Alexis Duque

The Musician, Large Lating American Modernist Oil Paintng

2001

Title: (Baseball) Mits 25.5" W x 25.5" H x 2.25" framed; canvas measures 24" W x 24" H. Provenance: The Rails Collection, Washington, DC (with their label verso) This depicts floating baseball gloves inn an abstract pattern. This is not signed on the front and might be signed verso. We have not examined out of frame. Patrick LoCicero was born in Youngstown, Ohio, in 1959. He attended Youngstown State University, Ohio, and the Columbus College of Art and Design. He completed a B.F.A. at Ohio State University in 1982 and an M.F.A. at the San Francisco Art Institute in 1986. His paintings, installations, prints, and multimedia work have been shown in California, Pennsylvania, and Ohio. LoCicero's richly layered imagery is characterized by unusual juxtapositions of everyday objects and classical motifs, which play with the viewer's perception of materials and subjects. LoCicero’s assemblage paintings combine collage with painting. The overlap and collage elements relate directly to the images he depicts, guiding him in his choice of subjects, and come from a variety of sources including the Kama Sutra, antique children’s books...

Ellen De Meutter Paint 2, 2007 Acrylic, ink and oil on canvas 31.5 x 23.6 in (80.0 x 59.9 cm) Provenance: Secrets & Lies show at her American gallery Roberts & Tilton, LA in 2007 Ellen De Meutter (1981) teaches painting at the Royal Academy of Fine Arts of Antwerp. In 2006-2007 she followed the HISK programme in Ghent, in 2013-2014 she did a residency at the Jan Van Eyck Academy in Maastricht. De Meutter is represented by Tim Van Laere Gallery since 2006. (they represent Tal R, Marcel Dzama, Tomasz Kowalski and Franz West) Her work has been shown in various exhibitions in Belgium, the United States, Italy, Spain, the Netherlands, Germany and Japan. In 2010 she had her first solo museum exhibition in Museum Dhondt-Dhaenens. Ellen De Meutter alters her viewer's reality by presenting a language in which she classifies the figures, shapes and colors from her personal world into a captivating utopia. Contrary to current trends in Flemish art, De Meutter is not simply relaying an anecdote; she composes unique imagery that allows her to experiment with the placement of the subject and unique treatments of her medium. De Meutter's repertoire of vivid, semi-neon colors contrast the muted grays blacks and grays on which they lay. These seemingly energetic colors are at once enhanced by the dark undertones of the canvas below, while simultaneously insinuating a concealed gravity of subject. Belgian art critic and curator, Luk Lambrecht remarks on De Meutter's painting: "she folds back 'her' world onto itself, into a solid mass of color from which, very slowly, vague contours emerge, which safeguard our expectations about looking at an image." De Meutter's scenes are reminiscent of schoolyard games, incorporating a series of text and symbols. By combing figurative imagery with basic abstraction, Ellen De Meutter creates wildly successful compositions that allude to her comprehensive understanding of contemporary painting. She was included in the show, Tomorrow is a long time: Ellen De Meutter, Gelitin, Kati Heck, Anton Henning, Friedrich Kunath...

depicting two women, deshabille, partially nude with tropical fruit. surrealist. Alexis Duque Imaginatively charting the psychological experience of space, Alexis Duque produces pai...

Title: Home Run Genre: Realism, sports, baseball Subject: People Medium: Oil (this might be acrylic, it feels like oil) on canvas Country: United States Dimensions: framed 23 X 25 sight 17.5 X 19.5 Provenance: Sande Webster Gallery in Philadelphia (bears label verso) Faintly signed lower right (see photos) Andrew Turner was born in 1944 in Chester, Pennsylvania. He was a graduate of Temple University Tyler School of Art. Andrew’s work has been widely acclaimed, with many solo exhibitions and participation in group exhibitions. He has taught art in grades K-12 in the Chester, Pennsylvania Public Schools and in correctional centers. His appointments include Artist-in-Residence and Curator, Deshong Museum, Chester, PA; Lecturer, Widener University; Lecturer, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA; and, he toured and lectured in The People’s Republic of China. Andrew’s paintings are included in the collections of Woody Allen, Dr. Maya Angelou, ARCO Chemical Company, Bell Telephone Company, Dr. Constance Clayton, Mr. and Mrs. Bill Cosby, Edie Huggins, the artist previously known as Prince, Maya Angelou, Eric Lindros, Mr. and Mrs Louis Madonni, Moses Malone, Penn State University, Prince, Mr. and Mrs. Harold Sorgenti, Swarthmore College, Mrs. Marilyn Wheaton, and Widener University Deshong Museum, just to name a few. He has been featured in numerous solo exhibitions and group exhibitions in the United States and abroad. In an interview prior to his death in 2001, Turner noted, "My paintings combine the drama inherent in seventeenth century Dutch painting with the brush work and the economy of the Impressionists. However, I look to the jazz idiom more so than to other contemporary visual artists for guidance and inspiration. I tend to measure the success of my pieces by how they stand up technically, emotionally and innovatively to a John Coltrane solo or whether I've captured the spirit of the occasion, a la Duke Ellington. The subject matter, sometimes nostalgic recollections of my days as a young tough, covers a myriad of common folk activities. This one is reminiscent of Purvis Young. "The setting, usually my native Chester, is a beehive of creative stimulation or a deteriorating ghetto depending on my state of mind. At the very least, hopefully, these vignettes of experience will help to provide insight into some African American lifestyles and serve as an inspiration to my students and others to continue the legacy of African American participation in the arts." Folk Artist, Outsider artist, Folk Art. His work is from the true original street artist such as Purvis Young and the early Brooklyn street art Jean Michel Basquiat. “My paintings combine the drama inherent in seventeenth century Dutch painting with the brush work and the economy of the Impressionists. However, The setting usually my native Chester, is a beehive of creative stimulation or a deteriorating ghetto depending on my state of mind. At the very least, hopefully, these vignettes of experience will help to provide insight into some African American lifestyles and serve as an inspiration to my students and others to continue the legacy of African American participation in the arts.” He was included in the seminal show PHILADELPHIA (PA). Woodmere Art Museum. In Search of Missing Masters: The Lewis Tanner Moore Collection of African American Art. September 28, 2008-February 22, 2009. Artists: Henry Ossawa Tanner, Romare Bearden, Elizabeth Catlett, Barbara Chase-Riboud, Joseph Delaney, Sam Gilliam, Leroy Johnson, Lois Mailou Jones...

Wang Tao (Chinese, 1943) "Blue Clouds with Dragons (Untitled)," 2007, Acrylic and vintage antique paper collage on canvas, Hand signed and dated L/R, Verso inscribed and dated Di...

Jerry Kearns is an American visual artist who was born in 1943. Several works by the artist have been sold at auction, including 'Seven works: Exit Art The First World portfolio' sold at Phillips New York, Chelsea 'Editions' in 2010. There have been Several articles about Jerry Kearns, including 'Art in Review; Jerry Kearns' written by Holland Cotter for New York Times in 1996. influences include Andy Warhol, Keith Haring and Roy Lichtenstein. JERRY KEARNS SELECTED GROUP EXHIBITIONS 2007 "Kentucky Derby Benefit Party and Art Benefit Auction" 2006 “Scope MIAMI” Jack The Pelican Presents Gallery, Miami FLA. “What a War” White Box Gallery, New York , NY. Curator Eleanor Heartney “Gallery Artists” Modernism Gallery, San Francisco, CA. “ WORD” Deborah Colton Gallery, Houston, TX. Curator Brandon Krall “Hedonistic Imperative”, Deborah Colton Gallery, Houston, TX “The Studio Visit”, EXIT ART, New York 2004 “The Print Show”, EXIT ART, New York “25 Anniversary...

Archaic Hercules Skinning a Rabbit, 2019 Acrylic on canvas 53.14 H x 55.11 W in. 135 H x 140 W cm In classical mythology, Hercules is famous for his strength and his numerous far-ra...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to cr...

Luis Miguel Valdes (Cuba, 1949) 'La soledad de las columnas', 2018 oil on canvas 55.2 x 181.2 in. (140 x 460 cm.) ID: VAL-334

Gyre acrylic, spray paint on canvas 80" x 96" 2022 Part of the New Minority Series Dennis Jones was first introduced to the use of a bidet while being extremely ill in Hurghada, Egypt. He has played the game of ‘Jenga’ with prostitutes in Phuket, Thailand. Once he hiked down to the bottom of the Grand Canyon from the North Rim and back in twelve hours. Jones has also visited fifty US National Parks. The work of Dennis Jones is growth oriented. There is diversity among his oeuvre and much risk in such an approach. Eschewing a ‘signature style’ that he considers to be boring, creatively limiting and market driven, he prefers to consider how method and expression intermingle and form a conceptual basis. A cursory glance may consider his prodigious output to lack focus, but a deeper reading reveals that he remains true to himself and allows his work to take him where it needs to go. There has always been the presence of a figure in his work, either implied, or directly visible. One can trace several years of development from his interest in figurative and cartoon-like imagery in, Toyland (2006), through his foray into text based work (2007-13) and a later influence of abstraction (2012-18). Following this trajectory brings one to his current body of work that combines figuration, cartoons and abstraction. He is a visual artist, educator, and architect. Each of the ‘hats’ he wears directly influence his work. He states that ‘a fascination with an integration of material, process and expression, truth of emotion and visually communicating thought are what sustain and drive him as an artist. Jones has participated in over seventy solo and group shows that include local, national and international venues. His creative output includes paintings, sculptures, drawings, installations, videos, photos, books, teaching and residential architecture. Jones’ work was selected to be included in the New American Paintings 2019 Midwest Competition Publication, juried by Staci Boris, Associate Director of Exhibitions, School of the Art Institute of Chicago. Currently, his focus is on a growing body of paintings, in mixed media, on canvas that combine abstraction, figuration and cartoon imagery. Jones had a one person exhibition at the University of Michigan in September through December of 2018. A review of the show can be read on the page titled, Candyland Review. Earlier the same year, He curated an exhibition titled, SIX, that opened in January of 2018, at The Janice Charach Gallery; a five thousand square foot space, located in West Bloomfield, Michigan. The exhibition featured the work of six Detroit artists and provided adequate space for each to show a body of work…essentially six individual shows in one space. Selected venues that have shown Jones’ work include: The OK Harris Gallery, New York; Galerie Protege, NY; The Mary Washington Galleries, Mary Washington University, Fredericksburg, Maryland; The Kraft Lieberman Gallery, Chicago; The Drift Gallery, Portsmouth, NH; The Project Room, Lincoln, NE; The Art Gallery of Windsor, Windsor, Canada; Artcite, Windsor, CA; The Thames Gallery, Chatham, Ontario, Canada; The Kenderdine Art Gallery, University of Saskatchewan, Saskatchewan, CA; Definitely Superior Gallery, Thunder Bay, ON, CA; Gallery Lambton, Sarnia, ON, CA, WKP Kennedy, North Bay...

"Luis Miguel Valdes (Cuba, 1949) 'Strong Tower', 1998 acrylic, marbel dust on canvas 78.8 x 78.8 in. (200 x 200 cm.) ID: VAL- "

"Luis Miguel Valdes (Cuba, 1949) 'Cuarto', 2017 oil, acrylic on canvas 76.8 x 76.8 in. (195 x 195 cm.) ID: VAL- "