Claudia Mengel

Brooklyn Series no. 4, 2018, Abstract Painting, Acrylic on Paper, Signed

2018

Sapphire V is an abstract acrylic painting on Arches 140lb paper. Linda Colletta used her brushwork technique to create this dynamic piece which is just one of the works in her Brush...

Alter Ego, 2020 Paper: 18" x 24" Framed: 19" x 24" Abstract Figurative Acrylic on Paper White Wood Frame & Signed Allison Meyler is a contemporary painter, with a love for color, pattern, and bold gestural drawing that is apparent throughout her work. Over the last ten years, Allison has worked in several main series: abstract, faces, figures, nudes and bar art. Regardless of the subject matter, Allison’s process remains constant. She works in layers of different media, often starting with a simple but bold sketch for structure and then adding different elements such as acrylic paint, oil pastel, spray paint, acrylic ink, colored pencil, collage and RIT dye on hand washed and fringed linen...

Antibes XI 20" x 20" (framed) 12" x 12" (unframed) Abstract Landscape Painting Acrylic on Paper Framed Signed *unframed price is $900* Claudia Mengel has been studying, instructin...

Cap d'Antibes III 20" x 20" (framed) 12" x 12" (unframed) Abstract Landscape Painting Acrylic on Paper Framed Signed *unframed price is $900* Claudia Mengel has been studying, ins...

Johnson Vermont 55" x 65" Abstract Acrylic Painting on Paper Signed Claudia Mengel has been studying, instructing, and making art for many years. She left her corporate career as ...

Chicken Sandwiches 40" x 30" Abstract Figurative Mixed Media Works on Paper Signed *This work is may also available matte and framed for $2400* "My figurative work started as a challenge to myself. Sometimes, when I’m stuck in a painting rut, I challenge myself to do the one thing I least could imagine myself doing, let alone well. So that is how the figures started. My process often starts with a simple line drawing, and then I add layer after layer, incorporating unusual color combinations of acrylic paint, spray paint, oil pastels and colored pencils. I often go back and forth between some type of drawing and painting. And, I like to explore using different media like stencils and collage as well." ~Allison Meyler Allison Meyler is a contemporary painter, with a love for color, pattern, and bold gestural drawing that is apparent throughout her work. Over the last ten years, Allison has worked in several main series: abstract, faces, figures, nudes and bar art. Regardless of the subject matter, Allison’s process remains constant. She works in layers of different media, often starting with a simple but bold sketch for structure and then adding different elements such as acrylic paint, oil pastel, spray paint, acrylic ink, colored pencil, collage and RIT dye on hand washed and fringed linen...

A set of 12 original mixed media monotype and painting mixed media works by American contemporary artist Monica Angle. These pieces were inspired by the changing light throughout th...

Ky Anderson Feelers, 2019 pigment and acrylic on paper 72 x 84 in. (and272ap) This original painting on paper by Ky Anderson features bold shapes and curving lines in saturated shad...

Acrylic and pasted papers on canvas mounted on board 50.8 x 40.6 cms (20 x 16 ins) This collage includes a fragment of a 1985 print, Burning Sun. Although Motherwell signed...

The discipline of creating a drawing each day is a process, like a written diary, to clear the mind, to declutter thoughts, and to observe patterns. It is a method that allows the mind a freedom to wander and drift. A visual journal becomes a safe space for personal reflection–a self-awareness fueled by the opportunity for contemplation and immersion. The painted surface for the drawings was created by dividing five large paintings into 40 separate pieces. I chose five paintings from my Perspective Series (1993-94), which relied on day-to-day imagery that narrated a story about shifting time and how time anchors our day. The brush strokes of Perspectives are fluid, with muted colors – moving from deep blacks to taupe whites. Dividing these pieces was a means for me to rethink ideas and recurring images in my older work. The very thin gold leaf applied to each piece has a wonderful amber tone. This gold leaf is from Myanmar, where it is used as decoration for Buddha or for the dome of a temple or monastery. In the drawings, the gold element relates to the sense of infinity – like the sky in an enclosed courtyard. An architectural element is a critical component in my studio work that I wanted to carry over into these pieces. I envisioned a courtyard–a safe space that opens up to the sky. Unfolding circles define the beginnings of an open interior space. The process felt open-ended. It was an opportunity to get lost in thought and to give me an opportunity to reflect, muse and declutter my thinking. Then repeat. 40 days...

*Card pictured after painting not included. Dongkuk Ahn (1937-2013), better known as Don Ahn, was a South Korean artist and t'ai chi master who resided in New York City. Don Ahn (A...

acrylic on paper