Charles Lutz

Chairman Mao Denied Andy Warhol Silkscreen Painting by Charles Lutz

2008

Denied Warhol Flowers, (Red) Silkscreen Linen Painting by Charles Lutz Silkscreen and acrylic on linen with Denied stamp of the Andy Warhol Art Authentication Board. 24 x 24" inches...

Denied Warhol Flowers, (White) Silkscreen Linen Painting by Charles Lutz Silkscreen and acrylic on linen with Denied stamp of the Andy Warhol Art Authentication Board. 14 x 14" inches 2008 Lutz's 2007 ''Warhol Denied...

Denied Warhol Orange Electric Chair Painting by Charles Lutz Silkscreen and acrylic on linen with the Denied stamp of the Andy Warhol Art Authentication Board. 22 x 28" inches 2008 Lutz's 2007 ''Warhol Denied'' series gained international attention calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on a press photo painted by Pop Artist Andy Warhol in early 1960's, this is likely one of the most iconic images from his Death and Disaster Series. The Death and Disaster Series was a dark view of the time's media and death culture. This was a departure from Warhol's Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando in that these were images of the deaths of everyday people- one could say their "15 minutes of fame" as Warhol coined...

Denied Warhol Green Disaster Painting by Charles Lutz Silkscreen and acrylic on linen with Denied stamp of the Andy Warhol Art Authentication Board. ...

Denied Warhol Pink Electric Chair Painting by Charles Lutz Silkscreen and acrylic on linen with the Denied stamp of the Andy Warhol Art Authentication Board. 22 x 28" inches 2008 Lutz's 2007 ''Warhol Denied'' series gained international attention calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on a press photo painted by Pop Artist Andy Warhol in early 1960's, this is likely one of the most iconic images from his Death and Disaster Series. The Death and Disaster Series was a dark view of the time's media and death culture. This was a departure from Warhol's Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando in that these were images of the deaths of everyday people- one could say their "15 minutes of fame" as Warhol coined...

Denied Warhol Marlon Brando Silkscreen Painting on raw linen by Charles Lutz Silkscreen and acrylic on raw linen with artist's Denied stamp of the...

Archaic Hercules Skinning a Rabbit, 2019 Acrylic on canvas 53.14 H x 55.11 W in. 135 H x 140 W cm In classical mythology, Hercules is famous for his strength and his numerous far-ra...

'Sapphire Sea Spruce' is an excellent example of the paintings of Daniel Klewer, coming from his series 'Linear Tactility.' The paintings in this series all share a consistent, linea...

“Walking and chewing bubble gum at the same time” is a 30 x 40 inch multimedia painting by Frantz Lexy. This landscape shows a green mountain with a rocky brown and beige summit. The...

SALE ONE WEEK ONLY “Roxbury” is a stunning landscape of architecture and city deleterious. Moon-Joo Lee received her MFA from Cranbrook Academy of Art, Department of Painting in 2003 and received the schools' Top Prize with this painting. “Roxbury” subsequently was on display at Chrysler’s World Headquarters for a period of time. While at Cranbrook she began to document the ubiquitous construction sites skirting Detroit and similar cities across the country. The transitory urban fabric became her compelling subject, emblematic of fluctuating socio-economic conditions and a widespread culture of uncertainty. - Joe Houston of Cranbrook Art Museum. Lee’s painting “Roxbury” captures the cycle of construction, destruction and reconstruction that perpetually transforms the American city scene. In this image, a business that boasts NEW in its signage is already in the process of being destroyed. This could be a scene of bombing or environmental damage, but per Moon-Joo Lee’s aesthetics, the mountainous terrain of assorted refuse is there to remind the viewer that perhaps new and better do not necessarily mean that nor do they guarantee positive change. Lee's contemporary landscape underscores the extent to which nature has been supplanted by a manufactured environment, portraying rampant cultural transformation as a modern expression of manifest destiny. Moon-Joo Lee is one of the many well-known artists who attended The Cranbrook Academy of Art in Bloomfield Hills, Michigan, that was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. It is the country’s top ranked, graduate-only program in architecture, design and fine art. Each year, just 75 students are invited to study and live on the landmark Saarinen-designed campus which features: private studios, state-of-the art workshops, the renowned Cranbrook Art Museum and 300 acres of forests, lakes and streams, all a short drive from the city of Detroit. The focus at Cranbrook is on studio practice in one of ten disciplines including Architecture, 2D and 3D Design, Ceramics, Fiber, Metalsmithing, Painting, Photography, Print Media, and Sculpture. The program is anchored by celebrated Artists- and Designers-in-Residence, one for each discipline, all of whom live and practice on campus alongside the graduate students. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media), Lauren Anais Hussey (Abstract), Andrea Eis (film, photography), Lilian Swann Saarinen (Sculpture), Douglas Semivan...

Luis Miguel Valdes (Cuba, 1949) 'La soledad de las columnas', 2018 oil on canvas 55.2 x 181.2 in. (140 x 460 cm.) ID: VAL-334

"It seemed like my cousins and I spent our whole summer out in the yard, building clubhouses and digging a huge hole we christened “Fort Dirt Hole”. We tackled the bulk of the work using grubbing hoes and then switched to kitchen spoons...