ErtéTroisemmè Dame, 19191919
1919
About the Item
- Creator:Erté (1892 - 1990, Russian)
- Creation Year:1919
- Dimensions:Height: 20.25 in (51.44 cm)Width: 18 in (45.72 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Generally very good condition with some issues consistent with age - bumped corners, some scattered scuffs and scratches visible under raking light, handling dents, creasing in the paper along the bottom edge.
- Gallery Location:Greenwich, CT
- Reference Number:
Erté
Born Romain de Tirtoff (1892–1990) in St. Petersburg, Russia, to an aristocratic family, the artist known as Erté — a pseudonym derived from the French pronunciation of his initials — was a Renaissance man of the art and design world. He worked in graphic arts, interior design, fashion, jewelry and set design for the stage and silver screen, becoming a leader of the Art Deco style.
Moving to Paris in 1912, Erté worked as a fashion designer under couturier Paul Poiret before securing a job with Harper’s Bazaar as a cover artist. Over 22 years, Erté created more than 240 magazine covers alongside his ongoing work in fashion design. Extending his prolific career into theater sets, costumes, prints and lithographs, he became one of the most famous artists of the era. Erté’s style — a combination of the nature-inspired flourishes of Art Nouveau and bold, geometric linework — directly contributed to the birth of Art Deco, earning him the nickname “the Father of Art Deco.”
After a lull of creative production in the 1940s and 1950s, Erté reentered the public eye in the 1960s, when a renewed interest in Art Deco had taken shape. Creating colorful lithographs, bold serigraphs (silk-screen prints) and bronze sculptures, he contributed to a resurgence of the style in France and beyond. This late-life acclaim for his art led to exhibitions in museums and galleries all over the world as well as his first published monograph in 1970. That same year he was awarded the title of Chevalier du Mérite Artistique et Cultural and in 1976 was named Officier des Arts et Lettres by the French government. Today, Erté’s works are in the collections of the Metropolitan Museum of Art and the Cooper Hewitt, Smithsonian Design Museum, in New York, the Victoria and Albert Museum in London and LACMA in Los Angeles..
On 1stDibs, browse a collection of Erté art, including fine-art prints, paintings and other works.
- ShippingRetrieving quote...Ships From: New Orleans, LA
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- Demeter (Les Idoles, Folies Bergère), 1924By ErtéLocated in Greenwich, CTDéméter from Les Idoles, Folies Bergère was created in 1924 and is a gouache on paper measuring approximately 14.75 x 10.5 inches. Framed in a custom, closed-corner Art Deco...Category
20th Century Art Deco Paintings
MaterialsGouache, Paper
- The Treasures of Indo-China, 1922By ErtéLocated in Greenwich, CTThe Treasures of Indo-China, created in 1922, is a gouache on paper, 15 x 11.25 inches and framed in a custom, closed-corner Art Deco frame. Signed rec...Category
20th Century Art Deco Paintings
MaterialsGouache, Paper
- Untitled Fashion Design, 1920By ErtéLocated in Greenwich, CTUntitled (Fashion Design) was created for Harper's Bazar and appeared in the February, 1920 edition of the magazine. This is a gouache painting on tissue paper measuring approximately 10 x 6.5 inches and framed in a custom, closed-corner Art Deco...Category
20th Century Art Deco Paintings
MaterialsGouache, Paper
- Martha, Act I (Chicago Opera), 1925By ErtéLocated in Greenwich, CTMartha, Act I (Chicago Opera) from 1925 is a gouache on paper measuring approximately 9 x 7 inches and framed in a custom, closed-corner frame. Signed recto 'Erté' mid-right and stam...Category
20th Century Art Deco Paintings
MaterialsGouache, Paper
- Le Roi Yvetot, 1919 (no. 227)By ErtéLocated in Greenwich, CTLe Roi Yvetot (no. 227) from 1919 is a gouache painting on tissue paper mounted on board. The image size is 9.25 x 6 inches, framed in a gold-tone frame, 22.5 x 19 inches. Signed recto 'Erté' lower right, in the image and annotated verso, 'Les Rois des Lègendes, No 8, Le Roi Yvetot 227'. Erte name and 'Composition originale' stamps verso. Le Roi Yvetot is a design by Erte for the 1919 theater production of Les Rois des Lègendes. The King of Yvetot William Makepeace Thackeray: 1811 –1863 There was a king of Yvetot, Of whom renown hath little said, Who let all thoughts of glory go, And dawdled half his days a-bed; And every night, as night came round, By Jenny, with a nightcap crowned, Slept very sound: Sing ho, ho, ho! and he, he, he! That's the kind of king for me. And every day it came to pass, That four lusty meals made he; And, step by step, upon an ass, Rode abroad, his realms to see; And wherever he did stir, What think you was his escort, sir? Why, an old cur. Sing ho, ho, ho! and he, he, he! If e'er he went into excess, 'Twas from a somewhat lively thirst; But he who would his subjects bless, Odd's fish!—must wet his whistle first; And sofrom every cask they got, Our king did to himself allot, At least a pot. Sing ho, ho, ho! and he, he, he! To all the ladies of the land, A courteous king, and kind, was he; The reason why you'll understand, They named him Pater Patriae. Each year he called his fighting men, And marched a...Category
20th Century Art Deco Paintings
MaterialsGouache, Paper
- Optimism and Pessimism, 1927 (Harper's Bazar Cover - May 1929)By ErtéLocated in Greenwich, CTOptimism and Pessimism, created in 1927, was the cover design for Harper's Bazar in May 1929. This is a gouache painting on board, signed recto 'Erté' lower right in the image, and f...Category
20th Century Art Deco Paintings
MaterialsGouache, Paper
- Art Deco Spanish Woman Fashion IllustrationLocated in Wilton Manors, FLElegant and glamorous fashion illustration from the 1920's, Original signed gouache painting on paper. Monogrammed V.S. lower right. Site: 10"x 7.75" Frame: 19.25"x 17"Category
1920s Art Deco Figurative Paintings
MaterialsPaper, Gouache
- Art Deco Costume Design - EvaBy Georges LepapeLocated in Miami, FLThe paper in some of these photos looks overly textured due to the sharpness of the high-res digital camera. In person, with the human eye, the paper looks reasonably smooth with out blemishes. For this fashion illustration, Georges Lepape paints a stunning abstract pattern for the subject dress that is repeated in her hair. The work represents an early use of metallic paint, with silver metallic in the dress and bronze metallic in the blouse. Lepape's highly detailed drawing becomes more evident the closer you look. It's quite amazing how deftly he rendered facial feature on such a small scale. "Eva" 1918 Gouache, watercolor, and ink on paper Signed and dated, lower right: '1918' Inscribed, verso: "Costume for L'enfantement du mort, (miracle en pourpre, et or.). Devised by Marcel L'Herbier and performed at the Théatre Edouard VII and the Comédie des Champs-Elysées, 1919" Provenance: Ex-collection Lucien...Category
1910s Art Deco Figurative Drawings and Watercolors
MaterialsInk, Gouache, Paper, Watercolor, Pencil
- 1910's Art Deco Erte Gouache Painting Original Hand Signed Rare French CostumeBy ErtéLocated in Buffalo, NYA rare original signed Art Deco gouache on paper by Erte (Romain de Tirtoff) . This stunning theatrical costume design is signed Erte at the lower right. The piece is 20 by 18 fram...Category
1910s Art Deco Figurative Paintings
MaterialsPencil, Archival Paper, Gouache
- Mayan, Large 20th Century Watercolor, Viktor SchreckengostBy Viktor SchreckengostLocated in Beachwood, OHViktor Schreckengost (American, 1906-2008) Mayan Watercolor heightened with gouache over pencil on paper Signed lower right 39 x 29 inches 45.5 x 35.5 inches, framed Registered with The Viktor Schreckengost foundation, stock no. 6891 The son of a commercial potter in Sebring, Ohio, Viktor Schreckengost learned the craft of sculpting in clay from his father. In the mid-1920s, he enrolled at the Cleveland School of Art (now the Cleveland Institute of Art, or CIA) to study cartoon making, but after seeing an exhibition at the Cleveland Museum of Art he changed his focus to ceramics. Upon graduation in 1929, he studied ceramics in Vienna, Austria, where he began to build a reputation, not only for his art, but also as a jazz saxophonist. A year later, at the age of 25, he became the youngest faculty member at the CIA. In 1931, Schreckengost won the first of several awards for excellence in ceramics at the Cleveland Museum of Art, and his works were shown at the Metropolitan Museum of Art, the Art Institute of Chicago, the Panama-Pacific Exposition in San Francisco, and elsewhere. By the mid-1930s, Schreckengost had begun to pursue his interest in industrial design. For American Limoges...Category
20th Century Art Deco Figurative Drawings and Watercolors
MaterialsWatercolor, Gouache
- Arabian Nights - Guard and Sitting King - Islamic Golden Age - Gustaf TenggrenBy Gustaf TenggrenLocated in Miami, FLOne Thousand and One Nights - It is often known in English as the Arabian Nights. What is notable about this work is how magnificently composed, designed, and rendered it is. Its l...Category
1950s Art Deco Figurative Paintings
MaterialsGouache
- Futurist Vision - Mid-Century New York Skyline - Industrial ProgressLocated in Miami, FLRarely do you come across a work of art that is vastly different than just about anything you see. This work is undeniably brilliant and a sheer pleasure to behold. Alexander Leydenfrost...Category
1950s Art Deco Landscape Paintings
MaterialsGouache, Charcoal, Graphite, Board