montbard

Lion

Emile Chepfer, 1876-1944, French Napoléon and his Marshals, Signed lower left Oil on board Emile CHEPFER: french painter, he was born in Nancy in 1876...

Delphin Enjorlas 1857-1945 French "Le Soir sur la Terrasse" Oil on canvas Signed lower left Canvas: 28 3/4" high x 23 5/8" wide Frame: 37 3/4" high x 42 7...

Marius Vasselon, 1841-1924 "Bouquet de Fleurs dans un Vase " Oil on canvas, Signed lower left Canvas: 29 1/2" high x 23 5/8" wide Frame: 36 1/4" high x 29 7/8" wide

Adolphe LA LYRE 1850-1935 French "La danse des Sirènes" Oil on canvas Signed and dated lower left Painted in 1909 Canvas: 59" high x 78 3/4" wide Frame: 64"high x 84 5/8" wide ...

Georges HYON (1840 - 1909) Battle of Auerstaedt, October 14th 1806 Oil on canvas Signed and dated lower right Dimensions : 59 x 78 3/4 inches (Dimensions : 150 x 200 cm) Framed : 66 7/8 x 86 5/8 inches (Framed : 170 x 220 cm) Provenance : -Private collection Exhibition: -French Salon of 1891; exhibited under number 849 Formed in multiple squares, the French infantry resisted the assaults of the Prussian cavalry which broke on these impassable walls bristling with thousands of rifle bayonets...

Georges Rochegrosse, 1859-1938, French Chez le Satrape de Susiane, 1891 Oil on canvas Signed lower right Canvas : 17 3/4" high x 22" wide Frame: 26 3/4" high x 31 1/2" wide Ge...

Julius von Blaas (1845-1923) At The Gallops circa 1905 Oil on canvas Signed and dated “Julius von Blass / 1905” (lower left) 110 x 200 cm (140 x 230 cms framed ish) This enormous and grand depiction of horses exercising is an iconic image not only of the edwardien era but also of today’s racing elite. Julius von Blaas was taught by his father Carl von Blaas (1815-1994) and trained in Venice, Florence and Rome. He was also influenced by his celebrated brother Eugen von Blaas...

19th Century Dutch

The painting is signed and dated 1894 Description: Eugene Alexis Girardet (1853-1907) was a prominent Swiss painter known for his remarkable attention to detail and his ability to capture vivid and dynamic scenes. Born in Paris, France, Girardet came from a family of artists and received early artistic training from his father, Paul Girardet, and his uncle, Jules Girardet, both respected engravers. He later studied at the prestigious École des Beaux-Arts in Paris, where he honed his skills and developed a deep appreciation for historical and orientalist subjects. He was interred at the Père-Lachaise Cemetery. In addition to several museums in France, his works may be seen at the Dahesh Museum of Art and the National Museum of Fine Arts of Algiers, as well as at museums in Switzerland and New York City. Girardet’s artwork often depicted historical and exotic scenes, particularly focusing on Middle Eastern and North African themes. His meticulous attention to detail and his ability to convey a sense of movement and drama made his works highly sought after. One of his most renowned paintings, “The Charge,” exemplifies his exceptional talent and his ability to create a captivating and immersive experience for viewers. In “The Charge,” Girardet presents an army of Arab camel...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by t...

A complex composition of interlocking pyramids defines Cornwell not only as a great storyteller but a master of painting fundamentals and design. There exists no living artist today who can paint and draw on a level as Dean Cornwell. Published in Cosmopolitan magazine: "The Short Happy Life of Francis Macomber" by Ernest Hemingway Reproduced in Dean Cornwell, Dean of Illustrators (Broder) The work is rendered in the painterly style of a school of impressionism. Dean Cornwell was Normam Rockwell's favorite Illustrator. He was a student of Harvey Dunn, he in turn taught artists and developed talents for a generation. Oils for Cosmopolitan, Redbook, True, American Weekly, Life, Good Housekeeping. Book art for Man from Galilee and others. Ad contracts for GM, Eastern, Pennsylvania Railroad, Paul Jones Whiskey, Aunt...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...