Chulkova Elena

The birth of flora

2020

Materials: oil on canvas, 20x28" Shipping: Rolled in Tube or stretched Style: underwater impressionism, palette knife art, impasto painting Looking for a unique and one-of-a-kind piece of art to add to your collection? Look no further than this stunning underwater painting created by an artist while scuba diving. This oil painting was made with a palette knife and is inspired by the beautiful environment of the ocean floor. The artist's use of bold, vibrant colors brings to life the vibrancy of the underwater world, while the texture created by the palette knife adds depth and dimension to the piece. Whether you're a seasoned scuba diver or simply an art enthusiast, this underwater painting is sure to make a statement in any space. Don't miss out on the opportunity to own a truly unique and beautiful work of art. Order now and add this stunning piece to your collection today! Underwater painting a new fast growing direction in contemporary art. Artwork was created underwater during scuba diving at the depth of 6.1meter, session lasted 83 minutes. The subject of painting is a symbiotic relationship anemones and clown fish...

Materials: oil on canvas, 20x28" Shipping: Rolled in Tube or stretched Style: underwater impressionism, palette knife art, impasto painting Looking for a unique and one-of-a-kind piece of art to add to your collection? Look no further than this stunning underwater painting created by an artist while scuba diving. This oil painting was made with a palette knife and is inspired by the beautiful environment of the ocean floor. The artist's use of bold, vibrant colors brings to life the vibrancy of the underwater world, while the texture created by the palette knife adds depth and dimension to the piece. Whether you're a seasoned scuba diver or simply an art enthusiast, this underwater painting is sure to make a statement in any space. Don't miss out on the opportunity to own a truly unique and beautiful work of art. Order now and add this stunning piece to your collection today Underwater painting a new fast growing direction in contemporary art. Artwork was crated underwater at the depth of 9.8 meters, underwater painting session 72 minutes. It is intuitive painting, based on feelings and emotions in the particular moment underwater. By influence of underwater environment, feeling of no gravity, colorful impression, another reality - It feels different, brain works different, colors and shapes just blows your mind and you feel kind of explosion. Bright coral seascape painting will be a good addition to your original oil painting collection. Ocean artwork...

Underwater Painting by OlgaNikitinArt, project 7 Days underwater. The biggest artwork by Olga Nikitina created underwater during scuba diving 120x80cm. Artwork reflects the story of 7 safari days in the Red Sea on liveaboard Heaven Saphir. Artist captured the best dive spots – highlights of the Red Sea such as Abu Nuhas wrecks, Ras Mohamed National Park, wreck Thistlegorm, Brothers, wreck Salem Express. There were a several underwater painting sessions in seven days in a different places. In the end all dive team who participated in this expedition gave some touch to the artwork to seal a story. Style: underwater impressionism Materials: palette knife oil painting, stretched cotton canvas Shipping: express shipping in a box with tracking number Artwork "Seven Days Underwater" was exhibited on Spectrum Miami during Art Festival with ArtBox Project. Olga is an artist and scuba diving instructor, she draw her inspiration from being underwater. She traveled around the world, dives in different ocean and sea for discovering new colors, shapes, emotions, to capture all varieties of our another world – UNDERWATER. She believes when she teach people scuba diving she opens the door to new planet, to new reality in another dimension. In her art she reflects these emotions what people experience being underwater. Who have tried scuba diving once become a different person, it is not possible to forget that experience. Olga’s artworks will transfer you to that moment and you will dive in your memories with all your feelings. Piece of art will be not just a beautiful decoration on your wall but it becomes part of you, part of your space. Fish painting, fish artwork, school of fish painting, original art, ocean art, underwater painting, scuba diving painting...

The paintings are drawn with mineral pigments and oil on the canvas. Cosmic ecstasy. Abstraction in the style of Kandinsky. The painting is made with natural pigments on water. The d...

Underwater painting is a new fast growing direction in contemporary art. Original Art Soft Coral was crated underwater at the depth of 7.6 meters, underwater painting session 76 mi...

The paintings are drawn with oil on the canvas. A summer's day with pink peonies. A sunny, bright picture. oil painting on a circular canvas. The painting's borders are not the limi...

Diving for Pearls, 1986 Oil on canvas 88 x 76 in. (223.5 x 193 cm) Signed, dated, and titled, verso

James Joyce's Smile, 1984 Oil on canvas 66 x 87 in. (167.6 x 221 cm) Signed, dated, and titled, verso

Grey & Tan Abstract Expressionist Textural Mid-Century Abstract by Peter Witwer Heavily textured, expressive composition by Peter Witwer (American, 1928-1968). Over the top of a heavy base layer of plaster, Witwer has added various layers of oil paint, creating a massive amount of depth and texture. Sections of red peek out from underneath various shades of tan, grey, and black. Spots of blue and purple are used sparingly, hidden in the composition. Presented in a wood frame. Canvas size: 20"H x 40"W Frame size: 26.63"H x 46.63"W Unsigned, but was acquired with a collection of the artist's work. Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Born George Peter...

Large Scale Mid-Century Earth-tone Horizontal Abstract by Joseph Vasica Very large scale (70"H x 160"W) (5.8'H x 13.3'L) mid-century abstract with soft edge, grey and burnt sienna...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Red Composition by TOSHIMITSU ÏMAI (1928-2002) Oil on canvas 80.2 x 55.3 (31 ⅝ x 21 ¾ inches) Signed, TOSHIMITSU IMAÏ, dated, 1963 Paris and inscribed in Japanese on the reverse Provenance Private collection, USA Born in Kyoto, Japan in 1928 Imai was part of the 20th century Japanese avant-garde. He began his formal education at the Tokyo State Art Academy where he took up painting. His early works are characterised by colourful abstractions, reminiscent of Favuism. In 1951 Imai was awarded the Kansai-Shinseisaku Prize and in 1952 the prize for the best new artist at the 15th Shinseisaku Salon. Imai relocated to Paris in 1953, the same and subsequent year he exhibited at the Salon de L’Art Sacré. Meanwhile, he attended the Académie de la Grande Chaumière and the Sorbonne to read medieval history and philosophy. In 1955, Imai completely abandoned representational art in favour of abstraction. After meeting the art critic Michel Tapié via the artist Sam Francis, Imai was the first Japanese artist to join the Art Informel movement. In 1956 Imai was called upon by the Japanese artist Taro Okamoto to curate an exhibition entitled The World: Today’s Art in Tokyo. Artists such as Jean Dubuffet, Jean Fautrier, Lucio Fontana, and Karel Appel gained important exposure in Japan. It was also in 1957, when Imai arranged for Tapié and the artists Georges Mathieu and Sam Francis to travel to Japan, that a connection between Art Informel and Gutai occurred. The Ashiya-based Gutai Art Association formed in 1954 was proclaimed a kindred spirit by Tapié which he subsequently promoted internationally. Founding members included Yoshihara Jiro, Kanayma Akira, Murakami Saburo, Shiraga Kazuo and Shozo Shimamoto...