twilight was painted by contemporary American artist William R. Davis (195...

Painted en plein air in rural america, a horse stands alone on a dirt culdisac. A tall pinwheel tower stands central to the composition. A trailer and car parked beneath the horizon....

"Apaches" is an oil on canvas painting by Olaf Wieghorst. The painting is signed on the lower left, "O-Wieghorst". The framed piece measures 25 1/2 x 29 3/4 x 2 in. “When the time comes for me to put away my palette and unsaddle my pony for the last time, I hope that my canvases will in some small measure add to the historical recording of an era, the cowboy, and the great American West.” ~ Olaf Wieghorst Wieghorst worked with the mounted patrol of the 7th Cavalry Regiment of the United States Cavalry (1920-1922) with occasional interludes as a wrangler on ranches in the western states. Wherever he went, he sketched and painted the Western culture he loved, often selling his work as calendar and magazine illustrations. His work appeared in Zane Grey...

It was Henry Cross's portraits of horses belonging to the prominent breeders and trainers of the second half of the nineteenth century that won the artist renown as an animal painter. Born and raised in upstate New York, Cross's proficiency in both drafting and caricature was revealed while he was still a student at the Binghamton Academy, New York. In 1852, when he was only fifteen years old, Cross joined a traveling circus that took him to Minneapolis, Minnesota, and to the first of many Indian encampments that he would draw upon for subject matter throughout his career. Biographers differ as to the year Cross left for Europe, however, he was in Paris from 1852 to 1853 or 1854, where he studied with Rosa Bonheur, a highly esteemed French painter of horses. Upon Cross's return to the United States he was commissioned to paint the studs of wealthy horsemen, including those of Commodore Cornelius Vanderbilt, Robert Bonner, the owner-publisher of The New York Ledger, and "Copper King" Marcus Daly, whose 18,000 acre stock farm was reputed to be the greatest and most valuable horse ranch in the world. Although Cross received the highest pay of any equine artist of his day (up to $35,000. for one order, according to The Horse Review of April 10, 1918, p. 328), he frequently joined traveling circuses and painted the locales where they visited. He also painted portraits of notable contemporaries, such as President Abraham Lincoln, ex-president Ulysses S. Grant, King Edward VII of England, W. F. "Buffalo Bill...